{"id":1772,"date":"2024-04-11T10:20:47","date_gmt":"2024-04-11T08:20:47","guid":{"rendered":"https:\/\/jclebrun.eu\/blog\/?p=1772"},"modified":"2024-04-11T10:51:28","modified_gmt":"2024-04-11T08:51:28","slug":"daniel-morvan","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2024\/04\/11\/daniel-morvan\/","title":{"rendered":"Daniel MORVAN"},"content":{"rendered":"\n<h4 class=\"wp-block-heading alignfull has-text-align-center\"><strong>La premi\u00e8re partie de ce pr\u00e9cieux ouvrage est intitul\u00e9e \u00ab&nbsp;<em>Les longs sillons<\/em>&nbsp;\u00bb, la quatri\u00e8me et ultime \u00ab&nbsp;<em>Le jeu des \u00e9toiles<\/em>.&nbsp;\u00bb Dire qu\u2019il s\u2019agit l\u00e0 de la terre, du ciel et tout autant de po\u00e9sie, rel\u00e8ve de l\u2019\u00e9vidence. Celui qui \u00e9crit, Daniel Morvan, n\u00e9 en 1955, fils d\u2019agriculteurs du nord Finist\u00e8re pass\u00e9 par l\u2019Ecole normale sup\u00e9rieure (\u00ab&nbsp;<em>On a pris un train et on a d\u00e9couvert la \/ po\u00e9sie contemporaine et la s\u00e9miologie&nbsp;\u00bb) <\/em>s\u2019est fait une solide r\u00e9putation dans le champ de la prose puis de la po\u00e9sie. Dans \u00ab&nbsp;Quitter la terre&nbsp;\u00bb conflue pr\u00e9cis\u00e9ment ce qui n\u2019a cess\u00e9 de le constituer<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"529\" height=\"708\" src=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2024\/04\/MORVAN.jpg\" alt=\"\" class=\"wp-image-1776\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2024\/04\/MORVAN.jpg 529w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2024\/04\/MORVAN-224x300.jpg 224w\" sizes=\"auto, (max-width: 529px) 100vw, 529px\" \/><figcaption class=\"wp-element-caption\">Screenshot<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Si sa destin\u00e9e pourrait peu ou prou s\u2019apparenter \u00e0 celle d\u2019Annie Ernaux, qui s\u2019est longtemps per\u00e7ue comme transfuge et tra\u00eetresse \u00e0 sa classe d\u2019origine, la lecture qu\u2019en fait Daniel Morvan s\u2019en \u00e9carte pourtant de radicale fa\u00e7on. Peut-\u00eatre parce qu\u2019\u00e0 l\u2019encontre de la laur\u00e9ate du prix Nobel, &nbsp;il n\u2019a pour sa part jamais rompu le lien originel qui le rattache \u00e0 la terre. Non pas en la sacralisant \u00e0 la fa\u00e7on r\u00e9actionnaire du p\u00e9tainisme, mais en observant comment celle-ci s\u2019est trouv\u00e9e bouscul\u00e9e par une nouvelle donne \u00e9conomique apparue au tournant des ann\u00e9es 1960, avec le passage \u00e0 l\u2019agriculture industrielle et au productivisme. De cela il rend compte en choisissant le vers libre comme forme litt\u00e9raire. Ouvrant ainsi \u00e0 une pluralit\u00e9 de sens, qui de loin exc\u00e8dent la circonstance \u00e9conomique initiale. \u00ab&nbsp;<em>La ferme me parle encore<\/em>&nbsp;\u00bb, note-t-il sobrement \u00e0 la fin du chapitre&nbsp; intitul\u00e9 \u00ab&nbsp;<strong>La ferme<\/strong> <strong>silencieuse<\/strong>\u00bb, en mani\u00e8re de paradoxe renvoyant \u00e0 la dialectique qui innerve le volume. A ce monde qui s\u2019est trouv\u00e9 de fait effac\u00e9, le texte en m\u00eame temps \u00e9l\u00e9giaque et pugnace de Daniel &nbsp;Morvan se propose comme un espace de conservation.&nbsp; Ce qu\u2019annon\u00e7ait superbement le vers d\u2019Armand Robin, autre Breton fils d\u2019agriculteurs, plac\u00e9 en \u00e9pigraphe&nbsp;: \u00ab&nbsp;<em>Les anciennes souches, nul n\u2019a pu me les arracher.