{"id":2966,"date":"2026-04-29T15:17:12","date_gmt":"2026-04-29T13:17:12","guid":{"rendered":"http:\/\/jclebrun.eu\/blog\/?p=2966"},"modified":"2026-04-29T15:55:08","modified_gmt":"2026-04-29T13:55:08","slug":"jean-paul-goux","status":"publish","type":"post","link":"http:\/\/jclebrun.eu\/blog\/2026\/04\/29\/jean-paul-goux\/","title":{"rendered":"Jean-Paul GOUX"},"content":{"rendered":"\n<h4 class=\"wp-block-heading alignfull has-text-align-center\"><strong>Une actualit\u00e9 \u00e9ditoriale, dont on aimerait qu\u2019elle ne soit pas seulement due au hasard des programmations, rapproche aujourd\u2019hui deux textes de Jean-Paul Goux qui pourraient au premier abord figurer une mani\u00e8re de grand \u00e9cart dans l\u2019\u00e9criture de l\u2019\u00e9crivain franc-comtois. Le premier, paru en janvier dernier, est une r\u00e9\u00e9dition critique de \u00ab&nbsp;<em>M\u00e9moires de l\u2019enclave<\/em>&nbsp;\u00bb, dont la publication initiale remonte \u00e0 1986. Le second, \u00ab&nbsp;<em>A la lisi\u00e8re<\/em>&nbsp;\u00bb, a paru cet hiver. Il rel\u00e8ve de la fiction. L\u2019auteur le pr\u00e9sente comme une \u00ab&nbsp;<em>description<\/em> \u00bb<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"257\" height=\"402\" src=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2026\/04\/GOUX-2.jpeg\" alt=\"\" class=\"wp-image-2976\" srcset=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2026\/04\/GOUX-2.jpeg 257w, http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2026\/04\/GOUX-2-192x300.jpeg 192w\" sizes=\"auto, (max-width: 257px) 100vw, 257px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Si cette \u0153uvre de haute port\u00e9e, engag\u00e9e en 1977 avec \u00ab&nbsp;<strong><em>Le Montreur <strong>d\u2019ombres&nbsp;\u00bb<\/strong><\/em><\/strong>, se compose dans sa grande majorit\u00e9 de textes fictionnels, quatorze romans et plusieurs r\u00e9cits, elle comprend \u00e9galement des essais ainsi que les \u00ab&nbsp;<em>r\u00e9cits d\u2019industrie<\/em>&nbsp;\u00bb qui ont aliment\u00e9 \u00ab&nbsp;<strong><em>M\u00e9moires de l\u2019enclave<\/em><\/strong>&nbsp;\u00bb, un ensemble singulier qui rel\u00e8ve autant du t\u00e9moignage que d\u2019un travail plus ambitieux : pendant deux ans Jean-Paul Goux avait multipli\u00e9 les entretiens sur la vie ouvri\u00e8re dans le bassin de Sochaux-Montb\u00e9liard, fief du capitalisme familial avec notamment Peugeot et Japy&nbsp;; il avait \u00e9paissi ce mat\u00e9riau premier d\u2019une invention de son cru, des extraits du journal intime d\u2019un jeune enqu\u00eateur sp\u00e9cialiste d\u2019arch\u00e9ologie&nbsp;; \u00e0 cela il avait joint des collages de documents et proc\u00e9d\u00e9 \u00e0 diverses autres insertions. De ce travail pour ainsi dire totalisant avait r\u00e9sult\u00e9 \u00ab&nbsp;<em>le livre le plus total, le plus fouill\u00e9, sur l\u2019usine, au moment o\u00f9 l\u2019histoire bascule<\/em>&nbsp;\u00bb, avait \u00e9crit Fran\u00e7ois Bon, lui-m\u00eame auteur de \u00ab&nbsp;<strong><em>Sortie d\u2019usine<\/em><\/strong>&nbsp;\u00bb (1982), l\u2019un des textes constitutifs de la modernit\u00e9. Alors que Jean-Paul Goux affichait alors sa proximit\u00e9 avec les avant-gardes litt\u00e9raires et politiques, \u00ab&nbsp;<strong><em>M\u00e9moires de l\u2019enclave<\/em><\/strong>&nbsp;\u00bb osait l\u2019alliance de t\u00e9moignages sur la r\u00e9alit\u00e9 ouvri\u00e8re la plus concr\u00e8te avec des proc\u00e9dures de composition et d\u2019\u00e9criture relevant d\u2019une \u00e9vidente avant-garde esth\u00e9tique n\u2019entretenant qu\u2019un rapport lointain avec la tradition r\u00e9aliste.