{"id":2185,"date":"2025-02-04T15:04:20","date_gmt":"2025-02-04T14:04:20","guid":{"rendered":"https:\/\/jclebrun.eu\/blog\/?p=2185"},"modified":"2025-02-05T17:02:14","modified_gmt":"2025-02-05T16:02:14","slug":"jean-louis-ezine","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2025\/02\/04\/jean-louis-ezine\/","title":{"rendered":"Jean-Louis EZINE"},"content":{"rendered":"\n<h4 class=\"wp-block-heading alignfull has-text-align-center\"><strong>\u00ab&nbsp;<em>La Chaise<\/em>&nbsp;\u00bb est le quatri\u00e8me roman de Jean-Louis Ezine, qui a \u00e9galement fait para\u00eetre plusieurs livres d\u2019entretien avec des figures marquantes de la sc\u00e8ne litt\u00e9raire ainsi qu\u2019un &nbsp;recueil de chroniques diffus\u00e9es \u00e0 l\u2019origine sur <em>France Culture<\/em>. Critique litt\u00e9raire, \u00e0 partir de 1972 aux <em>Nouvelles litt\u00e9raires<\/em>, puis de 1984 \u00e0 2018 au&nbsp;<em>Nouvel Observateur<\/em>, il s\u2019est affirm\u00e9 comme un fin connaisseur du paysage romanesque contemporain. Il propose aujourd\u2019hui un texte d\u2019inspiration autobiographique, qui d\u00e9voile l\u2019incroyable remise en question de ce qu\u2019il imagina longtemps comme le flou de ses propres origines<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"535\" height=\"784\" src=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/02\/EZINE.png\" alt=\"\" class=\"wp-image-2189\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/02\/EZINE.png 535w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/02\/EZINE-205x300.png 205w\" sizes=\"auto, (max-width: 535px) 100vw, 535px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Une citation de Pindare plac\u00e9e en \u00e9pigraphe, \u00ab&nbsp;<em>Deviens qui tu es, quand tu l\u2019auras appris<\/em>&nbsp;\u00bb, annonce tr\u00e8s exactement le propos qui va \u00eatre le sien. Pour m\u00e9moire, ce n\u2019est&nbsp; certainement pas un hasard, on notera que le po\u00e8te grec du V\u00e8me si\u00e8cle dut une grande part de sa renomm\u00e9e \u00e0 ses c\u00e9l\u00e9brations lyriques des vainqueurs des Jeux olympiques. Ezine, lui-m\u00eame passionn\u00e9 par le sport, qui ne cache pas son admiration pour le grand chroniqueur du Tour de France que fut Antoine Blondin, fait ainsi d\u2019une pierre deux coups. Son livre commence par une mani\u00e8re d\u2019autoportrait particuli\u00e8rement parlant. Il se pr\u00e9sente en effet tel un \u00ab&nbsp;<em>bavard empress\u00e9<\/em>&nbsp;\u00bb t\u00f4t accoutum\u00e9 \u00e0 soliloquer, plus tard effray\u00e9 par la possibilit\u00e9 d\u2019un mutisme en soci\u00e9t\u00e9 qui serait interpr\u00e9t\u00e9 comme un manque d\u2019esprit. Dans un chapitre liminaire intitul\u00e9 \u00ab&nbsp;<em>Des gens<\/em> <em>trop bien pour nous<\/em>&nbsp;\u00bb, il explicite son propos. Il \u00e9voque sa m\u00e8re domestique, qui lui donnera d\u2019abord son nom de jeune fille, Bunel, en l\u2019absence d\u2019un p\u00e8re, en fait \u00ab&nbsp;<em>mari\u00e9 ailleurs<\/em>&nbsp;\u00bb, ainsi que son beau-p\u00e8re qui lui donnera son patronyme, Ezine. Apr\u00e8s la \u00ab&nbsp;<em>naissance<\/em> <em>clandestine<\/em>&nbsp;\u00bb au lendemain de la Seconde guerre mondiale dans une villa inoccup\u00e9e de Cabourg, les &nbsp;ann\u00e9es d\u2019enfance \u00e0 Lisieux. Ezine se souvient &nbsp;\u00ab&nbsp;<em>quand maman \u00e9tait \u00e0 l\u2019h\u00f4pital psychiatrique et l\u2019homme dont je porte le nom, \u00e0 la maison d\u2019arr\u00eat.<\/em>&nbsp;\u00bb Ensuite il y aura Houlgate, &nbsp;Livarot, la Normandie telle un point fixe avant le&nbsp; vacillement des certitudes sur le brouillard des origines. Entretemps la m\u00e8re s\u2019\u00e9tait jet\u00e9e dans un \u00e9tang du c\u00f4t\u00e9 de Saint-L\u00f4. Lors des obs\u00e8ques une certaine Marcelle Caby s\u2019\u00e9tait pr\u00e9sent\u00e9e&nbsp;: elle \u00e9tait la s\u0153ur de Jeannine, la d\u00e9funte. Enfin un fil pour tirer l\u2019\u00e9cheveau familial.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Une certaine fa\u00e7on de faire riche, de jouer la distinction, comme pour rattraper la honte d\u00e9clar\u00e9e de la m\u00e8re sur sa condition de domestique<\/strong><\/p>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Dans les dix premi\u00e8res pages, le style appara\u00eet comme un v\u00e9ritable r\u00e9v\u00e9lateur, avant m\u00eame que les choses ne se pr\u00e9cisent. Une certaine fa\u00e7on de faire riche, de jouer la distinction, comme pour rattraper la honte d\u00e9clar\u00e9e de la m\u00e8re sur sa condition de domestique, pourtant recherch\u00e9e dans les manoirs et les ch\u00e2teaux. On songe ici, en \u00e9cho, \u00e0 la \u00ab\u00a0<em>trahison de <\/em>classe\u00a0\u00bb d\u2019une autre Normande, Annie Ernaux, qui plus tard r\u00e9pudiera ce concept. La langue est tendue, choisie, \u00e9l\u00e9gante, avec juste ce qu\u2019il y faut d\u2019autod\u00e9rision. Et cette coquetterie qui n\u2019a jamais cess\u00e9 de se manifester dans tous les articles de Jean-Louis Ezine\u00a0: l\u2019usage ostensible de termes inusit\u00e9s, vieillis ou devenus rares. Rien que dans les pages d\u2019entame <em>hypert\u00e9lie, intellection, sudorifique, portefaix, toutim, roulier, vivandier, quintessenci\u00e9<\/em>. Cette dilection lexicale fonctionne telle une marque identitaire dans un r\u00e9cit qui s\u2019attache pr\u00e9cis\u00e9ment \u00e0 d\u00e9busquer une identit\u00e9 pour le moins surprenante. C\u2019est que, raconte Ezine, \u00ab\u00a0<em>je suis n\u00e9 de p\u00e8re inconnu, ma m\u00e8re est n\u00e9e de p\u00e8re inconnu, mon p\u00e8re est n\u00e9 de p\u00e8re inconnu, sa m\u00e8re est n\u00e9e de p\u00e8re inconnu, mon p\u00e8re d\u2019\u00e9tat civil est n\u00e9 de p\u00e8re inconnu, et ainsi de suite, \u00e0 perte de vue<\/em>.\u00a0\u00bb Lorsque sa m\u00e8re dispara\u00eet, en d\u00e9cembre 1995, les nombreux blancs de son histoire commencent enfin \u00e0 se remplir.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>C\u2019est de l\u2019inattendu foisonnement familial, du surgissement d\u2019une foule de disparus, que na\u00eet ici le roman<\/strong><\/p>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">C\u2019est alors un formidable trop-plein qui se d\u00e9verse, romanesque \u00e0 un point qu\u2019il ne pouvait imaginer. R\u00e9v\u00e9lant une ascendance comme seul un enfant peut en r\u00eaver. Une succession de d\u00e9voilements qui se lit \u00e0 la fa\u00e7on d\u2019une histoire enchant\u00e9e, alors m\u00eame que c\u2019\u00e9tait tout le contraire qui paraissait gouverner son existence. A cinquante-huit ans, pour accorder cette nouvelle sc\u00e8ne au contexte de son existence, Jean-Louis Ezine se met au violoncelle, l\u2019instrument que l\u2019on compare, comme par hasard, \u00e0 la voix du p\u00e8re. Et sa tonalit\u00e9 profonde marqu\u00e9e du sceau de la distinction. En r\u00e9pons \u00e0 ce qui lui avait sembl\u00e9 si m\u00e9diocre dans les d\u00e9buts. Des dispositions certes moyennes chez lui, mais une passion authentique. L\u2019imposant instrument l\u2019accompagne d\u00e9sormais partout sur les traces de pr\u00e9d\u00e9cesseurs dont il d\u00e9couvre \u00e0 mesure l\u2019identit\u00e9. La musique comme intercession. Et bien \u00e9videmment la langue. Puisque c\u2019est de l\u2019inattendu foisonnement familial, du surgissement d\u2019une foule de disparus, que na\u00eet ici le roman. L\u2019habitude du soliloque, la solitude de l\u2019\u00e9criture, et au bout, d\u00e9chirant le voile d\u2019invisibilit\u00e9, la richesse d\u2019une stup\u00e9fiante parent\u00e8le, sa \u00ab&nbsp;<em>tribu<\/em>.&nbsp;\u00bb<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">\u00ab&nbsp;<strong><em>La Chaise<\/em><\/strong>&nbsp;\u00bb de Jean-Louis Ezine, Gallimard, 208 pages, 20 \u20ac<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">06\/02\/2025 \u2013 1729 \u2013 W109<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>\u00ab&nbsp;La Chaise&nbsp;\u00bb est le quatri\u00e8me roman de Jean-Louis Ezine, qui a \u00e9galement fait para\u00eetre plusieurs livres d\u2019entretien avec des figures marquantes de la sc\u00e8ne litt\u00e9raire ainsi qu\u2019un &nbsp;recueil de chroniques diffus\u00e9es \u00e0 l\u2019origine sur France Culture. Critique litt\u00e9raire, \u00e0 partir de 1972 aux Nouvelles litt\u00e9raires, puis de 1984 \u00e0 2018 au&nbsp;Nouvel Observateur, il s\u2019est affirm\u00e9 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[70],"class_list":["post-2185","post","type-post","status-publish","format-standard","hentry","category-non-classe","tag-la-decouverte-de-son-incroyable-ascendance-par-un-ancien-du-nouvel-obs-litteralement-tombe-de-sa-chaise"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jean-Louis EZINE - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jclebrun.eu\/blog\/2025\/02\/04\/jean-louis-ezine\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jean-Louis EZINE - Blog de Jean-Claude Lebrun\" \/>\n<meta property=\"og:description\" content=\"\u00ab&nbsp;La Chaise&nbsp;\u00bb est le quatri\u00e8me roman de Jean-Louis Ezine, qui a \u00e9galement fait para\u00eetre plusieurs livres d\u2019entretien avec des figures marquantes de la sc\u00e8ne litt\u00e9raire ainsi qu\u2019un &nbsp;recueil de chroniques diffus\u00e9es \u00e0 l\u2019origine sur France Culture. 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