{"id":1096,"date":"2023-03-27T11:26:15","date_gmt":"2023-03-27T09:26:15","guid":{"rendered":"http:\/\/jclebrun.eu\/blog\/?p=1096"},"modified":"2023-03-27T11:46:54","modified_gmt":"2023-03-27T09:46:54","slug":"alain-giorgetti","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2023\/03\/27\/alain-giorgetti\/","title":{"rendered":"Alain Giorgetti"},"content":{"rendered":"\n

Alain Giorgetti<\/em><\/strong><\/h4>\n\n\n\n

Apr\u00e8s un premier roman remarqu\u00e9, en 2019, suivi d\u2019un court r\u00e9cit, le troisi\u00e8me livre de l\u2019\u00e9crivain strasbourgeois confirme la singularit\u00e9 de son inspiration et la force de son \u00e9criture. Cela se passe cette fois au plus profond d\u2019une vall\u00e9e vosgienne, dans une mani\u00e8re de huis clos aux cons\u00e9quences forc\u00e9ment dramatiques. Un r\u00e9cit \u00e9touffant que strient des fulgurances po\u00e9tiques et des visions picturales<\/strong><\/h4>\n\n\n\n
\"\"<\/figure>\n\n\n\n

L\u2019\u00e9crivain propose aujourd\u2019hui un long et intriguant monologue, dont le dernier chapitre intitul\u00e9 \u00ab vingt-cinq ans auparavant<\/em> \u00bb apporte une partie des clefs en m\u00eame temps qu\u2019il ouvre sur de nouvelles interrogations. Celui qui raconte, un artiste-peintre quinquag\u00e9naire pr\u00e9nomm\u00e9 Nicolas, \u00e9voque en effet deux faits majeurs de son existence s\u00e9par\u00e9s par un quart de si\u00e8cle, tandis qu\u2019il purge une longue peine de prison. A chaque fois il y avait eu des morts. Dans l\u2019ordre chronologique  celle d\u2019un\u2026cerf  mortellement bless\u00e9 par un puissant v\u00e9hicule, un jour de pluie de janvier 1985, sur une route en direction de  Thionville. Nicolas \u00e9tait alors \u00e9tudiant aux Arts d\u00e9coratifs, comme chaque  dimanche soir, \u00e0 bord de la R12 familiale, son p\u00e8re le conduisait \u00e0 la gare pour le train de 18h50, quand la voiture qui les pr\u00e9c\u00e9dait \u00e0 pr\u00e8s de cent \u00e0 l\u2019heure, une Alfa Rom\u00e9o GTV rouge, \u00ab avait percut\u00e9 un gros truc<\/em>. \u00bb Puis deux d\u00e9cennies et demie plus tard la mort par homicide de trois douteux personnages, qui faisaient r\u00e9gner la terreur dans un coin recul\u00e9 des Vosges. Avec le recul du temps, il est maintenant emprisonn\u00e9 depuis cinq ans, le narrateur \u00e9tablit en effet un lien, d\u2019ordre social et psychanalytique, entre les deux sc\u00e8nes. L\u2019argent et la protection de la nature y sont \u00e0 chaque fois en jeu. Le triple meurtre pourrait alors \u00eatre lu comme une lointaine r\u00e9ponse \u00e0 l\u2019atteinte \u00e0 la vie du cervid\u00e9, v\u00e9ritable sc\u00e8ne primitive du roman.<\/h4>\n\n\n\n
\n

Le texte d\u2019Alain Giorgetti se construit sur tout un r\u00e9seau d\u2019\u00e9chos et de r\u00e9sonances<\/p>\n<\/blockquote>\n\n\n\n

