{"id":2324,"date":"2025-04-12T14:39:34","date_gmt":"2025-04-12T12:39:34","guid":{"rendered":"https:\/\/jclebrun.eu\/blog\/?p=2324"},"modified":"2025-04-12T14:49:00","modified_gmt":"2025-04-12T12:49:00","slug":"akis-papantonis","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2025\/04\/12\/akis-papantonis\/","title":{"rendered":"AKIS PAPANTONIS"},"content":{"rendered":"\n<h4 class=\"wp-block-heading alignfull has-text-align-center\"><strong>De prime abord <em>Le miel des anges <\/em>s\u2019inscrirait plut\u00f4t dans la constellation des \u00ab\u00a0<em>petits \u00e9diteurs.<\/em>\u00a0\u00bb Mais \u00e0 y regarder de plus pr\u00e8s la maison fond\u00e9e en 2013, qui propose des traductions de la litt\u00e9rature grecque du XIXe si\u00e8cle \u00e0 nos jours, se positionne comme l\u2019un des \u00e9diteurs importants dans ce domaine, combinant le fonds classique et la plus audacieuse modernit\u00e9. Plus r\u00e9cent exemple en date, la <em>novella<\/em> \u00ab\u00a0<em>Le dernier des ours<\/em>\u00a0\u00bb d\u2019Akis Papantonis, qui nous r\u00e9v\u00e8le un auteur d\u2019une saisissante actualit\u00e9<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"215\" height=\"300\" src=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/04\/AKIS-215x300.png\" alt=\"\" class=\"wp-image-2327\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/04\/AKIS-215x300.png 215w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/04\/AKIS.png 549w\" sizes=\"auto, (max-width: 215px) 100vw, 215px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Le livre se pr\u00e9sente sous la forme d\u2019un ab\u00e9c\u00e9daire&nbsp;: vingt-quatre chapitres de A \u00e0 Z d\u00e9clinant les vingt-quatre lettres de l\u2019alphabet grec. En leur sein ont \u00e9t\u00e9 ins\u00e9r\u00e9es des <em>Stations<\/em>, sortes de prises de recul \u00e0 valeur documentaire dans le double r\u00e9cit d\u2019un \u00e9pisode dramatique de l\u2019histoire europ\u00e9enne de la fin du XX\u00e8me si\u00e8cle et de trente ann\u00e9es de la vie d\u2019une famille grecque. L\u2019une et l\u2019autre entretenant quelques rapports. En ouverture des chapitres de brefs paragraphes d\u2019une aveuglante crudit\u00e9 font resurgir, \u00e0 travers les regards de t\u00e9moins ou d\u2019acteurs, ce qui constitua l\u2019apog\u00e9e morbide de la p\u00e9riode&nbsp;: le massacre de Srebenica, en juillet 1995, durant la guerre de Bosnie. Des Grecs s\u2019y trouv\u00e8rent en effet m\u00eal\u00e9s, au nom d\u2019une solidarit\u00e9 entre orthodoxes m\u00e2tin\u00e9e de nationalisme. Akis Papantonis propose sous cette forme d\u2019apparence \u00e9clat\u00e9e, en fait d\u2019une impressionnante coh\u00e9rence, la restitution de la sc\u00e8ne primitive des d\u00e9rives identitaires qui pour partie boulevers\u00e8rent ensuite l\u2019ordre du monde. C\u2019est peu dire que \u00ab&nbsp;<strong><em>Le dernier des ours<\/em><\/strong>&nbsp;\u00bb non seulement restitue \u00e0 merveille ce qui alors se joua et n\u2019en finit pas de r\u00e9sonner, mais hausse sa repr\u00e9sentation \u00e0 une v\u00e9ritable hauteur symbolique.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>La <em>novella<\/em> d\u2019Akis Papantonis s\u2019attache \u00e0 ce temps de retour de la barbarie en plein c\u0153ur de l\u2019Europe<\/strong><\/p>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Pour cela il s\u2019attache aux destin\u00e9es divergentes de deux fr\u00e8res, l\u2019a\u00een\u00e9 Nikos n\u00e9 en 1975 et le cadet Thodoris, celui qui ici raconte n\u00e9 trois ans plus tard. Ancien \u00e9tudiant \u00e0 Thessalonique, auteur d\u2019une th\u00e8se avort\u00e9e sur D\u00e9mocrite, aujourd\u2019hui \u00e9migr\u00e9 en Allemagne \u00ab\u00a0<em>pour \u00e9viter l\u2019arm\u00e9e<\/em>.\u00a0\u00bb Ils \u00e9taient rest\u00e9s unis par un lien puissant alors que tout semblait les opposer. Le premier avait t\u00f4t fr\u00e9quent\u00e9 les marges et choisi les aventures douteuses, quand il exigeait du second qu\u2019il ne sorte pas de la norme et soit en quelque sorte le fils prodigue de la famille M\u00e0nessis, \u00a0que lui-m\u00eame n\u2019avait pu \u00eatre. D\u00e8s les premi\u00e8res pages il appara\u00eet clairement de quel c\u00f4t\u00e9 penche Nikos. C\u2019\u00e9tait au d\u00e9but des ann\u00e9es 1990, alors que son fr\u00e8re avait entam\u00e9 des \u00e9tudes de chimie. Un jour il lui avait demand\u00e9 d\u2019aller le chercher \u00e0 Oreokastro pour le ramener \u00e0 Thessalonique, distante d\u2019une dizaine de