{"id":691,"date":"2022-11-15T16:12:36","date_gmt":"2022-11-15T15:12:36","guid":{"rendered":"http:\/\/jclebrun.eu\/blog\/?p=691"},"modified":"2023-01-22T11:11:25","modified_gmt":"2023-01-22T10:11:25","slug":"pascale-robert-diard","status":"publish","type":"post","link":"http:\/\/jclebrun.eu\/blog\/2022\/11\/15\/pascale-robert-diard\/","title":{"rendered":"Pascale Robert-Diard"},"content":{"rendered":"\n

Pascale Robert-Diard<\/em><\/strong><\/p>\n\n\n\n

Un r\u00e9cit tellement actuel, sur la difficult\u00e9 \u00e0 rester rationnel Face a d’apparentes evidences<\/strong> <\/h5>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Dans l\u2019ombre port\u00e9e de la vague #MeToo<\/em>, avec ses avanc\u00e9es et ses exc\u00e8s, voici un livre d\u2019une bienfaisante sobri\u00e9t\u00e9 que l\u2019auteure a choisi d\u2019inscrire dans le genre romanesque. Sans doute moins parce qu\u2019il va \u00e0 l\u2019encontre d\u2019un courant dominant prompt \u00e0 s\u2019emparer sans recul du moindre soup\u00e7on de pr\u00e9dation masculine, que parce qu\u2019il s\u2019attache \u00e0 restituer, loin des effets de tribune, la logique complexe d\u2019une parole adolescente. Si le titre fait invinciblement penser \u00e0 celui du film de Claude Miller \u00ab La petite voleuse<\/strong> \u00bb, c\u2019est qu\u2019il s\u2019en rapproche par sa d\u00e9licatesse et sa lucidit\u00e9. A son tour, dans ce premier roman tout \u00e0 fait remarquable, Pascale Robert-Diard invite en effet \u00e0 d\u00e9m\u00ealer les subtils ressorts d\u2019une raison intime.<\/h4>\n\n\n\n
\n

Nathalie Sarraute, cit\u00e9e en \u00e9pigraphe, pourrait ici faire figure de mod\u00e8le \u00e9clairant<\/p>\n<\/blockquote>\n\n\n\n

Chroniqueuse judiciaire au \u00ab Monde<\/strong> \u00bb depuis vingt ans, elle a puis\u00e9 la mati\u00e8re de son texte dans son v\u00e9cu \u00e0 l\u2019int\u00e9rieur des pr\u00e9toires, avec ce qui s\u2019y joue en m\u00eame temps de th\u00e9\u00e2tralit\u00e9 et de v\u00e9rit\u00e9 humaine. Son personnage principal Alice Keridreux, la cinquantaine, avocate dans une ville du littoral atlantique, lui emprunte manifestement beaucoup. A commencer par son style, pr\u00e9cis, concis, factuel, plus proche de l\u2019\u00e9conomie de langage de l\u2019article de presse que des efflorescences verbales d\u2019une plaidoirie. Nathalie Sarraute, cit\u00e9e en \u00e9pigraphe, pourrait ici faire figure de mod\u00e8le \u00e9clairant. M\u00eame si l\u2019avocate se permet une petite entorse, de nature tr\u00e8s romanesque, en ayant pris l\u2019habitude de donner des surnoms aux jur\u00e9s. Peut-\u00eatre un antidote, alors que \u00ab depuis quelque temps, la dose quotidienne de noirceur qu\u2019elle se prenait dans la figure lui semblait plus difficile \u00e0 supporter<\/em> \u00bb. Car il est clair qu\u2019elle  aspire de plus en plus \u00e0 s\u2019\u00e9vader et respirer un air plus pur sur une \u00eele qu\u2019elle affectionne. Jusqu\u2019au soir o\u00f9 une jeune femme entre dans son bureau.<\/h4>\n\n\n\n

Celle-ci s\u2019appelle Lisa Charvet, elle a tout juste vingt ans. Cinq ans auparavant, alors \u00e9l\u00e8ve de troisi\u00e8me, elle avait \u00e9t\u00e9 victime d\u2019un viol. Son agresseur, un pl\u00e2trier de trente-deux ans, Marco Lange, avait \u00e9cop\u00e9 d\u2019une peine de dix ans de prison. L\u2019affaire avait fait grand bruit. Tout le coll\u00e8ge, professeurs en t\u00eate, s\u2019\u00e9tait mobilis\u00e9 autour de Lisa : Lange, venu faire des travaux au domicile des Charvet, en avait profit\u00e9 pour abuser de la jeune fille. L\u2019affaire se pr\u00e9sentait comme dramatiquement simple. C\u2019est d\u2019ailleurs ce qui ressort du dossier que Lisa a d\u00e9pos\u00e9 sur le bureau d\u2019Alice. Lange, qui n\u2019a cess\u00e9 de clamer son innocence, a pourtant fait appel. Et un deuxi\u00e8me proc\u00e8s, contre toute attente, va bient\u00f4t avoir lieu. Forc\u00e9ment douloureux pour Lisa, qui va devoir revivre cette p\u00e9riode. Et qui demande \u00e0 l\u2019avocate, p\u00e9naliste de bonne r\u00e9putation, d\u2019assurer d\u00e9sormais sa d\u00e9fense. C\u2019est du moins ainsi qu\u2019Alice interpr\u00e8te sa d\u00e9marche.<\/h4>\n\n\n\n
\n