Celui-ci commence par un tabassage, auquel vient de r\u00e9chapper H\u00e9l\u00e8ne, la femme aim\u00e9e par le narrateur. A la man\u0153uvre les fr\u00e8res Kocher, trois brutes dont la famille depuis des lustres r\u00e8gne sur la vall\u00e9e de Fouzay. Il la sillonnent inlassablement \u00e0 bord de leur vieille Jeep \u00ab rouge, crade, macul\u00e9e de rayures et de boue<\/em> \u00bb, des fusils de chasse toujours dans le coffre. Le rouge encore, couleur du sang mais aussi de la r\u00e9volte. Le texte d\u2019Alain Giorgetti se construit sur tout un r\u00e9seau d\u2019\u00e9chos et de r\u00e9sonances. Ce que le narrateur identifie comme \u00ab une lave de sang<\/em> \u00bb se d\u00e9versant en lui. H\u00e9l\u00e8ne, descendante des Jaeggy, une vieille famille d\u2019aristocrates, s\u2019opposait \u00e0 la mainmise tyrannique, aux trafics rest\u00e9s impunis des Kocher et plus r\u00e9cemment \u00e0 leur grand projet de transformation de la vall\u00e9e en un espace touristique de luxe. Budget pr\u00e9vu, 250 millions d\u2019euros. Ils avaient rachet\u00e9 les terrains n\u00e9cessaires \u00e0 leur op\u00e9ration. Mais H\u00e9l\u00e8ne, propri\u00e9taire d\u2019un chalet, leur r\u00e9sistait encore. On imagine la suite. Le tr\u00e8s contemplatif  Nicolas embarqu\u00e9 dans l\u2019affaire  allait bient\u00f4t commettre l\u2019irr\u00e9parable. Telles apparaissent, dans leur banalit\u00e9, les circonstances du roman.<\/h4>\n\n\n\n
\n

Il y a ici quelque chose de magnifique et de terrifiant, renouant avec l\u2019id\u00e9e antique du fatum<\/em><\/p>\n<\/blockquote>\n\n\n\n

Sauf qu\u2019Alain Giorgetti y met la mani\u00e8re, m\u00e9tamorphosant cette histoire si contemporaine d\u2019accaparement et de r\u00e9sistance en r\u00e9cit \u00e9pique du combat du beau contre le laid, de la po\u00e9sie contre la vulgarit\u00e9, de la nature contre l\u2019argent et la pr\u00e9dation de celle-ci  Nicolas y tient le r\u00f4le du h\u00e9ros se sacrifiant pour des valeurs d\u00e9passant sa personne. V\u00e9ritable romantique du 21\u00e8me<\/sup> si\u00e8cle, jamais \u00e0 court d\u2019images enflamm\u00e9es, de jaillissements lyriques. Il n\u2019avait jamais pu r\u00e9aliser le portrait qu\u2019H\u00e9l\u00e8ne lui r\u00e9clamait, faute de temps sans doute, requis par son combat \u00e9galement, mais tout autant port\u00e9 par une exigence trop haute. Car cette litt\u00e9rature s\u2019essaie \u00e0 dire l\u2019absolu. Il y a ici quelque chose de magnifique et de terrifiant, renouant avec l\u2019id\u00e9e antique du fatum<\/em>. Non plus dans un monde \u00e9cras\u00e9 de lumi\u00e8re, mais sous les sombres frondaisons du massif vosgien.<\/h4>\n\n\n\n
\u00ab Massif<\/strong> \u00bb, d\u2019Alain Giorgetti, Alma Editeur, 160 pages, 17 \u20ac<\/h5>\n\n\n\n
30\/03\/2023 \u2013 1652 \u2013 W33<\/h5>\n","protected":false},"excerpt":{"rendered":"

Alain Giorgetti Apr\u00e8s un premier roman remarqu\u00e9, en 2019, suivi d\u2019un court r\u00e9cit, le troisi\u00e8me livre de l\u2019\u00e9crivain strasbourgeois confirme la singularit\u00e9 de son inspiration et la force de son \u00e9criture. Cela se passe cette fois au plus profond d\u2019une vall\u00e9e vosgienne, dans une mani\u00e8re de huis clos aux cons\u00e9quences forc\u00e9ment dramatiques. Un r\u00e9cit \u00e9touffant […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1096","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"yoast_head":"\nAlain Giorgetti - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/jclebrun.eu\/blog\/2023\/03\/27\/alain-giorgetti\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Alain Giorgetti - Blog de Jean-Claude Lebrun\" \/>\n<meta property=\"og:description\" content=\"Alain Giorgetti Apr\u00e8s un premier roman remarqu\u00e9, en 2019, suivi d\u2019un court r\u00e9cit, le troisi\u00e8me livre de l\u2019\u00e9crivain strasbourgeois confirme la singularit\u00e9 de son inspiration et la force de son \u00e9criture. 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