{"id":2783,"date":"2026-01-12T11:50:25","date_gmt":"2026-01-12T10:50:25","guid":{"rendered":"https:\/\/jclebrun.eu\/blog\/?p=2783"},"modified":"2026-01-13T10:10:25","modified_gmt":"2026-01-13T09:10:25","slug":"swann-dupont","status":"publish","type":"post","link":"http:\/\/jclebrun.eu\/blog\/2026\/01\/12\/swann-dupont\/","title":{"rendered":"Swann DUPONT"},"content":{"rendered":"\n

Une jeune maison d\u2019\u00e9dition, Istya & Cie, propose le premier roman au titre choc, \u00ab\u00a0Fille de pute<\/em>\u00a0\u00bb, d\u2019une autrice qui depuis l\u2019enfance eut elle-m\u00eame \u00e0 entendre l\u2019injure aujourd\u2019hui \u00a0inscrite dans les habitudes langagi\u00e8res. Certes plut\u00f4t au masculin. Swann Dupont, qui a grandi dans un village de la France dite p\u00e9riph\u00e9rique, reprend en effet l’expression \u00e0 son compte pour d\u2019une certaine fa\u00e7on la retourner. Au fil d\u2019un texte \u00e0 la premi\u00e8re personne, \u00e9nergique et inventif, dr\u00f4le et accusateur, qui touche terriblement profond et s\u2019inscrit parmi les belles surprises de l\u2019hiver litt\u00e9raire.<\/strong><\/h4>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Le r\u00e9cit s\u2019ouvre dans une salle d\u2019un service hospitalier. Celle qui raconte a vingt-sept ans. Dans la file d\u2019attente pour recevoir deux pilules abortives elle a le num\u00e9ro dix-neuf. Dix-neuf ans, c\u2019\u00e9tait justement l\u2019\u00e2ge auquel ses parents s\u2019\u00e9taient rencontr\u00e9s. Vingt-sept ans, \u00ab Tu parles d\u2019une ironie<\/em> \u00bb, celui auquel ceux-ci avaient ensuite divorc\u00e9 : \u00ab Mon p\u00e8re quittait ma m\u00e8re, devenue trop <\/em>m\u00e8re, selon lui, pour \u00e9pouser une travailleuse du sexe<\/em>. \u00bb Le ton est donn\u00e9, entre douleur et humour grin\u00e7ant. Le p\u00e8re, \u00ab int\u00e9rimaire longue dur\u00e9e<\/em> \u00bb, \u00e9tait donc parti au volant de sa vieille Polo. Il emmenait avec lui ses trois enfants. L\u2019alternance du divorce les ferait r\u00e9guli\u00e8rement revenir chez leur m\u00e8re, femme de m\u00e9nage rest\u00e9e au village \u00e0 seulement quelques kilom\u00e8tres. Dans la petite localit\u00e9 normande l\u2019on ne s\u2019\u00e9tait pas fait faute, dans un r\u00e9sum\u00e9 un peu rapide, d\u2019\u00e9tablir un lien entre la future narratrice et cette belle-m\u00e8re. Quoi de plus parlant que \u00ab fille de pute<\/em> \u00bb ? Swann Dupont raconte la violence sociale derri\u00e8re la banalit\u00e9 de l\u2019expression, qui s\u2019exercerait sur elle tout au long de sa jeunesse. Tel un stigmate, par d\u00e9finition ineffa\u00e7able.  Son texte s\u2019applique \u00e0 dire l\u2019\u00e9tendue des d\u00e9g\u00e2ts dans son quotidien. Sur sa fa\u00e7on de se voir et de voir les autres. A commencer par \u00ab la voleuse de p\u00e8re<\/em> \u00bb, mais aussi son fr\u00e8re et sa s\u0153ur, comme la demi-s\u0153ur qui vient d\u2019entrer dans sa vie. La voix narrative de l\u2019adulte reprend les mots de l\u2019enfant pour restituer le s\u00e9isme qui vient d\u2019\u00e9branler son univers. Sous la violence du verbe se laisse entendre un d\u00e9sespoir.<\/h4>\n\n\n\n
\n

Le texte de Swann Dupont fourmille de notations ouvrant \u00e0 une lecture psychanalytique<\/strong><\/h4>\n<\/blockquote>\n\n\n\n

