{"id":1486,"date":"2023-10-27T11:23:08","date_gmt":"2023-10-27T09:23:08","guid":{"rendered":"http:\/\/jclebrun.eu\/blog\/?p=1486"},"modified":"2023-10-27T11:34:56","modified_gmt":"2023-10-27T09:34:56","slug":"herve-paolini","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2023\/10\/27\/herve-paolini\/","title":{"rendered":"Herv\u00e9 Paolini"},"content":{"rendered":"\n<h4 class=\"wp-block-heading alignfull has-text-align-center\"><strong>Dans la cat\u00e9gorie \u00ab&nbsp;<em>roman noir&nbsp;<\/em>\u00bb, voici peut-\u00eatre la plus convaincante r\u00e9ussite de l\u2019automne. Par son \u00e2pret\u00e9, sa tranquille brutalit\u00e9 et sa violence contenue. Si l\u2019on ajoute que \u00ab<em>&nbsp;La Mort porte conseil<\/em> \u00bb est un premier roman, il y a quelque raison de s\u2019y int\u00e9resser<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"526\" height=\"793\" src=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/10\/HERVE.jpg\" alt=\"\" class=\"wp-image-1489\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/10\/HERVE.jpg 526w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/10\/HERVE-199x300.jpg 199w\" sizes=\"auto, (max-width: 526px) 100vw, 526px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Cela se passe dans les ann\u00e9es 1990 \u00e0 Pont-sur-Risle, commune normande invent\u00e9e par l\u2019auteur, mais dont l\u2019original est ais\u00e9ment reconnaissable&nbsp;: il s\u2019agit \u00e9videmment de Pont-Audemer dans le Val de Risle. Au centre de l\u2019intrigue se tient F\u00e9lix Bernardini, notable respect\u00e9, industriel et g\u00e9rant d\u2019une entreprise de mat\u00e9riel agricole dont sa belle-famille est propri\u00e9taire. Mais les affaires battent de l\u2019aile, un processus de vente \u00e0 un groupe italien est engag\u00e9. Sa &nbsp;femme \u00e9tait morte d\u2019un cancer. Il s\u2019\u00e9tait remari\u00e9 avec la s\u00e9duisante infirmi\u00e8re de celle-ci, qui \u00e9tait d\u00e9j\u00e0 sa ma\u00eetresse. Par honn\u00eatet\u00e9 intellectuelle, ou cynisme inconscient, il en avait fait l\u2019aveu \u00e0 la mourante. L\u2019achevant certainement un peu plus. Le roman s\u2019ouvre sur une mani\u00e8re de sc\u00e8ne rituelle d\u2019humiliation&nbsp;: au moment de chaque repas&nbsp; St\u00e9phane, le grand ado fils de cette Fabienne, lui met par derri\u00e8re avant de passer \u00e0 table une \u00ab&nbsp;<em>taloche sur le cr\u00e2ne.<\/em> \u00bb En fait la partie visible d\u2019un iceberg de m\u00e9pris et de haine de la part de celui qui n\u2019a jamais accept\u00e9 ce \u00ab&nbsp;<em>p\u00e8re de substitution<\/em>&nbsp;\u00bb et ne cesse de le lui faire savoir. Peut-\u00eatre parce que Bernardini a trente ans de plus que sa m\u00e8re. Sans doute aussi parce qu\u2019il les a fait venir habiter dans la grande demeure bourgeoise que St\u00e9phane litt\u00e9ralement vomit. Pour lui, il y a clairement m\u00e9salliance avec cet homme d\u2019une autre g\u00e9n\u00e9ration, sinon d\u2019un autre temps, repr\u00e9sentant une classe de privil\u00e9gi\u00e9s. Pour sa m\u00e8re, la chose est un peu plus retorse&nbsp;: partager l\u2019existence de ce \u00ab&nbsp;vieux&nbsp;\u00bb lui appara\u00eet comme le passage obligatoire, en mani\u00e8re de purgatoire, pour acc\u00e9der \u00e0 l\u2019aisance et l\u2019ind\u00e9pendance dont elle r\u00eave.