{"id":2426,"date":"2025-05-28T10:05:40","date_gmt":"2025-05-28T08:05:40","guid":{"rendered":"https:\/\/jclebrun.eu\/blog\/?p=2426"},"modified":"2025-05-30T17:01:45","modified_gmt":"2025-05-30T15:01:45","slug":"laure-murat","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2025\/05\/28\/laure-murat\/","title":{"rendered":"Laure MURAT"},"content":{"rendered":"\n

Malgr\u00e9 ce titre qu\u2019on dirait emprunt\u00e9 au \u00ab P\u00e8re Duchesne \u00bb, \u00ab Toutes les \u00e9poques sont d\u00e9gueulasses<\/em> \u00bb, en fait tir\u00e9 d\u2019une lettre d\u2019Antonin Artaud, le petit livre de Laure Murat se pr\u00e9sente comme un mod\u00e8le de r\u00e9flexion scrupuleuse et de pens\u00e9e nuanc\u00e9e. Il y est question de ce qui depuis quelque temps, import\u00e9 des Etats Unis, pr\u00e9tend soumettre des \u0153uvres litt\u00e9raires du pass\u00e9 \u00e0 des r\u00e9examens li\u00e9s \u00e0 de nouvelles sensibilit\u00e9s aujourd\u2019hui \u00e0 l\u2019\u0153uvre. On pense notamment \u00e0 #MeToo, \u00e0 la pens\u00e9e d\u00e9coloniale et \u00e0 la \u00ab cancel culture<\/em> \u00bb<\/strong><\/h4>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Ce qui touche de fa\u00e7on spectaculaire la litt\u00e9rature s\u2019inscrit en effet dans un plus vaste contexte m\u00ealant p\u00eale-m\u00eale des questions identitaires, une sensibilit\u00e9 accrue \u00e0 la domination patriarcale ou encore au racisme sous toutes ses formes. Pour s\u2019en tenir \u00e0  l\u2019identit\u00e9 on se rappelle ces r\u00e9unions  ferm\u00e9es \u00e0 la diff\u00e9rence, qui migr\u00e8rent ensuite en Europe et n\u2019\u00e9taient rien d\u2019autre que l\u2019affirmation du communautarisme contre l\u2019ambition universaliste n\u00e9e de la R\u00e9volution fran\u00e7aise. Dans le m\u00eame temps de nouveaux intervenants, les \u00ab sensitivity readers<\/em> \u00bb, apparaissaient dans les maisons d\u2019\u00e9dition, en relation directe avec une inflation proc\u00e9durale contre tout ce qui pouvait choquer tel ou tel de ces segments de la soci\u00e9t\u00e9. Puis ce furent les stup\u00e9fiantes r\u00e9visions de textes d\u2019Agatha Christie, de Roald Dahl, d\u2019Herg\u00e9, de Mark Twain. Non que ceux-ci n\u2019eussent pas charri\u00e9, m\u00eal\u00e9 \u00e0 des qualit\u00e9s qui leur valurent et leur valent encore des dizaines de millions de lecteurs, le pire de l\u2019antihumanisme. Le racisme et le colonialisme d\u2019Agatha Christie furent t\u00f4t d\u00e9nonc\u00e9s, comme les inclinations extr\u00eame-droiti\u00e8res d\u2019Herg\u00e9. Mais jamais il ne vint \u00e0 l\u2019esprit des analystes de proposer, en appui de leur rigoureux travail critique, quelque \u00e9dulcoration ou intervention sur les textes eux-m\u00eames, mani\u00e8re de gommage cosm\u00e9tique qui auraient expuls\u00e9 des livres les mots qu\u2019on ne saurait voir ni entendre.  <\/h4>\n\n\n\n
\n

Laure Murat s\u2019interroge sur les op\u00e9rations de nettoyage lexical en cours<\/strong><\/h4>\n<\/blockquote>\n\n\n\n

