{"id":2112,"date":"2024-12-23T16:12:11","date_gmt":"2024-12-23T15:12:11","guid":{"rendered":"https:\/\/jclebrun.eu\/blog\/?p=2112"},"modified":"2024-12-24T15:32:06","modified_gmt":"2024-12-24T14:32:06","slug":"anna-funder","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2024\/12\/23\/anna-funder\/","title":{"rendered":"Anna FUNDER"},"content":{"rendered":"\n

Couronn\u00e9 dans la cat\u00e9gorie \u00ab non fiction \u00bb par le Prix du meilleur livre \u00e9tranger 2024, \u00ab L\u2019Invisible Madame Orwell<\/em> \u00bb de l\u2019Australienne Anna Funder, dans une tr\u00e8s rigoureuse traduction de Carine Chichereau, se pr\u00e9sente comme un salutaire d\u00e9capage de la biographie de George Orwell. Sans remettre jamais en cause l\u2019importance d\u00e9cisive de l\u2019\u00e9crivain britannique dans l\u2019approche des pens\u00e9es totalitaires, l\u2019autrice passe en effet au crible la sorte de fiction de sa propre vie que ce dernier, suivi par ses biographes, semble n\u2019avoir cess\u00e9 de proposer. Avec comme enjeu crucial, \u00e0 l\u2019aune de l\u2019actuel courant de r\u00e9\u00e9valuation, la mise en lumi\u00e8re du r\u00f4le de son \u00e9pouse Eileen<\/strong><\/h4>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Eileen O\u2019Shaughnessy (1905 \u2013 1945) et Eric Arthur Blair (1903 – 1950), plus connu sous le pseudonyme litt\u00e9raire de George Orwell, s\u2019\u00e9taient mari\u00e9s en 1936. Mais de leur couple et de son histoire tourment\u00e9e l\u2019on n\u2019a longtemps surtout retenu que la composante masculine. Comme si celle qui ne fit pas que partager le quotidien du grand homme n\u2019avait jamais \u00e9t\u00e9 per\u00e7ue que dans son ombre. Pour s\u2019en convaincre il suffit de relire chacune des sept biographies consacr\u00e9es \u00e0 l\u2019auteur de \u00ab 1984<\/strong>.<\/em> \u00bb C\u2019est tr\u00e8s exactement \u00e0 cette t\u00e2che que s\u2019est astreinte Anna Funder. Qui s\u2019est \u00e9galement appuy\u00e9e sur la trentaine de lettres autographes laiss\u00e9es par Eileen Blair et plus particuli\u00e8rement sur six d\u2019entre elles, r\u00e9dig\u00e9es entre 1936 et 1945, d\u00e9couvertes et publi\u00e9es en 2006, \u00e0 une amie de son \u00e9poque \u00e9tudiante \u00e0 Oxford.  C\u2019\u00e9tait en effet de son patronyme marital que signait toujours celle que l\u2019autrice d\u00e9signe comme \u00ab Madame Orwell. \u00bb A partir de ce mat\u00e9riau de base, le r\u00e9cit entreprend de restituer une figure de femme qu\u2019on dirait aujourd\u2019hui invisibilis\u00e9e : la vague #MeToo<\/em> est manifestement pass\u00e9e sur cette \u00e9criture. Pour une remise en perspective, mais aussi certaines hypoth\u00e8ses plus discutables. Sans doute parce que le travail d\u2019Anna Funder se situe \u00e0 mi-chemin de l\u2019essai et de l\u2019invention romanesque.<\/h4>\n\n\n\n
\n

Le talent d\u2019Anna Funder, son sens de la mise en situation et son inventivit\u00e9 romanesque emportent l\u2019adh\u00e9sion et \u00e9meuvent<\/strong><\/p>\n<\/blockquote>\n\n\n\n

Dans son ambitieux et s\u00e9duisant ouvrage celle-ci combine en effet faits av\u00e9r\u00e9s et t\u00e9moignages divers avec un r\u00e9cit plus personnel, engendr\u00e9 par sa volont\u00e9 de faire parler les silences et remplir les blancs de l\u2019histoire. L\u2019on entre de cette fa\u00e7on dans le quotidien intime du couple, tel qu\u2019Anna Funder le donne \u00e0 imaginer. Qu\u2019elle ins\u00e8re dans le contexte de l\u2019\u00e9poque, marqu\u00e9 par toutes les nuances de la violence politique et id\u00e9ologique. Orwell, avec ses inclinations trotskistes, fut l\u2019une des cibles d\u00e9sign\u00e9es par la propagande stalinienne et les services sovi\u00e9tiques. On le voit ici, repr\u00e9sent\u00e9 dans sa sph\u00e8re priv\u00e9e et se reposant tr\u00e8s largement sur Eileen, qui non seulement assure le quotidien mais r\u00e9vise et corrige ses articles et livres. Un travail de secr\u00e9tariat qui rel\u00e8ve ici quasiment d\u2019une exploitation, elle-m\u00eame consubstantielle \u00e0 la domination patriarcale. C\u2019est le fil rouge du livre. Le talent d\u2019Anna Funder, son sens de la mise en situation et son inventivit\u00e9 romanesque emportent l\u2019adh\u00e9sion et \u00e9meuvent. Le plaisir de lecture est patent. Mais l\u2019effet de contraste entre les deux personnages n\u2019est-il  pas quelque peu forc\u00e9 ? D\u2019un c\u00f4t\u00e9 un Orwell enti\u00e8rement requis par son \u0153uvre et son engagement politique, de l\u2019autre une Eileen ayant abdiqu\u00e9 toute pr\u00e9tention \u00e0 un d\u00e9veloppement personnel pour se mettre exclusivement au service de son \u00e9poux ? Les sp\u00e9cialistes trancheront.<\/h4>\n\n\n\n
\n

