{"id":1008,"date":"2023-02-11T15:50:17","date_gmt":"2023-02-11T14:50:17","guid":{"rendered":"http:\/\/jclebrun.eu\/blog\/?p=1008"},"modified":"2023-02-15T16:32:53","modified_gmt":"2023-02-15T15:32:53","slug":"fanny-saintenoy","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2023\/02\/11\/fanny-saintenoy\/","title":{"rendered":"Fanny Saintenoy"},"content":{"rendered":"\n<h4 class=\"has-text-align-center wp-block-heading\"><strong><em>Fanny Saintenoy<\/em><\/strong><\/h4>\n\n\n\n<h4 class=\"alignfull has-text-align-center wp-block-heading\"><strong>L\u2019auteure revisite le roman \u00e9pistolaire, dans le huis clos d\u2019un \u00e9tablissement conventuel devenu lieu de d\u00e9tention et de r\u00e9\u00e9ducation. En un temps obscurantiste, futur peut-\u00eatre pas si lointain, o\u00f9 la libert\u00e9 de penser et l\u2019ath\u00e9isme sont devenus des d\u00e9lits. Une fable prenante qui tient lieu d\u2019avertissement<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/02\/FANNY-711x1024.jpg\" alt=\"\" class=\"wp-image-1019\" width=\"533\" height=\"768\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/02\/FANNY-711x1024.jpg 711w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/02\/FANNY-208x300.jpg 208w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/02\/FANNY.jpg 749w\" sizes=\"auto, (max-width: 533px) 100vw, 533px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Cela commence un 14 septembre et se termine le 13 avril suivant&nbsp;: sept mois d\u2019une mani\u00e8re d\u2019apparent vain combat pour rester dans la communaut\u00e9 humaine. Auxquels la citation en \u00e9pigraphe de Margaret Atwood, tir\u00e9e de \u00ab&nbsp;<strong>La Servante \u00e9carlate&nbsp;<\/strong>\u00bb, donne tout leur sens&nbsp;: \u00ab&nbsp;\u2026<em>mais si c\u2019est une histoire, m\u00eame dans ma t\u00eate il faut que je la raconte \u00e0 quelqu\u2019un. On ne se raconte pas une histoire seulement \u00e0 soi-m\u00eame. Il y a toujours un autre. M\u00eame quand il n\u2019y a personne.<\/em>&nbsp;\u00bb Une femme de cinquante ans, pr\u00e9nomm\u00e9e Petra, qui dans le monde d\u2019avant \u00e9tait traductrice et professeure, \u00e9crivait de la po\u00e9sie, avait un \u00e9poux et deux enfants, a \u00e9t\u00e9 incarc\u00e9r\u00e9e et mise \u00e0 l\u2019isolement dans une cellule d\u2019un couvent. Car au dehors le monde s\u2019est radicalis\u00e9, c\u00e9dant \u00e0 ses pires pulsions. Petra a pour unique contact Constance, la novice charg\u00e9e par la sup\u00e9rieure, m\u00e8re&#8230;Marine, de lui apporter ses repas. Et comme seule respiration la promenade quotidienne. Un jour elle a pu apercevoir derri\u00e8re une fen\u00eatre d\u2019un autre b\u00e2timent le visage d\u2019un homme, lui aussi reclus. L\u2019id\u00e9e lui est alors venue de s\u2019adresser par la plume \u00e0 cet inconnu. Fa\u00e7on de rester soi-m\u00eame et r\u00e9sister pour ne pas perdre pied. Pour cela, \u00e0 force de patience, elle a circonvenu la novice &nbsp;encore un peu tendre dans sa fonction de ge\u00f4li\u00e8re&nbsp;: \u00e0 chacun de ses passages, elle lui murmurait les paroles d\u2019une chanson, \u00e9veillant peu \u00e0 peu quelque chose de nouveau en elle, de l\u2019ordre de la sensibilit\u00e9 et de la sympathie. Mais aussi de la d\u00e9couverte&nbsp;: les mots de ces textes (Ferr\u00e9, Brel, Barbara, Higelin) lui parlent en effet \u00ab<em>&nbsp;d\u2019une autre plan\u00e8te et d\u2019un autre temps<\/em>.&nbsp;\u00bb Depuis lors celle-ci l\u2019approvisionne en papier et bient\u00f4t porte ses plis \u00e0 l\u2019autre d\u00e9tenu. Dix-sept lettres, dans lesquelles elle raconte son histoire.