{"id":1319,"date":"2023-08-05T17:45:52","date_gmt":"2023-08-05T15:45:52","guid":{"rendered":"http:\/\/jclebrun.eu\/blog\/?p=1319"},"modified":"2023-08-07T11:51:12","modified_gmt":"2023-08-07T09:51:12","slug":"yves-charnet","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2023\/08\/05\/yves-charnet\/","title":{"rendered":"Yves Charnet"},"content":{"rendered":"\n

Comment cerner ce livre, si ce n\u2019est en le comparant \u00e0 un nodule : une concr\u00e9tion min\u00e9rale form\u00e9e de cercles concentriques autour d\u2019un noyau. La comparaison vient forc\u00e9ment \u00e0 l\u2019esprit, quand on s\u2019avance dans les sept dizaines de textes denses qui composent ce volume d\u00e9cid\u00e9ment inclassable<\/strong><\/h4>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Autofiction, rem\u00e9moration, roman familial, travers\u00e9e po\u00e9tique, exercice de d\u00e9testation, hymne \u00e0 l\u2019amiti\u00e9, aventure langagi\u00e8re\u2026 Il y a en effet de tout cela dans ce livre enlev\u00e9. Le plus souvent s\u00e9duisant, parfois aussi irritant. Autrefois on aurait parl\u00e9 de miscellan\u00e9es, sorte de mosa\u00efque litt\u00e9raire, de \u00ab m\u00e9lange \u00bb  sans v\u00e9ritable principe directeur. Aujourd\u2019hui l\u2019on s\u2019attacherait davantage \u00e0 l\u2019aspect fragmentaire de la chose, tel un gage de modernit\u00e9. Si rien ici n\u2019appara\u00eet lin\u00e9aire, il n\u2019en reste pas moins qu\u2019Yves Charnet, sous cette semblance h\u00e9t\u00e9roclite, raconte bel et bien une histoire, la sienne. Changeant contin\u00fbment la focale, recourant aux masques et autres \u00e9crans, affectant de s\u2019effacer pour, au bout du compte, composer le portrait d\u2019un \u00e9crivain malais\u00e9ment classable. Ne d\u00e9clare-t-il pas lui-m\u00eame situer son existence litt\u00e9raire hors de toutes les cases existantes ? L\u2019enfant sans p\u00e8re des bords de Loire (\u00ab La B\u00e2tardise. C\u2019est un mal incurable. Un cancer de l\u2019identit\u00e9. Je fais partie des n\u00e9s trou\u00e9s<\/em> \u00bb), qui partit de Nevers pour int\u00e9grer  Normale Sup et plus tard vint s\u2019installer \u00e0 Toulouse, y enseignant un temps \u00e0 SUPAREO,  propose en effet une litt\u00e9rature singuli\u00e8re qui ne para\u00eet pas craindre le risque de la confidentialit\u00e9. Il y a en lui quelques chose des \u00ab exag\u00e9r\u00e9s \u00bb de la R\u00e9volution, ces h\u00e9bertistes dont le journal \u00ab Le P\u00e8re Duschesne<\/strong> \u00bb, avec ses gros mots, ses provocations, ses vindictes et ses outrances avait retenu l\u2019attention de Roland Barthes dans \u00ab Le Degr\u00e9 z\u00e9ro de l\u2019\u00e9criture <\/strong>\u00bb, tel le contrefeu \u00e0 une pens\u00e9e totalitaire.<\/h4>\n\n\n\n
\n

Un \u00ab\u00a0anarchiste minutieux\u00a0\u00bb se donne ici \u00e0 reconna\u00eetre<\/p>\n<\/blockquote>\n\n\n\n