Anna Funder propose une lecture de ces existences du milieu du si\u00e8cle dernier \u00e0 travers le regard d\u2019une f\u00e9ministe d\u2019aujourd\u2019hui<\/strong><\/p>\n<\/blockquote>\n\n\n\n

Il reste que \u00ab L\u2019Invisible Madame Orwell<\/em><\/strong> \u00bb, par ses vues panoramiques comme son sens du d\u00e9tail, t\u00e9moigne d\u2019un enviable sens de l\u2019\u00e9vocation. Si Anna Funder propose une lecture de ces existences du milieu du si\u00e8cle dernier \u00e0 travers le regard d\u2019une f\u00e9ministe d\u2019aujourd\u2019hui, avec l\u2019\u00e9vident risque d\u2019anachronisme qui en d\u00e9coule, il n\u2019en reste pas moins qu\u2019elle contribue \u00e0 mieux cerner ce qui, au dehors, se jouait autour du couple Blair, et, au-dedans, relevait des in\u00e9galit\u00e9s du temps entre femmes et hommes. Sans pour autant aller jusqu\u2019\u00e0 dire qu\u2019Eileen fut emp\u00each\u00e9e par l\u2019emprise de son mari dans une vocation d\u2019\u00e9crivaine,  qu\u2019en l\u2019\u00e9tat des connaissances actuelles rien n\u2019atteste. M\u00eame si sa sensibilit\u00e9 litt\u00e9raire et sa vaste culture lui ont permis de tenir un r\u00f4le de conseil, par ailleurs reconnu par celui qui en fut le b\u00e9n\u00e9ficiaire. Ce qu\u2019Anna Funder \u00e9galement nous montre, c\u2019est une Eileen Blair engag\u00e9e dans les m\u00eames combats que George Orwell. En attestent les pages superbes, souvent charg\u00e9es d\u2019humour, sur leurs engagements respectifs du c\u00f4t\u00e9 de Barcelone pendant la guerre d\u2019Espagne. Ou le r\u00e9cit de leur existence fragile \u00e0 Londres sous le Blitz, avec en point d\u2019orgue la destruction de leur appartement lors d\u2019un bombardement.<\/h4>\n\n\n\n

L\u2019on voit aussi, en une mani\u00e8re de constant contrepoint, celle qui aujourd\u2019hui s\u2019est lanc\u00e9e dans la restitution de cette histoire. Dans ses lectures et ses recherches comme dans son quotidien, la vie domestique, les responsabilit\u00e9s familiales, en fa\u00e7on d\u2019\u00e9cho lointain, pour ne pas dire de r\u00e9p\u00e9tition par-del\u00e0 le temps, \u00e0 ce qu\u2019elle-m\u00eame imagine du v\u00e9cu in\u00e9galitaire de ce couple. Il en r\u00e9sulte ce livre vibrant et captivant, portrait d\u2019une figure f\u00e9minine indissociable de la vie du grand \u00e9crivain. Faire venir celle-ci sur le devant de la sc\u00e8ne n\u2019est pas son moindre m\u00e9rite.<\/h4>\n\n\n\n

\u00ab L\u2019Invisible Madame Orwell \u00bb d\u2019Anna Funder, traduit de l\u2019anglais (Australie) par Carine Chichereau, Editions H\u00e9lo\u00efse d\u2019Ormesson, 492 pages, 23,00 \u20ac<\/h5>\n\n\n\n
26\/12\/2024 \u2013 1723 \u2013 W103<\/h5>\n","protected":false},"excerpt":{"rendered":"

Couronn\u00e9 dans la cat\u00e9gorie \u00ab non fiction \u00bb par le Prix du meilleur livre \u00e9tranger 2024, \u00ab L\u2019Invisible Madame Orwell \u00bb de l\u2019Australienne Anna Funder, dans une tr\u00e8s rigoureuse traduction de Carine Chichereau, se pr\u00e9sente comme un salutaire d\u00e9capage de la biographie de George Orwell. Sans remettre jamais en cause l\u2019importance d\u00e9cisive de l\u2019\u00e9crivain britannique dans l\u2019approche des pens\u00e9es […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-2112","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"yoast_head":"\nAnna FUNDER - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jclebrun.eu\/blog\/2024\/12\/23\/anna-funder\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Anna FUNDER - Blog de Jean-Claude Lebrun\" \/>\n<meta property=\"og:description\" content=\"Couronn\u00e9 dans la cat\u00e9gorie \u00ab non fiction \u00bb par le Prix du meilleur livre \u00e9tranger 2024, \u00ab L\u2019Invisible Madame Orwell \u00bb de l\u2019Australienne Anna Funder, dans une tr\u00e8s rigoureuse traduction de Carine Chichereau, se pr\u00e9sente comme un salutaire d\u00e9capage de la biographie de George Orwell. 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