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Quelque chose circule de l\u2019un \u00e0 l\u2019autre texte<\/strong><\/h4>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Quatre d\u00e9cennies plus tard voici donc \u00ab<em>&nbsp;<strong>A la lisi\u00e8re<\/strong><\/em>&nbsp;\u00bb, que tout semble opposer au grand travail de 1986. A commencer par son \u00e9paisseur&nbsp;: seulement 182 pages contre plus de 600 pour les \u00ab&nbsp;<strong><em>M\u00e9moires<\/em><\/strong>.&nbsp;\u00bb Puis l\u2019on a ici affaire \u00e0 un r\u00e9cit de facture plut\u00f4t lin\u00e9aire face \u00e0 des proc\u00e9d\u00e9s de diffraction et de recomposition. Enfin l\u2019on doit noter la pr\u00e9sence d\u2019une seule voix narrative contre celle d\u2019un v\u00e9ritable chorus. Les dissemblances apparaissent multiples. Et cependant quelque chose circule de l\u2019un \u00e0 l\u2019autre texte. Cela touche \u00e0 la m\u00e9moire. D\u2019abord celle des lieux. Non plus celle clairement identifiable des lieux de travail et d\u2019habitation, mais celle \u00e0 la fois pr\u00e9cise et mouvante de paysages et d\u2019ambiances ainsi que de la forme de deux maisons enserr\u00e9es dans une for\u00eat. Lisant Jean-Paul Goux, impossible de ne pas effectuer le rapprochement avec Julien Gracq dans \u00ab&nbsp;<strong><em>Au ch\u00e2teau d\u2019Argol<\/em><\/strong>&nbsp;\u00bb, premier roman publi\u00e9 en 1938. Il y est semblablement question des rapports entre trois personnages dans un lieu singulier en Bretagne, un ch\u00e2teau, mais aussi de beaut\u00e9 et d\u2019\u00e9tudes. Chez Jean-Paul Goux cela se passe dans une mani\u00e8re de r\u00e9gion l\u00e9gendaire. Le nom de Senceney y est certes cit\u00e9. Mais il reste introuvable sur les atlas, hormis comme lieu-dit d\u2019une commune de C\u00f4te d\u2019Or, Marcenay, pas vraiment <em>au milieu des bois<\/em>, qui \u00e9tait pr\u00e9cis\u00e9ment le nom que Thibaud et Claire dans \u00ab&nbsp;<strong><em>A la lisi\u00e8re<\/em><\/strong>&nbsp;\u00bb avaient donn\u00e9 \u00e0 une premi\u00e8re maison.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Une mani\u00e8re qui tient en m\u00eame temps du proc\u00e8s-verbal et de la suggestion po\u00e9tique<\/strong><\/h4>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Claire, qui peignait des arbres et des nuages, n\u2019est plus. Emport\u00e9e par la maladie. Thibaud ne souhaite pas que son \u0153uvre, certes largement reconnue, ne cesse cependant d\u2019\u00eatre vivante. Il fait appel \u00e0 Cyrille, le narrateur, et \u00e0 son amie Clotilde pour remplir cette mission. Cyrille est son filleul et le fils de Thomas. Thibaud et Thomas avaient fr\u00e9quent\u00e9 la m\u00eame hypokh\u00e2gne, avaient \u00e9t\u00e9 re\u00e7us ensemble \u00e0 Normale, enseignaient tous les deux la philosophie \u00e0 la Sorbonne, \u00ab&nbsp;<em>\u00e0 l\u2019\u00e9poque o\u00f9 ce nom ne n\u00e9cessitait aucune pr\u00e9cision<\/em>&nbsp;\u00bb pr\u00e9cise non sans malice celui qui raconte. Ainsi que dans \u00ab&nbsp;<strong><em>M\u00e9moires