<\/h4>\n\n\n\n<h4 class=\"wp-block-heading\">Entre celles-ci, Fanny Saintenoy intercale de courts chapitres, rarement plus de deux pages, qui laissent entendre la voix de la novice. Fragments d\u2019un monologue en forme d\u2019interpellation, dans lequel&nbsp; elle s\u2019adresse \u00e0 Dieu en m\u00eame temps qu\u2019elle se raconte. Une succession d\u2019adresses bouleversantes d\u2019une ancienne p\u00e9cheresse tenaill\u00e9e par le remords (\u00ab&nbsp;<em>j\u2019ai beaucoup p\u00e9ch\u00e9, et de la pire fa\u00e7on<\/em>&nbsp;\u00bb), qui se trouve maintenant engag\u00e9e dans un douloureux combat int\u00e9rieur, entre ob\u00e9issance aveugle et tentation de venir en aide \u00e0 la prisonni\u00e8re qui de plus en plus l\u2019\u00e9meut. La tonalit\u00e9 &nbsp;pressante de ses pri\u00e8res en porte t\u00e9moignage. Le roman se construit ainsi dans l\u2019alternance des deux paroles de femmes, en une mani\u00e8re de champ-contre-champ sup\u00e9rieurement ma\u00eetris\u00e9. Car un lien inattendu entre elles s\u2019est tiss\u00e9, d\u2019autant plus fort que la novice avait pu prendre &nbsp;connaissance de la teneur des lettres de Petra \u00e0 l\u2019inconnu derri\u00e8re sa fen\u00eatre. Une vie riche et intense, pleine et libre, s\u2019y donnait \u00e0 lire. Pour celle qui tra\u00e7ait ses mots sur le papier, non seulement un exercice m\u00e9moriel mais l\u2019\u00e9rection d\u2019un rempart pour pr\u00e9server \u00ab&nbsp;<em>la libert\u00e9 qui [restait] ancr\u00e9e en elle<\/em>&nbsp;\u00bb, sa dignit\u00e9 et son humanit\u00e9. Pour celle qui lisait, la r\u00e9v\u00e9lation d\u2019une autre voie possible, qui vous gardait du p\u00e9ch\u00e9 comme de la soumission. Chacune dans le secret de sa cellule, la prisonni\u00e8re et sa gardienne, empruntait un semblable chemin lib\u00e9rateur qui peu \u00e0 peu la rapprochait de l\u2019autre.<\/h4>\n\n\n\n<h4 class=\"wp-block-heading\">La novice Constance, apr\u00e8s une longue h\u00e9sitation, avait donc fini par jouer le r\u00f4le de messag\u00e8re. Elle avait \u00e9galement pris connaissance de l\u2019identit\u00e9 du destinataire, un certain Omeg Sfaterzy, nom de fiction n\u00e9 du clavier de la romanci\u00e8re, qui cumulait tous les d\u00e9savantages pour ce temps de fer, \u00ab&nbsp;<em>m\u00e9decin, juif, homosexuel et croyant pratiquant<\/em>.\u00bb Plus qu\u2019il n\u2019en fallait pour finir derri\u00e8re les barreaux. Avec lui le contexte se pr\u00e9cise, la fable &#8211; ou devrait-on dire la parabole&nbsp;?- s\u2019ins\u00e8re dans un ancrage historique fort qui lui donne sa pleine dimension. Captivant roman d\u2019une r\u00e9sistance &nbsp;possible tant que les mots peuvent circuler, permettant l\u2019existence d\u2019un NOUS \u00e0 c\u00f4t\u00e9 du JE, \u00ab&nbsp;<strong>Les Cl\u00e9s du couloir&nbsp;<\/strong>\u00bb suscite un constant plaisir de lecture en m\u00eame temps qu\u2019il ne cesse d\u2019inviter \u00e0 la r\u00e9flexion.<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">\u00ab&nbsp;<strong>Les cl\u00e9s du couloir<\/strong>&nbsp;\u00bb, de Fanny Saintenoy, Editions Arl\u00e9a, 176 pages, 19 \u20ac<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">16\/02\/2023 &#8211; 1646 &#8211; W27<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Fanny Saintenoy L\u2019auteure revisite le roman \u00e9pistolaire, dans le huis clos d\u2019un \u00e9tablissement conventuel devenu lieu de d\u00e9tention et de r\u00e9\u00e9ducation. En un temps obscurantiste, futur peut-\u00eatre pas si lointain, o\u00f9 la libert\u00e9 de penser et l\u2019ath\u00e9isme sont devenus des d\u00e9lits. Une fable prenante qui tient lieu d\u2019avertissement Cela commence un 14 septembre et se [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1008","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Fanny Saintenoy - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jclebrun.eu\/blog\/2023\/02\/11\/fanny-saintenoy\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fanny Saintenoy - Blog de Jean-Claude Lebrun\" \/>\n<meta property=\"og:description\" content=\"Fanny Saintenoy L\u2019auteure revisite le roman \u00e9pistolaire, dans le huis clos d\u2019un \u00e9tablissement conventuel devenu lieu de d\u00e9tention et de r\u00e9\u00e9ducation. 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