{"id":2370,"date":"2025-04-30T18:03:07","date_gmt":"2025-04-30T16:03:07","guid":{"rendered":"https:\/\/jclebrun.eu\/blog\/?p=2370"},"modified":"2025-04-30T18:09:48","modified_gmt":"2025-04-30T16:09:48","slug":"gisele-bienne-2","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2025\/04\/30\/gisele-bienne-2\/","title":{"rendered":"Gis\u00e8le BIENNE"},"content":{"rendered":"\n<h4 class=\"wp-block-heading alignfull has-text-align-center\"><strong>En 2023 Gis\u00e8le Bienne faisait para\u00eetre l\u2019admirable \u00ab\u00a0<em>Les larmes de Chalamov<\/em>\u00a0\u00bb (Actes Sud), sur l\u2019\u00e9crivain sovi\u00e9tique rescap\u00e9 du Goulag, auteur des \u00ab\u00a0<em>R\u00e9cits de la Kolyma<\/em>.\u00a0\u00bb Celle dont le premier livre fut publi\u00e9 en 1976 aux Editions des Femmes, autrice de vingt-deux romans, r\u00e9cits et po\u00e8mes ainsi que de treize romans pour la jeunesse parus \u00e0 L\u2019Ecole des loisirs, propose aujourd\u2019hui un nouveau remarquable r\u00e9cit, \u00ab\u00a0<em>Chavirer avec Cendrars<\/em>\u00a0\u00bb, \u00a0accompagn\u00e9 de photos en noir et blanc de Jean-Marie Lecomte, sur un autre grand de la litt\u00e9rature au destin bouscul\u00e9<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"213\" height=\"300\" src=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/04\/BIENNE-213x300.jpg\" alt=\"\" class=\"wp-image-2373\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/04\/BIENNE-213x300.jpg 213w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/04\/BIENNE-726x1024.jpg 726w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/04\/BIENNE-768x1083.jpg 768w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/04\/BIENNE-1089x1536.jpg 1089w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/04\/BIENNE-1453x2048.jpg 1453w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/04\/BIENNE.jpg 1776w\" sizes=\"auto, (max-width: 213px) 100vw, 213px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Gis\u00e8le Bienne, n\u00e9e dans l\u2019Aube, dont l\u2019\u0153uvre t\u00e9moigne de l\u2019enracinement dans sa Champagne, affiche \u00e9galement une relation particuli\u00e8re avec les Ardennes. L\u00e0 pr\u00e9cis\u00e9ment o\u00f9 Fr\u00e9d\u00e9ric Louis Sauser, \u00e9crivain suisse n\u00e9 en 1887, plus connu sous le nom de Blaise Cendrars, se retira en 1938 et 1939. Car lui-m\u00eame fut \u00e0 jamais marqu\u00e9 par les deux territoires. Sur le premier il perdit un bras, sur le second il v\u00e9cut une mani\u00e8re de parenth\u00e8se dans une vie de mouvement. Gis\u00e8le Bienne, qui avait fait para\u00eetre en 2008 \u00ab&nbsp;<strong><em>La ferme de Navarin<\/em><\/strong>&nbsp;\u00bb (\u00ab&nbsp;L\u2019un et l\u2019autre&nbsp;\u00bb Gallimard), haut lieu de la Premi\u00e8re Guerre mondiale sur lequel fut \u00e9rig\u00e9, avec son ossuaire, le Monument aux morts des Arm\u00e9es de Champagne, se souvient d\u2019avoir une premi\u00e8re fois dans ses ann\u00e9es de jeunesse, \u00e0 partir de la d\u00e9partementale 977, parcouru le secteur o\u00f9 l\u2019\u00e9crivain avait \u00e9t\u00e9 gri\u00e8vement bless\u00e9 \u00ab&nbsp;<em>un soir de pluie et de brouillard d\u00e8s les premiers jours de la grande offensive lanc\u00e9e en septembre 1915 sous les ordres de Joffre<\/em>.