Passer du statut de r\u00e9prouv\u00e9e \u00e0 celui de victime<\/p>\n<\/blockquote>\n\n\n\n

Sauf qu\u2019une tout autre r\u00e9alit\u00e9 se donne bient\u00f4t \u00e0 entendre. Le secret qu\u2019une adolescente emport\u00e9e dans un tourbillon qui la d\u00e9passait, avait cach\u00e9 cinq ans durant. Ou comment, accul\u00e9e dans une impasse, la jeune fille avait cru pouvoir s\u2019en sortir par le mensonge. Physiquement tr\u00e8s m\u00fbre, il lui avait en effet fallu supporter regards et remarques, puis se pr\u00eater \u00e0 des situations douteuses, pour finalement appara\u00eetre comme  \u00ab la petite salope du coll\u00e8ge<\/em> \u00bb. Inventer un viol la faisait passer du statut de r\u00e9prouv\u00e9e \u00e0 celui de victime et lui procurait une mani\u00e8re d\u2019immunit\u00e9. C\u2019\u00e9tait aussi une fa\u00e7on pour elle, en plein courant #MeToo<\/em>, de conforter \u00e0 bon compte dans leurs certitudes la quasi-totalit\u00e9 des professeurs, convaincus par principe de la v\u00e9racit\u00e9 de toute accusation contre un homme. Elle y gagnait sur tous les tableaux. C\u2019\u00e9tait compter sans le lent travail de sa conscience face au d\u00e9ni de justice qui s\u2019en \u00e9tait suivi. Pascale Robert-Diard, \u00e0 contre-courant de l\u2019id\u00e9ologie aujourd\u2019hui dominante de sacralisation de la parole des femmes, d\u00e9monte avec une finesse rare les rouages de cet engrenage du mensonge. De la m\u00eame fa\u00e7on qu\u2019elle d\u00e9peint la jeune fille en victime paradoxale de toutes les bonnes intentions.<\/h4>\n\n\n\n

La figure jamais nomm\u00e9e qui tient pourtant une position centrale dans le r\u00e9cit, c\u2019est le doute, qui ouvre \u00e0 toutes les interrogations. Sans lequel la justice ne peut se concevoir, par-del\u00e0 les apparences et les trop tentantes \u00e9vidences. Une prise de recul bienvenue, v\u00e9ritable appel \u00e0 une r\u00e9flexion d\u00e9gag\u00e9e de la pression des id\u00e9ologies du moment, qui fait de cette \u00ab Petite menteuse<\/strong> \u00bb un livre marquant de l\u2019automne.<\/h4>\n\n\n\n
\u00ab La petite menteuse<\/strong> \u00bb, de Pascale Robert-Diard, L\u2019Iconoclaste, 234 pages, 20 \u20ac<\/h5>\n\n\n\n
17\/11\/2022 – 1633 – W15<\/h5>\n","protected":false},"excerpt":{"rendered":"

Pascale Robert-Diard Un r\u00e9cit tellement actuel, sur la difficult\u00e9 \u00e0 rester rationnel Face a d’apparentes evidences Dans l\u2019ombre port\u00e9e de la vague #MeToo, avec ses avanc\u00e9es et ses exc\u00e8s, voici un livre d\u2019une bienfaisante sobri\u00e9t\u00e9 que l\u2019auteure a choisi d\u2019inscrire dans le genre romanesque. Sans doute moins parce qu\u2019il va \u00e0 l\u2019encontre d\u2019un courant dominant […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-691","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"yoast_head":"\nPascale Robert-Diard - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/jclebrun.eu\/blog\/2022\/11\/15\/pascale-robert-diard\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pascale Robert-Diard - Blog de Jean-Claude Lebrun\" \/>\n<meta property=\"og:description\" content=\"Pascale Robert-Diard Un r\u00e9cit tellement actuel, sur la difficult\u00e9 \u00e0 rester rationnel Face a d’apparentes evidences Dans l\u2019ombre port\u00e9e de la vague #MeToo, avec ses avanc\u00e9es et ses exc\u00e8s, voici un livre d\u2019une bienfaisante sobri\u00e9t\u00e9 que l\u2019auteure a choisi d\u2019inscrire dans le genre romanesque. 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