{"id":2314,"date":"2025-04-07T17:50:16","date_gmt":"2025-04-07T15:50:16","guid":{"rendered":"https:\/\/jclebrun.eu\/blog\/?p=2314"},"modified":"2025-04-07T17:50:18","modified_gmt":"2025-04-07T15:50:18","slug":"loulou-robert","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2025\/04\/07\/loulou-robert\/","title":{"rendered":"Loulou ROBERT"},"content":{"rendered":"\n<h4 class=\"wp-block-heading alignfull has-text-align-center\"><strong>D\u00e8s son premier roman, \u00ab\u00a0<em>Bianca<\/em>\u00a0\u00bb (Julliard, 2016), Loulou Robert a fait entendre une singularit\u00e9 qui depuis lors ne s\u2019est pas d\u00e9mentie. \u00ab\u00a0<em>D\u00e9shumaine<\/em>\u00a0\u00bb, son cinqui\u00e8me livre (Gallimard) en apporte la confirmation \u00e0 la fois sid\u00e9rante et superbe<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"525\" height=\"762\" src=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/04\/LOULOU.png\" alt=\"\" class=\"wp-image-2315\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/04\/LOULOU.png 525w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/04\/LOULOU-207x300.png 207w\" sizes=\"auto, (max-width: 525px) 100vw, 525px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">C\u2019est une femme encore jeune, la trentaine, qui parle ou plut\u00f4t lance un strident cri de douleur et de r\u00e9volte. Elle se pr\u00e9sente comme une romanci\u00e8re t\u00f4t reconnue mais d\u00e9sormais incapable de rien publier, apparemment requise par d\u2019autres urgences. Alors m\u00eame que son mari, \u00e9galement \u00e9crivain, encha\u00eene les livres. Il vient de terminer son dixi\u00e8me roman. Ce qui certainement ne contribue pas peu au mal-\u00eatre de celle qui raconte. D\u00e8s l\u2019entame celle-ci se d\u00e9peint dans sa cuisine, un couteau \u00e0 la main, coupant des courgettes \u00ab&nbsp;<em>en deux dans le sens de la longueur, puis en tron\u00e7ons de six centim\u00e8tres<\/em>&nbsp;\u00bb, tandis que son mari imperturbablement tape sur les touches de son clavier dans le salon. Par la suite il sera beaucoup question chez elle de couteaux, comme de son irr\u00e9pressible maniaquerie et du compagnon uniquement occup\u00e9 \u00e0 son activit\u00e9 litt\u00e9raire. Le ton g\u00e9n\u00e9ral du roman est donn\u00e9. Une mani\u00e8re de r\u00e9p\u00e9tition qui bient\u00f4t tournera \u00e0 l\u2019obsession puis \u00e0 la fixation mortif\u00e8re, dont la langue violente et crue ne cessera de t\u00e9moigner. Fa\u00e7on de dire une folie profond\u00e9ment ancr\u00e9e. \u00ab&nbsp;<em>Ne plus \u00e9crire, c\u2019est tout garder<\/em>&nbsp;\u00bb, observe la narratrice. Dans son cas, c\u2019est vivre avec ses d\u00e9mons jusqu\u2019au d\u00e9lire, la psy qu\u2019elle consulte n\u2019y peut pas grand-chose. On plonge ici dans le bouillonnement des profondeurs intimes en m\u00eame temps que dans les tourments d\u2019un amour qui confine au sacrifice.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>La violence lui tient lieu de boussole et de grille de lecture<\/strong><\/h4>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Il y a encore un an le couple vivait \u00e0 Paris. Il se retrouve aujourd\u2019hui dans une ville des bords de Loire \u00e0 deux cent trente-six kilom\u00e8tres de la capitale, une heure de TGV. Le quotidien de la narratrice se r\u00e9duit \u00e0 peu de choses. La sortie matinale aux halles, la pr\u00e9paration des repas, les bains, les promenades avec sa chienne Penny, les prises de Lexomil. Tandis que ses pens\u00e9es sont tout occup\u00e9es, \u00e0 parts \u00e9gales, par son mari et par l\u2019univers animalier dont elle s\u2019est entour\u00e9e en guise de compagnonnage. Auquel est venu s\u2019ajouter celui qu\u2019elle d\u00e9signe comme le \u00ab&nbsp;<em>monstre<\/em>&nbsp;\u00bb ou encore le \u00ab&nbsp;<em>b\u00e9b\u00e9-loup<\/em>&nbsp;\u00bb&nbsp;: le f\u0153tus depuis peu apparu dans son ut\u00e9rus. Si elle vit l\u2019amour comme un sacrifice, elle ressent la maternit\u00e9 comme une pr\u00e9dation. La