&nbsp;\u00bb Une pancarte signalait alors l\u2019emplacement de la ferme, dont il ne restait rien. Puis le panneau m\u00e9moriel, \u00e0 l\u2019instar des &nbsp;b\u00e2timents, avait disparu. Tels ces anciens villages de la r\u00e9gion simplement ray\u00e9s de la carte. En deux pages d\u2019une saisissante sobri\u00e9t\u00e9, accompagn\u00e9es d\u2019une photo grisaillante du monument, comme \u00e9mergeant de la fum\u00e9e de l\u2019embrasement g\u00e9n\u00e9ral, &nbsp;elle donne \u00e0 ressentir ce que fut cette Apocalypse. Quatre de ses livres furent consacr\u00e9s \u00e0 la Premi\u00e8re Guerre mondiale.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Omnipr\u00e9sente, elle ne se tient jamais bien loin, faisant venir des souvenirs, des lectures, les \u00e9pisodes de sa propre enqu\u00eate sur les traces de Cendrars<\/strong><\/h4>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">\u00ab&nbsp;<strong><em>Chavirer avec Cendrars<\/em><\/strong>&nbsp;\u00bb s\u2019organise en deux parties sensiblement \u00e9gales, \u00ab&nbsp;<em>La plaine<\/em>&nbsp;\u00bb et \u00ab&nbsp;<em>La for\u00eat ardennaise<\/em>&nbsp;\u00bb, qui font donc r\u00e9f\u00e9rence \u00e0 deux p\u00e9riodes de la vie de l\u2019\u00e9crivain. Gis\u00e8le Bienne, au long de son r\u00e9cit, d\u00e9roule le fils au parcours incroyablement sinueux qui&nbsp; relie les deux lieux. Un fascinant cheminement narratif, qui restitue rien de moins que la quasi enti\u00e8ret\u00e9 d\u2019une destin\u00e9e. Omnipr\u00e9sente, elle ne se tient jamais bien loin, faisant venir des souvenirs, des lectures, les \u00e9pisodes de sa propre enqu\u00eate sur les traces de Cendrars. Elle fait \u00e9galement ressortir la singularit\u00e9 de posture du soldat Fr\u00e9d\u00e9ric Sauser, engag\u00e9 volontaire, qui \u00e0 la diff\u00e9rence d\u2019autres \u00e9crivains avait d\u00e9cid\u00e9 de laisser sa plume au repos&nbsp;: \u00ab&nbsp;<em>Cendrars, dans les tranch\u00e9es, n\u2019a pas \u00e9crit de po\u00e8mes ou r\u00e9dig\u00e9 un journal, il n\u2019a pas \u00e9crit d\u2019articles comme le faisait Guillaume Apollinaire. C\u2019est pour tenir un fusil, dit-il, non un porte-plume qu\u2019il s\u2019\u00e9tait engag\u00e9<\/em>.&nbsp;\u00bb&nbsp;Cela s\u2019\u00e9tait arr\u00eat\u00e9 pour lui le 28 septembre 1915. Dans \u00ab&nbsp;<em>la mar\u00e9e humaine [qui] monte au sacrifice<\/em>&nbsp;\u00bb, \u00e0 deux-cents m\u00e8tres de la ferme de Navarin, il est touch\u00e9 au bras droit, perd son sang. Transport\u00e9 au poste chirurgical 55 dans le village de Suippes, il est amput\u00e9. Sa main droite, celle de l\u2019\u00e9crivain, sera jet\u00e9e dans un&nbsp; charnier. On ne peut imaginer all\u00e9gorie plus parlante du d\u00e9sastre pour lui. Un po\u00e8me dans le recueil \u00ab&nbsp;<strong><em>Feuille de route<\/em><\/strong>&nbsp;\u00bb, reviendra en 1924 sur cet \u00e9pisode tragique, Trente ans plus tard, en 1946, il fera para\u00eetre \u00ab&nbsp;<strong><em>La Main coup\u00e9e<\/em><\/strong>&nbsp;\u00bb, dans lequel il \u00e9largira la focale \u00e0 la trag\u00e9die plus grande encore de la Premi\u00e8re Guerre mondiale.