Au centre, m\u00eame s\u2019il affecte de choisir l\u2019ombre, se tient donc l\u2019\u00e9crivain en sismographe de l\u2019\u00e9poque, inventant en effet sa langue \u00e9nerv\u00e9e et exag\u00e9r\u00e9e, avec ses cr\u00e9ations et ses distorsions, \u00e0 la fa\u00e7on des rappeurs, malgr\u00e9 l\u2019apparente distance de leurs champs de r\u00e9f\u00e9rences respectifs. Chez lui Serge Lama et Claude Nougaro, Michel Sardou et L\u00e9o Ferr\u00e9, Michel Jonasz  ou encore Dalida. Au cin\u00e9ma Jean Gabin, Alain Delon, Claude Sautet et Lino Ventura. En litt\u00e9rature Rabelais, Antoine Blondin, Michel Deguy, les dialogues de Michel Audiard, Georges Perros, Pierre Bergounioux et par-dessus tout la proximit\u00e9 avec Denis Tillinac, \u00ab cet in\u00e9narrable anar<\/em>. \u00bb Certes reflets d\u2019une \u00e9poque maintenant \u00e9loign\u00e9e, mais qui dessinent en creux, les uns et les autres, un profil en lequel un \u00ab anarchiste minutieux<\/em> \u00bb \u00e0 l\u2019\u00e9gal de l\u2019autre se donne \u00e0 reconna\u00eetre. Juste \u00e0 c\u00f4t\u00e9 de celui qui \u00e9crit, plac\u00e9 par lui dans la lumi\u00e8re, se tient l\u2019autre figure majeure, qui donne au livre son titre : son ami Christian Thorel, connu en 1996, qui en 1978 avait repris \u00e0 Toulouse, rue L\u00e9on Gambetta, la librairie \u00ab Ombres blanches<\/strong> \u00bb pour en faire l\u2019une des toutes meilleures librairies ind\u00e9pendantes de France. R\u00e9cit en forme de kal\u00e9idoscope d\u2019une amiti\u00e9 : \u00ab Sans lui cette ville ne serait pas la m\u00eame (\u2026) C\u2019est un point d\u2019appui pour vous. Un point de rep\u00e8re. Vous le consid\u00e9rez. Comme un sorcier des signes<\/em>. \u00bb Avec infiniment de d\u00e9licatesse Yves Charnet \u00e9voque cette relation au long cours entre deux \u00eatres assez peu semblables et ce qui en constitue le fond, l\u2019ininterrompue conversation, faite de mots comme de silences, qu\u2019ils entretiennent depuis tant d\u2019ann\u00e9es.<\/h4>\n\n\n\n

Tout cela dit dans une langue qui aime \u00e0 s\u2019affranchir des usages graphiques traditionnels et des joliesses du beau style. Faisant mouche quand il est question des \u00ab ratuvus<\/em>\u00bb ou d\u2019un \u00eatre \u00ab admiraim\u00e9<\/em>. \u00bb Flirtant avec le mauvais go\u00fbt, quand il est question du \u00ab fascisme maKronien<\/em> \u00bb : plus encore que la qualification politique, l’usage du K renvoie \u00e0 une p\u00e9riode noire pourtant sans commune mesure avec notre pr\u00e9sent. Mais Yves Charnet ne r\u00e9fr\u00e8ne ni ses admirations ni ses d\u00e9testations.  Ainsi ses appr\u00e9ciations radicales du confinement ou de la vaccination : \u00abJe n\u2019ai plus grand-chose \u00e0 dire \u00e0 des contemporains pr\u00e9f\u00e9rant leur sant\u00e9 de centenaire aux risques de la libert\u00e9<\/em>. \u00bb L\u2019ami subtil du libraire de Gambetta peut aussi bien grossir terriblement le trait. Son livre ne se pr\u00e9sente-t-il pas sous l\u2019esp\u00e8ce d\u2019un nodule litt\u00e9raire ? C\u2019est pr\u00e9cis\u00e9ment ce qui ici irrite et enchante.<\/h4>\n\n\n\n
\u00ab Le Libraire de Gambetta<\/strong> \u00bb, d\u2019Yves Charnet, Editions Tarabuste, 184 pages, 18 \u20ac<\/h5>\n\n\n\n
10\/08\/2023 – 1667 – W48<\/h5>\n","protected":false},"excerpt":{"rendered":"

Comment cerner ce livre, si ce n\u2019est en le comparant \u00e0 un nodule : une concr\u00e9tion min\u00e9rale form\u00e9e de cercles concentriques autour d\u2019un noyau. La comparaison vient forc\u00e9ment \u00e0 l\u2019esprit, quand on s\u2019avance dans les sept dizaines de textes denses qui composent ce volume d\u00e9cid\u00e9ment inclassable Autofiction, rem\u00e9moration, roman familial, travers\u00e9e po\u00e9tique, exercice de d\u00e9testation, hymne […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1319","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"yoast_head":"\nYves Charnet - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"description\" content=\"Un livre s\u00e9duisant et irritant. Sur un personnage de libraire. Sur le temps. 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