A chaque retour chez la m\u00e8re il y aurait d\u00e9sormais le c\u00e9r\u00e9monial obligatoire du bain : \u00ab Peut-\u00eatre tente-t-elle de nous rendre \u00e0 grands coups de savonnette l\u2019innocence de notre enfance ?<\/em> \u00bb, avance la narratrice qui sans doute n\u2019avait pas saisi \u00e0 l\u2019\u00e9poque toute l\u2019ambigu\u00eft\u00e9 du geste. Ne s\u2019agissait-il pas plut\u00f4t de laver les enfants de toute trace du foyer vu comme impur ? La baignoire comme sas de d\u00e9contamination. Le texte de Swann Dupont fourmille de notations ouvrant \u00e0 une lecture psychanalytique. Quand elle en arrive aux troubles de l\u2019adolescence, impossible par exemple de ne pas \u00e9voquer une v\u00e9ritable sc\u00e8ne primitive lors du premier \u00e9t\u00e9. Elle a dix ans. Les quatre enfants, juch\u00e9s sur une poutre de la charpente surplombent la salle de bains. La compagne du p\u00e8re y entre, se d\u00e9shabille. La suite se passe de commentaire : \u00ab D\u2019un geste de la main, elle se lave de la nuit, elle inonde chaque pli, chaque commissure, chaque recoin de son corps. A grands coups de couleur, elle va r\u00e9apprivoiser ce territoire, rendre au corps son \u00e2me de putain<\/em>. \u00bb  Le corps, ce sera pr\u00e9cis\u00e9ment la grande affaire de celle qui raconte. Entre d\u00e9sirs multiples, d\u00e9couvertes, violences et r\u00e9voltes constitutifs de son identit\u00e9. Le propos est souvent cru, moins provocateur que d\u00e9sireux de nommer les choses dans leur compl\u00e8te mat\u00e9rialit\u00e9.<\/h4>\n\n\n\n
\n

Ce qui se dit en l\u2019esp\u00e8ce, c\u2019est la pr\u00e9sence pr\u00e9coce de ce que d\u2019aucuns, au milieu du XIX\u00e8me si\u00e8cle, avaient d\u00e9fini comme la conscience de classe<\/strong><\/h4>\n<\/blockquote>\n\n\n\n

Si l\u2019on h\u00e9site ici \u00e0 citer Annie Ernaux, depuis son Nobel mise un peu \u00e0 toutes les sauces, il n\u2019en appara\u00eet pas moins \u00e9vident que Swann Dupont brasse une mati\u00e8re proche, celle d\u2019une \u00e9mancipation de sa classe d\u2019origine et d\u2019une volont\u00e9 de ne rien omettre de la douloureuse migration. A l\u2019origine le monde de la narratrice se divisait en deux : les \u00ab Particules<\/em> \u00bb et les autres, auxquels elle-m\u00eame appartenait. \u00ab Les Particules, c\u2019est comme \u00e7a qu\u2019on appelle les riches aux noms \u00e0 rallonge fa\u00e7on curriculum vitae int\u00e9gr\u00e9 au blase<\/em> \u00bb, explique-t-elle. Ce qui se dit en l\u2019esp\u00e8ce, c\u2019est la pr\u00e9sence pr\u00e9coce de ce que d\u2019aucuns, au milieu du XIX\u00e8me si\u00e8cle, avaient d\u00e9fini comme la conscience de classe. Ins\u00e9parable de la conscience de soi et de son propre corps. L\u00e0-dessus Swann Dupont propose des pages vibrantes de sensibilit\u00e9 et d\u2019esprit de r\u00e9volte. La sexualit\u00e9 s\u2019y pr\u00e9sente tel un terrain de lutte. Celle qui raconte en explorera les moindres recoins, crue et pr\u00e9cise, mais sans le moindre soup\u00e7on de trivialit\u00e9. Ne s\u2019agit-il pas en effet de dire d\u2019abord une \u00e9mancipation ?  Tout du long, par son visible ancrage dans la tangibilit\u00e9 du r\u00e9el, \u00ab Fille de pute<\/strong> \u00bb se lit du m\u00eame mouvement comme un texte intime et politique. Ce qui est pr\u00e9cis\u00e9ment le propre du litt\u00e9raire.<\/h4>\n\n\n\n
\u00ab Fille de pute<\/em><\/strong> \u00bb de Swann Dupont, Editions Istya &Cie, 256 pages, 20 \u20ac<\/h5>\n\n\n\n
15\/01\/2026 \u2013 1770 \u2013 W150<\/h5>\n","protected":false},"excerpt":{"rendered":"

Une jeune maison d\u2019\u00e9dition, Istya & Cie, propose le premier roman au titre choc, \u00ab\u00a0Fille de pute\u00a0\u00bb, d\u2019une autrice qui depuis l\u2019enfance eut elle-m\u00eame \u00e0 entendre l\u2019injure aujourd\u2019hui \u00a0inscrite dans les habitudes langagi\u00e8res. Certes plut\u00f4t au masculin. Swann Dupont, qui a grandi dans un village de la France dite p\u00e9riph\u00e9rique, reprend en effet l’expression \u00e0 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[113],"tags":[136,135,137],"class_list":["post-2783","post","type-post","status-publish","format-standard","hentry","category-roman","tag-intime-et-politique","tag-recit-dune-emancipation","tag-sexualite-et-lutte-des-classes"],"yoast_head":"\nSwann DUPONT - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"description\" content=\"Le r\u00e9cit d'une \u00e9mancipation, intime, sexuelle et politique\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jclebrun.eu\/blog\/2026\/01\/12\/swann-dupont\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Swann DUPONT - 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