<\/h4>\n\n\n\n<h4 class=\"wp-block-heading\">Difficile d\u2019imaginer exorde plus noir, sinon plus glauque. D\u2019entr\u00e9e de jeu Herv\u00e9 Paolini joue \u00e0 fond la carte du sordide et de la perversit\u00e9 sans fard. A commencer par la propre ignominie de Bernardini face \u00e0 l\u2019\u00e9pouse vivant ses derniers instants. Impossible de ne pas penser ici aux ambiances poisseuses du cin\u00e9ma de Claude Chabrol. Dans les tr\u00e9fonds discrets de la France profonde cela bouillonne fort. Comme dans l\u2019intimit\u00e9 de F\u00e9lix, dont l\u2019auteur d\u00e9voile avec une lenteur calcul\u00e9e les ab\u00eemes. Du tr\u00e8s grand art. Renforc\u00e9 encore par la fonction de narrateur que l\u2019\u00e9crivain lui attribue&nbsp;: si le personnage se pr\u00e9sente en effet d\u2019entr\u00e9e de jeu comme falot et pleutre, incapable de s\u2019affirmer face \u00e0 ce beau-fils arrogant et brutal, lui trouvant une s\u00e9rie d\u2019excuses, &nbsp;au demeurant pas toutes infond\u00e9es, ce qu\u2019il montre par la suite peu \u00e0 peu de lui-m\u00eame r\u00e9v\u00e8le un fond autrement cauteleux, pour ne pas dire machiav\u00e9lique. C\u2019est un r\u00e9gal d\u2019observer comment ses capitulations successives, devant le jeune voyou agressif comme devant sa m\u00e8re qui le trompe effront\u00e9ment, pour beaucoup command\u00e9es par son inextinguible app\u00e9tit sexuel pour celle-ci, vont au bout du compte appara\u00eetre tels les pr\u00e9mices d\u2019un incroyable retournement. A l\u2019\u00e9vidence Herv\u00e9 Paolini ma\u00eetrise \u00e0 la perfection les ressorts du roman noir. Comme F\u00e9lix Bernardini la recette d\u2019une vengeance sophistiqu\u00e9e. Capable d\u2019endurer sans mouffeter la torture du bout incandescent d\u2019une cigarette appliqu\u00e9 sur son front (\u00ab&nbsp;<em>l\u2019expression d\u2019une volont\u00e9 d\u00e9lib\u00e9r\u00e9e de me d\u00e9truire<\/em>&nbsp;\u00bb), parce qu\u2019il pr\u00e9pare mentalement le coup revanchard d\u2019apr\u00e8s.<\/h4>\n\n\n\n<h4 class=\"wp-block-heading\">Dans ce formidable roman noir, \u00e0 l\u2019\u00e9criture pr\u00e9cise et tendue, jamais rel\u00e2ch\u00e9e, ne manque pas m\u00eame l\u2019in\u00e9vitable priv\u00e9, qui va mettre son nez dans la peu rago\u00fbtante tambouille. L\u00e0 encore de fa\u00e7on inattendue, ainsi qu\u2019on pourra le d\u00e9couvrir. Si tout ici para\u00eet se couler dans les canons du genre, c\u2019est pour finalement mieux les subvertir. L\u2019on ne saurait mieux r\u00e9ussir son d\u00e9but en litt\u00e9rature.<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">\u00ab&nbsp;<strong><em>La mort porte conseil<\/em><\/strong>&nbsp;\u00bb d\u2019Herv\u00e9 Paolini, Serge Safran Editeur, 208 pages, 18,90 \u20ac<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">02\/11\/2023 \u2013 1677 \u2013 W58<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Dans la cat\u00e9gorie \u00ab&nbsp;roman noir&nbsp;\u00bb, voici peut-\u00eatre la plus convaincante r\u00e9ussite de l\u2019automne. Par son \u00e2pret\u00e9, sa tranquille brutalit\u00e9 et sa violence contenue. Si l\u2019on ajoute que \u00ab&nbsp;La Mort porte conseil \u00bb est un premier roman, il y a quelque raison de s\u2019y int\u00e9resser Cela se passe dans les ann\u00e9es 1990 \u00e0 Pont-sur-Risle, commune normande [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-1486","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Herv\u00e9 Paolini - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"description\" content=\"Ce formidable &quot;roman noir&quot; est un premier roman. Certainement l&#039;in des plus marquants de l&#039;automne. Par la justesse et la tension de l&#039;\u00e9criture, sans le moindre rel\u00e2chement. 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