{"id":2053,"date":"2024-11-12T18:03:36","date_gmt":"2024-11-12T17:03:36","guid":{"rendered":"https:\/\/jclebrun.eu\/blog\/?p=2053"},"modified":"2024-11-13T10:44:18","modified_gmt":"2024-11-13T09:44:18","slug":"guillaume-viry","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2024\/11\/12\/guillaume-viry\/","title":{"rendered":"Guillaume VIRY"},"content":{"rendered":"\n

Il serait dommageable de passer \u00e0 c\u00f4t\u00e9 de \u00ab L\u2019Appel\u00e9<\/em> \u00bb,  court texte en vers libres et premier roman du com\u00e9dien et cin\u00e9aste Guillaume Viry, qui dit de saisissante fa\u00e7on les traumas engendr\u00e9s par la guerre d\u2019Alg\u00e9rie. Le lisant, impossible de ne pas penser aux \u00ab Nouvelles de la zone interdite<\/em> \u00bb de Daniel Zimmermann (1988), \u00e0 \u00ab Des hommes<\/em> \u00bb de Laurent Mauvignier (2009), ou encore \u00e0 \u00ab O\u00f9 j\u2019ai laiss\u00e9 mon \u00e2me<\/em> \u00bb de J\u00e9r\u00f4me Ferrari (2010). Rares sont en effet les livres depuis six d\u00e9cennies,  qui s\u2019aventurent sur l\u2019\u00e9pineux terrain du prix fort \u00e0 payer par les combattants de l\u2019arm\u00e9e coloniale. Daniel Zimmermann en sut quelque chose, qui trente ans apr\u00e8s les faits fut cit\u00e9 en correctionnelle pour \u00ab injures \u00e0 l\u2019arm\u00e9e<\/em> \u00bb<\/strong><\/h4>\n\n\n\n
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Screenshot<\/figcaption><\/figure>\n\n\n\n

\u00ab L\u2019Appel\u00e9<\/em><\/strong> \u00bb s\u2019ouvre dans la nuit du samedi 28 mars 1970 (ce qu\u2019\u00e9nonce ainsi l\u2019auteur : \u00ab C\u2019est un samedi du mois de mars 1970 \/ le vingt-huiti\u00e8me jour<\/em> \u00bb). Louis, le p\u00e8re, transporte dans sa DS une bo\u00eete en carton contenant les papiers de Jean, le fils, d\u00e9c\u00e9d\u00e9 exactement un an auparavant des suites d\u2019une s\u00e9ance d\u2019\u00e9lectrochocs. Il avait trente ans. Depuis 1964 et une tentative de suicide par pendaison, \u00e0 la demande de son p\u00e8re il \u00e9tait intern\u00e9 \u00e0 l\u2019h\u00f4pital psychiatrique de Saint-Dizier, Haute Marne. \u00ab Jean ne s\u2019est pas tu\u00e9 \/ c\u2019est compliqu\u00e9 <\/em>\u00bb, r\u00e9p\u00e8te en boucle le p\u00e8re. Cette nuit-l\u00e0 celui-ci  s\u2019appr\u00eate \u00e0 br\u00fbler dans un bois proche, propri\u00e9t\u00e9 de la famille, les papiers de Jean et le reste de ses affaires, \u00ab parce que \u00e7a suffit les histoires \/ toutes celles qui tournaient dans la t\u00eate de Jean<\/em>. \u00bb Le mort, jeune appel\u00e9 du contingent, avait pass\u00e9 trois mois en Alg\u00e9rie, du 21 d\u00e9cembre 1960 au 17 mars 1961. Puis \u00e9tait revenu en m\u00e9tropole, rapatriement sanitaire. Il en avait trop vu pour garder son \u00e9quilibre et ne pas craquer. Il voulait devenir dessinateur industriel, d\u00e9sormais il n\u2019aurait plus l\u2019esprit occup\u00e9 que des horreurs auxquelles il avait d\u00fb pr\u00eater la main. Guillaume Viry, dans son texte en forme \u00e0 la fois de d\u00e9ploration et d\u2019acte d\u2019accusation, une \u00e9criture elliptique qui ne cesse d\u2019interpeller, restitue donc les histoires tourment\u00e9es de Jean et de Louis. Celles aussi de Joseph, fr\u00e8re de Jean, qui ne parlait jamais de celui-ci (\u00ab Joseph a v\u00e9cu en tentant de faire barrage<\/em> \u00bb), et de Julien, fils de Joseph, \u00e0 qui il \u00e9choit d\u00e9sormais de faire resurgir ce pan refoul\u00e9 de la m\u00e9moire familiale : Julien n\u2019avait jusqu\u2019alors jamais entendu parler de cet oncle. On pense, par une imm\u00e9diate association d\u2019id\u00e9es, \u00e0 un autre Joseph, dans \u00ab Les champs d\u2019honneur<\/em><\/strong> \u00bb, le Goncourt 1990 de Jean Rouaud, dont la mort avait r\u00e9veill\u00e9 le souvenir enfoui d\u2019un homonyme de la famille disparu en 1915, pendant la Premi\u00e8re guerre mondiale. Comme si les deux textes, par-del\u00e0 les ann\u00e9es, entraient en r\u00e9sonance.<\/h4>\n\n\n\n
\n

