{"id":2290,"date":"2025-03-25T17:54:50","date_gmt":"2025-03-25T16:54:50","guid":{"rendered":"https:\/\/jclebrun.eu\/blog\/?p=2290"},"modified":"2025-03-25T18:11:40","modified_gmt":"2025-03-25T17:11:40","slug":"olivier-bordacarre-3","status":"publish","type":"post","link":"http:\/\/jclebrun.eu\/blog\/2025\/03\/25\/olivier-bordacarre-3\/","title":{"rendered":"Olivier Borda\u00e7arre"},"content":{"rendered":"\n<h4 class=\"wp-block-heading alignfull has-text-align-center\"><strong>Un an apr\u00e8s \u00ab&nbsp;<em>La Disparition d\u2019Herv\u00e9 Snout<\/em>&nbsp;\u00bb, thriller ironique et gla\u00e7ant sur le patron d\u2019un abattoir litt\u00e9ralement hach\u00e9 menu, Olivier Borda\u00e7arre se livre \u00e0 un v\u00e9ritable grand \u00e9cart avec \u00ab&nbsp;<em>Un Amour d\u2019Elise<\/em>&nbsp;\u00bb, roman d\u2019une sensibilit\u00e9 extr\u00eame, d\u2019une facture superbe et d\u2019une construction magistrale sur l\u2019histoire d\u2019un couple qui avait travers\u00e9 de concert pr\u00e8s de neuf d\u00e9cennies<\/strong> &nbsp;<\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"358\" height=\"524\" src=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/03\/OLIVIER.png\" alt=\"\" class=\"wp-image-2294\" srcset=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/03\/OLIVIER.png 358w, http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/03\/OLIVIER-205x300.png 205w\" sizes=\"auto, (max-width: 358px) 100vw, 358px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Cela commence \u00e0 la fa\u00e7on d\u2019un roman d\u2019anticipation, en 2067, alors que les temp\u00e9ratures sont devenues br\u00fblantes et que la technologie a profond\u00e9ment transform\u00e9 la vie au quotidien. Olivier Borda\u00e7arre cite le cadre de vie, les appartements high tech, la lumi\u00e8re diffus\u00e9e par les murs, les \u00e9crans qui vous restituent imm\u00e9diatement les livres que vous aimez, comme les r\u00e9volutions m\u00e9dicales, les nouvelles proth\u00e8ses intelligentes et indolores, mais aussi le contr\u00f4le g\u00e9n\u00e9ralis\u00e9 des citoyens, par exemple la mesure en continu par des <em>box<\/em> des param\u00e8tres individuels de sant\u00e9. Tout ce qu\u2019on d\u00e9couvre en m\u00eame temps qu\u2019appara\u00eet Elise un matin au sortir du sommeil. La vieille dame vit seule, la partie droite du lit conjugal est vide depuis la mort r\u00e9cente de son \u00e9poux, l\u2019\u00e9crivain Gilles Arthur, \u00e0 l\u2019\u00e2ge de quatre-vingt-dix-neuf ans. Elle va bient\u00f4t s\u2019employer \u00e0 mettre un peu d\u2019ordre dans le bureau de celui-ci, mais n\u2019imagine certainement pas y faire une d\u00e9couverte &nbsp;bouleversante&nbsp;:&nbsp;\u00ab&nbsp;<em>plaqu\u00e9e au mur, une chemise \u00e9paisse aux \u00e9lastiques distendus contenant un manuscrit dont elle n\u2019a jamais entendu parler&nbsp;: <strong>Grandir ensemble<\/strong><\/em>.&nbsp;\u00bb En fait le r\u00e9cit par Gilles Arthur des neuf d\u00e9cennies de leur vie commune. Pour le lecteur, en position de surplomb par-dessus l\u2019\u00e9paule de la vieille dame, un prodigieux cheminement qui fait du livre d\u2019Olivier Borda\u00e7arre un grand moment d\u2019invention litt\u00e9raire.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Parfois des d\u00e9calages de dates ou une certaine diff\u00e9rence de rendu des faits entre le r\u00e9cit de Gilles et les souvenirs qu\u2019Elise en garde ne manquent pas d\u2019interroger le lecteur<\/strong><\/p>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Le roman, que l\u2019\u00e9crivain disparu avait curieusement dissimul\u00e9 au milieu d\u2019autres dossiers, g\u00e9n\u00e9reusement \u00e9toff\u00e9 &nbsp;de notes, documents divers et m\u00eame feuillets ratur\u00e9s tels des repentirs, raconte leur rencontre pr\u00e9coce d\u00e8s l\u2019adolescence, puis le long \u00e9loignement au d\u00e9but de l\u2019\u00e2ge adulte, les bouts de chemin avec d\u2019autres partenaires avant les retrouvailles en 1997 et les ann\u00e9es de vie commune, les enfants, les bonheurs, mais aussi les \u00ab&nbsp;<em>temp\u00eates<\/em>&nbsp;\u00bb et les drames, leurs sensibilit\u00e9s et leurs affres respectives d\u2019artistes. Lui, Gilles Arthur, n\u00e9 en 1966, \u00e9crivain \u00e0 succ\u00e8s, elle, Elise D\u00e9lissalde, n\u00e9e en 1967, sculptrice ayant acc\u00e9d\u00e9 sur le tard \u00e0 une renomm\u00e9e internationale. Il lui avait fallu attendre 2047 pour qu\u2019une exposition lui soit consacr\u00e9e au Centre Pompidou. A travers leurs