kilom\u00e8tres. Jusque l\u00e0 rien d\u2019anormal. Sauf que Nikos s\u2019en revenait de plus au nord, de \u00ab\u00a0<em>derri\u00e8re la fronti\u00e8re<\/em>\u00a0\u00bb, et avait d\u00fb se cacher. Le nord, c\u2019\u00e9tait la Bosnie-Herz\u00e9govine. En 1992 la r\u00e9publique f\u00e9d\u00e9rative socialiste de Yougoslavie implosait sous la pouss\u00e9e des nationalismes. Avec un contingent de volontaires grecs affili\u00e9s \u00e0 l\u2019extr\u00eame droite Nikos \u00e9tait all\u00e9 combattre au c\u00f4t\u00e9 des orthodoxes Serbes contre les musulmans bosniaques. On sait les massacres qui suivirent, dont une succession de flashs restitue le d\u00e9tail. La <em>novella<\/em> d\u2019Akis Papantonis s\u2019attache \u00e0 ce temps de retour de la barbarie en plein c\u0153ur de l\u2019Europe, cependant qu\u2019en Gr\u00e8ce apparaissait un nouveau parti, d\u00e9sign\u00e9 ici comme le <em>Rassemblement<\/em>, de son vrai nom <em>Rassemblement populaire \u2013 Aube dor\u00e9e<\/em>, qui reprenait les th\u00e8mes x\u00e9nophobes, souverainistes, natalistes et irr\u00e9dentistes des n\u00e9o-nazis.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Des images \u00e0 valeur m\u00e9taphorique qui dessinent les grands enjeux dans leur ombre port\u00e9e<\/strong><\/p>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Le texte, par sa richesse informative et sa remarquable composition, comme par sa puissance suggestive, \u00e0 travers les itin\u00e9raires des deux fr\u00e8res brosse le tableau complet et contin\u00fbment captivant d\u2019un temps qui s\u2019\u00e9tire jusqu\u2019\u00e0 la p\u00e9riode actuelle. Nikos et Thodoris en font figures d\u2019incarnations, en m\u00eame temps si proches et si \u00e9loign\u00e9s, \u00e0 l\u2019instar des polarisations un peu partout en cours. Akis Papantonis y glisse des images \u00e0 valeur m\u00e9taphorique, qui dessinent les grands enjeux dans leur ombre port\u00e9e. Ainsi ce d\u00e9but de soir\u00e9e, quand assis c\u00f4te-\u00e0-c\u00f4te ils regardent au loin&nbsp;: \u00ab&nbsp;<em>nous ne voyons pas l\u2019obscurit\u00e9 s\u2019approcher<\/em>&nbsp;\u00bb observe simplement le narrateur, donnant \u00e0 sa perception de l\u2019instant pr\u00e9sent une dimension quasi proph\u00e9tique. L\u2019\u00e9crivain ne cesse \u00e9galement de jouer tout du long d\u2019une d\u00e9signation double pour l\u2019a\u00een\u00e9 des M\u00e0nessis, tant\u00f4t Nikos, son pr\u00e9nom, tant\u00f4t Nikiforos (\u00ab&nbsp;<em>le victorieux<\/em>&nbsp;\u00bb), le surnom que lui-m\u00eame s\u2019\u00e9tait donn\u00e9. Rendant palpable le ressenti de celui qui raconte, \u00e0 la fois en grande proximit\u00e9 avec le fr\u00e8re protecteur et sans la moindre affinit\u00e9 avec le crane ras\u00e9 militant d\u2019extr\u00eame droite qui avait assist\u00e9 et vraisemblablement particip\u00e9, aux atrocit\u00e9s en Bosnie.<\/h4>\n\n\n\n<h4 class=\"wp-block-heading\">Dans une postface remarquable de p\u00e9n\u00e9tration H\u00e9l\u00e8ne Zervas et Michel Volkovitch, les traducteurs, replacent \u00ab&nbsp;<strong>Le dernier des ours<\/strong>&nbsp;\u00bb dans le contexte grec et ses ambigu\u00eft\u00e9s. Ils donnent \u00e0 comprendre la facture et la port\u00e9e exceptionnelles de ce texte. Plus qu\u2019une r\u00e9ussite, une \u0153uvre majeure, d\u2019une envergure rare.<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">\u00ab&nbsp;<strong><em>Le dernier des ours<\/em><\/strong>&nbsp;\u00bb d\u2019Akis Papantonis, traduit du grec par H\u00e9l\u00e8ne Zervas &amp; Michel Volkovitch, Edition<em>s Le miel des anges<\/em>, 138 pages, 12 \u20ac<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">10\/04\/2025 \u2013 1739 \u2013 W119<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>De prime abord Le miel des anges s\u2019inscrirait plut\u00f4t dans la constellation des \u00ab\u00a0petits \u00e9diteurs.\u00a0\u00bb Mais \u00e0 y regarder de plus pr\u00e8s la maison fond\u00e9e en 2013, qui propose des traductions de la litt\u00e9rature grecque du XIXe si\u00e8cle \u00e0 nos jours, se positionne comme l\u2019un des \u00e9diteurs importants dans ce domaine, combinant le fonds classique [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[82],"class_list":["post-2324","post","type-post","status-publish","format-standard","hentry","category-non-classe","tag-deux-freres-dans-trente-ans-dhistoire-des-balkans-au-centre-dun-roman-dune-envergure-rare"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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