Un v\u00e9ritable travail de raccommodage, pour combler les trous de la m\u00e9moire<\/strong><\/p>\n<\/blockquote>\n\n\n\n

Chez Guillaume Viry les quatre hommes laissent tour \u00e0 tour entendre leurs voix, dans une mani\u00e8re de poignant lamento<\/em> s\u2019\u00e9coulant sans le moindre signe de  ponctuation. Peu \u00e0 peu c\u2019est l\u2019atroce r\u00e9alit\u00e9 de la guerre d\u2019Alg\u00e9rie qui se redonne \u00e0 voir.  Pour cela il avait fallu que Julien soit convoqu\u00e9 aux journ\u00e9es d\u2019incorporation pour son prochain service militaire. Et  que de la bouche de son p\u00e8re tombe l\u2019aveu d\u00e9clencheur, \u00ab dis-leur que \u00e7a ne s\u2019est pas bien pass\u00e9 le service militaire de ton oncle en Alg\u00e9rie<\/em>. \u00bb Soudain Jean,  expuls\u00e9 \u00e0 l\u2019\u00e9poque de la m\u00e9moire familiale (Jean est l\u2019homme sans histoire \/ l\u2019homme extrait de la grande histoire familiale \/ l\u2019exclu \/ l\u2019effac\u00e9<\/em> \u00bb), par l\u2019entremise de son fr\u00e8re puis de son neveu fait son retour, \u00e0 un demi-si\u00e8cle de distance. Son histoire peut enfin venir au grand jour, du moins ce qu\u2019il est possible d\u2019en conna\u00eetre \u00e0 partir des faits attest\u00e9s et des documents contenus dans la bo\u00eete en carton. Le reste, il appartient \u00e0 Julien de l\u2019imaginer, en un v\u00e9ritable travail de raccommodage,  pour combler les trous  de la m\u00e9moire, en rapi\u00e9cer la trame.<\/h4>\n\n\n\n

Le long po\u00e8me en prose, en mani\u00e8re d\u2019oraison fun\u00e8bre, de Guillaume Viry est bouleversant de d\u00e9licatesse et de tact. Et d\u2019une beaut\u00e9 rare. Par la musicalit\u00e9 de son rythme, ses r\u00e9p\u00e9titions obsessionnelles, ses trouvailles et ses  fulgurances (\u00ab je ne suis que le silence \/ je ne suis que l\u2019absence \/ dans la lenteur des jours immobiles je m\u2019absente \/ je me quitte \/  moi Jean \/ lentement je me quitte<\/em> \u00bb). La litt\u00e9rature, telle qu\u2019on l\u2019appr\u00e9cie et la d\u00e9fend.<\/h4>\n\n\n\n
\u00ab L\u2019Appel\u00e9<\/em><\/strong> \u00bb de Guillaume Viry, Editions du Cano\u00eb, 128 pages, 16 \u20ac<\/h5>\n\n\n\n
14\/11\/2024 \u2013 1718 \u2013 W98<\/h5>\n","protected":false},"excerpt":{"rendered":"

Il serait dommageable de passer \u00e0 c\u00f4t\u00e9 de \u00ab L\u2019Appel\u00e9 \u00bb,  court texte en vers libres et premier roman du com\u00e9dien et cin\u00e9aste Guillaume Viry, qui dit de saisissante fa\u00e7on les traumas engendr\u00e9s par la guerre d\u2019Alg\u00e9rie. Le lisant, impossible de ne pas penser aux \u00ab Nouvelles de la zone interdite \u00bb de Daniel Zimmermann (1988), \u00e0 \u00ab Des hommes \u00bb […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[54,53],"class_list":["post-2053","post","type-post","status-publish","format-standard","hentry","category-non-classe","tag-soixante-ans-apres","tag-un-poeme-en-prose-sur-le-passe-qui-ne-passe-pas-de-la-guerre-dalgerie"],"yoast_head":"\nGuillaume VIRY - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jclebrun.eu\/blog\/2024\/11\/12\/guillaume-viry\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Guillaume VIRY - Blog de Jean-Claude Lebrun\" \/>\n<meta property=\"og:description\" content=\"Il serait dommageable de passer \u00e0 c\u00f4t\u00e9 de \u00ab L\u2019Appel\u00e9 \u00bb,  court texte en vers libres et premier roman du com\u00e9dien et cin\u00e9aste Guillaume Viry, qui dit de saisissante fa\u00e7on les traumas engendr\u00e9s par la guerre d\u2019Alg\u00e9rie. 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