de l\u2019enclave<\/em><\/strong>&nbsp;\u00bb la notion de lien est une nouvelle fois essentielle. S\u2019y ajoute, d\u2019assez admirable fa\u00e7on, une mani\u00e8re qui tient en m\u00eame temps du proc\u00e8s-verbal, quand il s\u2019agit de fid\u00e8lement restituer l\u2019organisation d\u2019une maison, et de la suggestion po\u00e9tique, quand il s\u2019agit de la nature alentour. Jean-Paul Goux excelle depuis toujours dans cette double d\u00e9marche. A cela son \u00e9criture, \u00e0 la fois rigoureuse dans le d\u00e9tail et superbement \u00e9vocatrice dans ses grandes masses, se laisse imm\u00e9diatement reconna\u00eetre. Le genre annonc\u00e9 de son livre, <em>description<\/em>, rel\u00e8ve de cette double pratique. A quoi il faut rattacher la constante d\u00e9licatesse qui sous-tend chacun de ses \u00e9nonc\u00e9s. A l\u2019image de la conception de l\u2019amiti\u00e9 qui gouverne ces vies.<\/h4>\n\n\n\n<h4 class=\"wp-block-heading\">Thibaud avait demand\u00e9 aux deux jeunes gens d\u2019inventer une fa\u00e7on de rendre hommage au travail de Claire. Mais comment faire&nbsp;? A moins que ce ne soit cette mani\u00e8re de dire la maison, son jardin et les \u00ab&nbsp;<em>formes infinies du monde naturel<\/em>&nbsp;\u00bb qui ne r\u00e9ponde le mieux \u00e0 sa requ\u00eate&nbsp;? Continuant l\u2019art de sa compagne en faisant advenir une beaut\u00e9 qui le rejoigne. Telle une renaissance, qui constitue le principe m\u00eame de l\u2019art \u00e0 son plus haut. Le\u00e7on admirable d\u2019un livre qui ne l\u2019est pas moins.<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>\u00ab&nbsp;<em>M\u00e9moires de l\u2019enclave<\/em><\/strong>&nbsp;\u00bb de Jean-Paul Goux, \u00e9dit\u00e9 sous la direction de Pascal L\u00e9ocrart, photographies de Gilles Choff\u00e9, Les Belles Lettres, 560 p. 45 \u20ac<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>\u00ab<em>&nbsp;A la lisi\u00e8re<\/em><\/strong>&nbsp;\u00bb, de Jean-Paul Goux, Champ Vallon, 182 p., 19 \u20ac<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">30\/04\/2026 \u2013 1784 \u2013 W164<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Une actualit\u00e9 \u00e9ditoriale, dont on aimerait qu\u2019elle ne soit pas seulement due au hasard des programmations, rapproche aujourd\u2019hui deux textes de Jean-Paul Goux qui pourraient au premier abord figurer une mani\u00e8re de grand \u00e9cart dans l\u2019\u00e9criture de l\u2019\u00e9crivain franc-comtois. Le premier, paru en janvier dernier, est une r\u00e9\u00e9dition critique de \u00ab&nbsp;M\u00e9moires de l\u2019enclave&nbsp;\u00bb, dont la [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[157],"class_list":["post-2966","post","type-post","status-publish","format-standard","hentry","category-non-classe","tag-lun-des-grands-de-la-modernite-litteraire-dans-un-texte-admirable-de-subtilite"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jean-Paul GOUX - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"description\" content=\"Un grand texte polys\u00e9mique par l&#039;un des grands \u00e9crivains de la modernit\u00e9\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/jclebrun.eu\/blog\/2026\/04\/29\/jean-paul-goux\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jean-Paul GOUX - 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