violence lui tient lieu de boussole et de grille de lecture. La chienne &nbsp;qui un jour avait serr\u00e9 Penny de trop pr\u00e8s en avait fait la douloureuse exp\u00e9rience&nbsp;: elle l\u2019avait rou\u00e9e de coups sous les yeux horrifi\u00e9s du ma\u00eetre qui avait d\u00fb s\u2019interposer. Une voisine et cinq autres personnes avaient ensuite eu moins de chance. Le couteau de cuisine avait trouv\u00e9 un usage moins innocent hors du logis familial. Loulou Robert brosse ici le saisissant tableau d\u2019une folie, telle une immersion de plus en plus profonde dans le glauque et le gore.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Elle dit tr\u00e8s explicitement comment la pulsion cr\u00e9atrice du travail d\u2019\u00e9criture s\u2019est effac\u00e9e chez elle au profit d\u2019une irr\u00e9pressible pulsion de mort<\/strong><\/h4>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Du sang humain en effet bient\u00f4t commence de couler, alors m\u00eame qu\u2019aux halles la narratrice peu \u00e0 peu tournait le dos aux \u00e9tals de boucherie, volaille, poissonnerie et affichait de plus en plus ostensiblement son d\u00e9go\u00fbt de toute chair. De semblable fa\u00e7on elle proclame en m\u00eame temps son amour pour son mari et un double d\u00e9sir, \u00ab\u00a0<em>baiser<\/em>\u00a0\u00bb mais \u00ab\u00a0<em>lui faire du mal<\/em>.\u00bb\u00a0Quelque chose en elle ne tourne d\u00e9cid\u00e9ment plus rond\u00a0: \u00ab\u00a0<em>Je suis bonne \u00e0 enfermer, [\u2026] je l\u2019ai d\u00e9j\u00e0 \u00e9t\u00e9<\/em> \u00bb, dit-elle. Elle se per\u00e7oit comme encombr\u00e9e, dans sa t\u00eate autant que dans son ventre. Ce qui ressemble fort \u00e0 une ali\u00e9nation, m\u00eame si le mot n\u2019est jamais prononc\u00e9. En revanche elle dit tr\u00e8s explicitement comment la pulsion cr\u00e9atrice du travail d\u2019\u00e9criture s\u2019est effac\u00e9e chez elle au profit d\u2019une irr\u00e9pressible pulsion de mort. Il s\u2019agit apr\u00e8s tout, dans l\u2019un et l\u2019autre cas, d\u2019offrir une issue \u00e0 ce qui \u00a0bouillonne en elle. De tout cela Loulou Robert fait le r\u00e9cit d\u00e9taill\u00e9. Mais elle ne cesse de m\u00ealer \u00e0 l\u2019exposition des multiples manifestations de cette folie une incroyable dose d\u2019humour, qui non seulement rend supportable cette lecture, mais cr\u00e9e la n\u00e9cessaire distance et fait monter l\u2019intensit\u00e9 du plaisir. Alors m\u00eame que l\u2019affaire tourne compl\u00e8tement au tragique, dans un final de toute beaut\u00e9.\u00a0 Une juxtaposition de phrases minimales, un montage \u00e9lectrique telle une succession de s\u00e9quences \u00e9clairs avant le grand blanc. Eros et Thanatos furieusement entrem\u00eal\u00e9s. \u00ab\u00a0<strong>D\u00e9shumaine<\/strong>\u00a0\u00bb peut-\u00eatre, mais plus encore humaine, trop humaine.<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">\u00ab\u00a0<strong><em>D\u00e9shumaine<\/em><\/strong>\u00a0\u00bb de Loulou Robert, Editions Gallimard, 174 pages, 19 \u20ac<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">10\/04\/2025 \u2013 1738 \u2013 W118<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>D\u00e8s son premier roman, \u00ab\u00a0Bianca\u00a0\u00bb (Julliard, 2016), Loulou Robert a fait entendre une singularit\u00e9 qui depuis lors ne s\u2019est pas d\u00e9mentie. \u00ab\u00a0D\u00e9shumaine\u00a0\u00bb, son cinqui\u00e8me livre (Gallimard) en apporte la confirmation \u00e0 la fois sid\u00e9rante et superbe C\u2019est une femme encore jeune, la trentaine, qui parle ou plut\u00f4t lance un strident cri de douleur et de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[81],"class_list":["post-2314","post","type-post","status-publish","format-standard","hentry","category-non-classe","tag-quand-a-la-pulsion-de-lecriture-se-substitue-une-pulsion-de-meurtre-dans-un-texte-au-rasoir-siderant-et-superbe"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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