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Un texte de cr\u00e9ation, par la subjectivit\u00e9 \u00e0 l\u2019\u0153uvre et le choix d\u2019\u00e9criture<\/strong><\/h4>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Entre la Champagne et les Ardennes, o\u00f9 il s\u00e9journe de f\u00e9vrier 1938 au 3 septembre 1939, date de la d\u00e9claration de guerre \u00e0 l\u2019Allemagne, aupr\u00e8s d\u2019Elisabeth Pr\u00e9vost, dans une &nbsp;propri\u00e9t\u00e9 au milieu de la for\u00eat \u00ab&nbsp;<em>shakespearienne<\/em>&nbsp;\u00bb, Cendrars s\u2019\u00e9tait multipli\u00e9. Lui, qui avait publi\u00e9 en 1913 \u00ab&nbsp;<strong><em>La prose du Transsib\u00e9rien et de la petite Jehanne de France<\/em><\/strong>&nbsp;\u00bb sans \u00eatre jamais mont\u00e9 dans le train mythique, s\u2019\u00e9tait mis en mouvement. \u00ab&nbsp;<em>Tant de mondes parcourus<\/em>&nbsp;\u00bbg\u00e9ographiquement et socialement. Apr\u00e8s avoir t\u00e2t\u00e9 de l\u2019\u00e9dition et du cin\u00e9ma, il&nbsp; effectue un voyage au Br\u00e9sil, puis fait para\u00eetre son premier roman \u00ab&nbsp;<strong><em>L\u2019Or<\/em><\/strong>&nbsp;\u00bb qui devient tr\u00e8s vite un succ\u00e8s mondial, on le retrouve ensuite grand reporter. Son existence aventureuse se continuerait ainsi jusqu\u2019\u00e0 une premi\u00e8re congestion c\u00e9r\u00e9brale en 1956. Une seconde, en 1963, lui sera fatale. Sur tout cela Gis\u00e8le Bienne porte un regard d\u2019une p\u00e9n\u00e9trante acuit\u00e9, avec une attention particuli\u00e8re \u00e0 la \u00ab&nbsp;<em>parenth\u00e8se<\/em>&nbsp;\u00bb de sept mois, si rarement \u00e9voqu\u00e9e et qu\u2019ici elle ouvre, dans la th\u00e9ba\u00efde des Ardennes. Son livre en l\u2019esp\u00e8ce rel\u00e8ve moins de l\u2019approche biographique, historique ou critique que de l\u2019empathie litt\u00e9raire. Document pr\u00e9cieux certes, mais surtout texte de cr\u00e9ation, par la subjectivit\u00e9 \u00e0 l\u2019\u0153uvre et le choix d\u2019\u00e9criture, sobre et puissamment allusive.<\/h4>\n\n\n\n<h4 class=\"wp-block-heading\">Ce qui se joue ici, c\u2019est une exploration de l\u2019\u0153uvre multiforme \u00e0 partir des deux territoires d\u2019\u00e9lection de Gis\u00e8le Bienne, pr\u00e9sente tout du long et y accompagnant pas \u00e0 pas Cendrars, \u00ab&nbsp;<em>l\u2019homme des cinq continents<\/em>.&nbsp;\u00bb Donnant finalement au portrait c\u00e9l\u00e8bre en noir et blanc de celui-ci, cigarette aux l\u00e8vres et regard per\u00e7ant, r\u00e9alis\u00e9 par le&nbsp; photographe Henri Martinie en 1924 et repris ici deux fois, en couverture et \u00e0 la derni\u00e8re page du r\u00e9cit, un relief et une coloration peu commune.<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">\u00ab&nbsp;<strong><em>Chavirer avec Cendrars<\/em><\/strong>&nbsp;\u00bb, de Gis\u00e8le Bienne, Editions Noires Terres, 162 pages, 20 \u20ac<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">01\/05\/2025 \u2013 1741 \u2013 W121 &nbsp;<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>En 2023 Gis\u00e8le Bienne faisait para\u00eetre l\u2019admirable \u00ab\u00a0Les larmes de Chalamov\u00a0\u00bb (Actes Sud), sur l\u2019\u00e9crivain sovi\u00e9tique rescap\u00e9 du Goulag, auteur des \u00ab\u00a0R\u00e9cits de la Kolyma.\u00a0\u00bb Celle dont le premier livre fut publi\u00e9 en 1976 aux Editions des Femmes, autrice de vingt-deux romans, r\u00e9cits et po\u00e8mes ainsi que de treize romans pour la jeunesse parus \u00e0 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[84],"class_list":["post-2370","post","type-post","status-publish","format-standard","hentry","category-non-classe","tag-entre-champagne-et-ardennes-le-recit-de-la-vie-dun-ecrivain-qui-parcourut-les-cinq-continents-se-presente-comme-une-veritable-prouesse-litteraire"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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