<\/em>&nbsp;\u00bb<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Comment le signifiant survit au signifi\u00e9<\/strong><\/p>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">De fa\u00e7on hautement significative, \u00ab&nbsp;<strong><em>Quitter la terre<\/em><\/strong>&nbsp;\u00bb s\u2019ouvre sur une \u00e9vocation du repiquage des fraises, alliance&nbsp; d\u2019un savoir et d\u2019un geste inscrit dans \u00ab&nbsp;<em>les terminaisons nerveuses<\/em>&nbsp;\u00bb en h\u00e9ritage, Car ce qui transpara\u00eet ici, c\u2019est la lenteur d\u2019une maturation, le processus long par lequel une culture, au double sens du terme, se constitue. Les vers de Daniel Morvan en saisissent de multiples variations, Cette po\u00e9sie, telle celle d\u2019Eluard, pourrait avoir pour but la v\u00e9rit\u00e9 pratique, si tant est qu\u2019elle ne s\u2019inscrit pas dans la lign\u00e9e bucolique virgilienne, \u00ab&nbsp;<em>la lyre agricole<\/em>.&nbsp;\u00bb Mais elle ne rel\u00e8ve pas davantage des \u00ab&nbsp;<em>obscurit\u00e9s concert\u00e9es<\/em>&nbsp;\u00bb de l\u2019art pour l\u2019art. On y parle le latin comme le breton, on y rencontre des rouleaux de fil de fer comme des bouteilles de Butagaz, on y utilise de \u00ab&nbsp;<em>modernes quadrisocs\/ tracteurs Somec Mc Cormick Nuffield John Deere<\/em>.&nbsp;\u00bb A l\u2019\u00e9vanescence d\u2019une certaine vision po\u00e9tis\u00e9e du monde apprise \u00e0 l\u2019\u00e9cole, dont sa m\u00e8re pourrait sembler l\u2019incarnation (\u00ab&nbsp;<em>Adieu bois couronn\u00e9s d\u2019un reste de verdure<\/em>&nbsp;\u00bb, on pourrait aussi penser \u00e0 la traditionnelle \u00ab&nbsp;<em>mer blonde des bl\u00e9s<\/em>&nbsp;\u00bbapprise dans toutes les \u00e9coles primaires de France), &nbsp;s\u2019oppose donc la tangibilit\u00e9, pour ne pas dire la mat\u00e9rialit\u00e9 du r\u00e9el, dont transpire son texte. Tandis qu\u2019un univers se trouve irr\u00e9sistiblement pouss\u00e9 vers la sortie de l\u2019Histoire et \u00ab&nbsp;<em>descend au tombeau sans un son de <\/em>harpe&nbsp;\u00bb, voici donc un \u00e9crivain qui lui assure une p\u00e9rennit\u00e9. Ou comment des mots tiennent d\u00e9sormais lieu de r\u00e9alit\u00e9. Ou encore comment le signifiant survit au signifi\u00e9.<\/h4>\n\n\n\n<h4 class=\"wp-block-heading\">Emouvant, profond, dr\u00f4le, et contin\u00fbment d\u2019une formidable inventivit\u00e9 langagi\u00e8re&nbsp;(les \u00ab&nbsp;<em>parcelles imaginaires sur la toile cir\u00e9e<\/em>&nbsp;\u00bb, l\u2019 \u00ab&nbsp;<em>infaillible semence des reproducteurs<\/em>&nbsp;\u00bb, \u00ab&nbsp;<em>ce parler int\u00e9rieur qui est parole des morts et pain perdu<\/em>&nbsp;\u00bb, \u00ab&nbsp;<em>la lune citron p\u00e2le<\/em>&nbsp;\u00bb), le grand po\u00e8me de Daniel Morvan fait d\u2019un m\u00eame mouvement \u0153uvre de m\u00e9moire et de conservation, \u0153uvre&nbsp; d\u2019invention et de r\u00e9flexion. En un moment intense de litt\u00e9rature et d\u2019attention au monde.<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">\u00ab&nbsp;<strong>Quitter la terre<\/strong>&nbsp;\u00bb, de Daniel Morvan, Editions Le temps qu\u2019il fait, 144 pages, 18 \u20ac<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">11\/04\/2024 \u2013 1698 \u2013 W79<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>La premi\u00e8re partie de ce pr\u00e9cieux ouvrage est intitul\u00e9e \u00ab&nbsp;Les longs sillons&nbsp;\u00bb, la quatri\u00e8me et ultime \u00ab&nbsp;Le jeu des \u00e9toiles.&nbsp;\u00bb Dire qu\u2019il s\u2019agit l\u00e0 de la terre, du ciel et tout autant de po\u00e9sie, rel\u00e8ve de l\u2019\u00e9vidence. Celui qui \u00e9crit, Daniel Morvan, n\u00e9 en 1955, fils d\u2019agriculteurs du nord Finist\u00e8re pass\u00e9 par l\u2019Ecole normale sup\u00e9rieure [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[26],"class_list":["post-1772","post","type-post","status-publish","format-standard","hentry","category-non-classe","tag-dine-beaute-rare-et-dune-saisissante-modernite-un-vaste-poeme-sur-un-un-monde-paysan-aujourdhui-disparu"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.5 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Daniel MORVAN - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"description\" content=\"Un vaste po\u00e8me pour dire un monde disparu et en assurer la conservation. 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