deux destin\u00e9es le r\u00e9cit restitue de fa\u00e7on quasi exhaustive, avec une foule de r\u00e9f\u00e9rences pr\u00e9cises \u00e0 l\u2019actualit\u00e9, souvent lest\u00e9es d\u2019une forte charge critique, ce que furent le temps et les lieux travers\u00e9s par eux, notamment au cours de la p\u00e9riode 1980-2024. Tandis que d\u2019autres chapitres sont consacr\u00e9s \u00e0&nbsp; l\u2019ann\u00e9e 2067. Olivier Borda\u00e7arre fait tout du long alterner les deux temporalit\u00e9s, en une mani\u00e8re d\u2019aller et retour entre le pr\u00e9sent de la lecture du manuscrit et le pass\u00e9 que celui-ci restitue. Parfois des d\u00e9calages de dates ou une certaine diff\u00e9rence de rendu des faits entre le r\u00e9cit de Gilles et les souvenirs qu\u2019Elise en garde ne manquent pas d\u2019interroger le lecteur. On pourrait certes les attribuer au fonctionnement de leurs v\u00e9cus et de leurs m\u00e9moires respectives. C\u2019est ainsi qu\u2019on voit Elise contester des passages du roman de son mari&nbsp;et sa propension \u00e0 l\u2019embellissement : \u00ab&nbsp;<em>Ah, le bel \u00e9crivain qui perd la m\u00e9moire pour faire un joli roman sans vagues, sans une ombre au tableau&nbsp;!<\/em>&nbsp;\u00bb Le propos est rude, pour la femme \u00e9plor\u00e9e qui est entr\u00e9e en veuvage depuis seulement cinq mois.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Il faut reprendre la lecture, en changer l\u2019\u00e9clairage initial, r\u00e9\u00e9valuer les certitudes qu\u2019on s\u2019\u00e9tait forg\u00e9es<\/strong><\/p>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Parmi les documents que Gilles avait gliss\u00e9s dans l\u2019\u00e9paisse&nbsp; chemise se trouvait une annonce n\u00e9crologique&nbsp;: le 4 octobre 2066 l\u2019on avait proc\u00e9d\u00e9 \u00e0 \u00ab&nbsp;<em>la mise en terre<\/em>&nbsp;\u00bb d\u2019Elise D\u00e9lissalde, dont le d\u00e9c\u00e8s \u00e9tait \u00ab&nbsp;<em>survenu le 1<sup>er<\/sup> octobre 2066 \u00e0 l\u2019\u00e2ge de 99 ans<\/em>.&nbsp;\u00bb Alors tout bascule, des rep\u00e8res se brouillent, que l\u2019on avait pourtant cru infrangibles. Il faut reprendre la lecture, en changer l\u2019\u00e9clairage initial, r\u00e9\u00e9valuer les certitudes qu\u2019on s\u2019\u00e9tait forg\u00e9es. L\u2019on assiste ici \u00e0 un stup\u00e9fiant retournement narratif, le tour de force d\u2019une soudaine mise en abyme qui laisse simplement admiratif. Un autre r\u00e9cit alors se r\u00e9v\u00e8le, non moins sensible et troublant, qui ajoute encore au beau trembl\u00e9 des images du couple Gilles-Elise. Tr\u00e8s exactement deux si\u00e8cles avant la mort de la sculptrice du roman d\u2019Olivier Borda\u00e7arre, en 1865, le musicologue Ludwig Nohl avait retrouv\u00e9 dans les papiers de Therese Malfati von Rohrenbach, qui fut vainement demand\u00e9e en mariage par Beethoven, une partition en mauvais \u00e9tat&nbsp;: celle de la fameuse \u00ab&nbsp;<strong><em>Lettre \u00e0 Elise<\/em><\/strong>.&nbsp;\u00bb La co\u00efncidence des circonstances est trop troublante&nbsp;: \u00e0 son tour Olivier Borda\u00e7arre vient tout bonnement de composer, le mot n\u2019est pas trop fort, une nouvelle &nbsp;\u00ab&nbsp;<strong><em>Lettre \u00e0 Elise<\/em><\/strong>.&nbsp;\u00bb, Cette fois dans le champ de la litt\u00e9rature.<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">\u00ab&nbsp;<strong>Un Amour d\u2019Elise<\/strong>&nbsp;\u00bb, d\u2019Olivier Borda\u00e7arre, Editions Deno\u00ebl, 354 pages, 22 \u20ac<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">27\/03\/2025 \u2013 1736 \u2013 W116&nbsp;<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Un an apr\u00e8s \u00ab&nbsp;La Disparition d\u2019Herv\u00e9 Snout&nbsp;\u00bb, thriller ironique et gla\u00e7ant sur le patron d\u2019un abattoir litt\u00e9ralement hach\u00e9 menu, Olivier Borda\u00e7arre se livre \u00e0 un v\u00e9ritable grand \u00e9cart avec \u00ab&nbsp;Un Amour d\u2019Elise&nbsp;\u00bb, roman d\u2019une sensibilit\u00e9 extr\u00eame, d\u2019une facture superbe et d\u2019une construction magistrale sur l\u2019histoire d\u2019un couple qui avait travers\u00e9 de concert pr\u00e8s de neuf [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[78,79],"class_list":["post-2290","post","type-post","status-publish","format-standard","hentry","category-non-classe","tag-une-formidable-mise-en-abyme-du-travail-decriture","tag-une-totale-reussite"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - 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