Le pas est d\u00e9sormais franchi. L\u2019exemple embl\u00e9matique d\u2019une telle in\u00e9dite atteinte au texte, ce sont \u00e9videmment les \u00ab Dix petits n\u00e8gres<\/em><\/strong> \u00bb d\u2019Agatha Christie devenus \u00ab Ils \u00e9taient dix<\/em><\/strong>. \u00bb Depuis maintenant plus de dix ans aux Etats Unis il n\u2019est plus question que du \u00ab N-word<\/em> \u00bb, v\u00e9ritable contournement du mot maudit \u00ab nigger<\/em> \u00bb que Barack Obama en 2015 osa cependant prof\u00e9rer, d\u00e9clenchant une incroyable temp\u00eate de haine. Laure Murat s\u2019interroge sur les op\u00e9rations de nettoyage lexical en cours, ces \u00ab r\u00e9critures<\/em> \u00bb qui visent la lettre sans modifier en rien le fond. Il est clair que l\u2019orientation g\u00e9n\u00e9rale de \u00ab Ils \u00e9taient dix<\/em><\/strong> \u00bb, malgr\u00e9 le passage au K\u00e4rcher linguistique, n\u2019a pas vari\u00e9 d\u2019un iota. Eliminer les termes douteux ne suffit pas \u00e0 modifier la pente principale d\u2019un texte. Pr\u00e9facer les \u0153uvres au contenu jug\u00e9 aujourd\u2019hui probl\u00e9matique, les contextualiser, \u00e9ventuellement pour les plus importantes les entourer d\u2019un solide appareil critique semblent des r\u00e9ponses plus acceptables. Mais ne surtout pas les cavardier \u00e0 la fa\u00e7on des censeurs des r\u00e9gimes totalitaires. Comme de tous ceux qui d\u00e9sirent \u00ab lisser le monde \u00e0 tout prix, aux d\u00e9pens de la <\/em>pens\u00e9e. \u00bb Poussant jusqu\u2019au bout cette logique \u00e0 la Gribouille, il  faudrait un jour s\u2019en prendre \u00e0 Platon et son Atlantide, purger cette utopie, devenue un th\u00e8me fertile de la litt\u00e9rature, qui int\u00e9grait l\u2019esclavage comme une donn\u00e9e naturelle. Car on n\u2019imagine et n\u2019\u00e9crit jamais qu\u2019\u00e0 l\u2019ombre de l\u2019id\u00e9ologie et des repr\u00e9sentations dominantes de son temps.<\/h4>\n\n\n\n
\n

Le respect de l\u2019\u0153uvre n\u2019induit \u00e9videmment aucune uniformit\u00e9 de lecture<\/strong><\/h4>\n<\/blockquote>\n\n\n\n

S\u2019agissant de r\u00e9\u00e9criture, \u00e0 l\u2019encontre de ces \u00ab r\u00e9critures<\/em> \u00bb, il existe une pratique l\u00e9gitime et parfaitement \u00e9prouv\u00e9e, celle de la traduction. R\u00e9guli\u00e8rement de grands textes de l\u2019h\u00e9ritage litt\u00e9raire sont ainsi remis sur le m\u00e9tier par les g\u00e9n\u00e9rations successives de traducteurs. Exemple r\u00e9cent les nouvelles traductions de Stefan Zweig par Fran\u00e7oise Wuilmart. Sans parler des diff\u00e9rentes versions au cours du temps, avec leurs consid\u00e9rables variations, des textes de Kafka. Depuis Alexandre Vialatte jusqu\u2019\u00e0 Jean-Pierre Lefebvre et Georges-Arthur Goldschmidt en passant par Bernard Lortholary. L\u2019on y voit comment l\u2019\u00e9volution des sensibilit\u00e9s et de la langue, celle de la connaissance de la m\u00e9canique textuelle, celle \u00e9galement de la compr\u00e9hension et de l\u2019interpr\u00e9tation g\u00e9n\u00e9rale de l\u2019\u0153uvre, conduisent \u00e0 des logiques traductologiques parfois \u00e9loign\u00e9es \u00e0 partir du m\u00eame original. Le respect de l\u2019\u0153uvre n\u2019induit \u00e9videmment aucune uniformit\u00e9 de lecture. Ce qui fait pr\u00e9cis\u00e9ment d\u00e9faut \u00e0 ceux qui entretiennent les pol\u00e9miques sur la lettre des textes, c\u2019est la confiance dans la capacit\u00e9 du lecteur \u00e0 construire leur sens, \u00e0 en \u00e9valuer les limites historiques, en somme \u00e0 effectuer le n\u00e9cessaire travail critique face \u00e0 un livre.<\/h4>\n\n\n\n

Vers la fin de son stimulant essai Laure Murat avance une hypoth\u00e8se qui confine \u00e0 la quasi certitude : et si cette mise au go\u00fbt et d\u00e9go\u00fbts du jour ne relevait pas in fine<\/em>, par-del\u00e0 des pr\u00e9occupations d\u2019ordre \u00e9thique, d\u2019une vulgaire logique mercantile des \u00e9diteurs ?  Un nettoyage des textes pour continuer de les vendre en r\u00e9pondant \u00e0 une suppos\u00e9e sensibilit\u00e9 moyenne ? C\u2019est bien du pays du business-roi, et de nulle part ailleurs, que le mouvement est parti. La question est pos\u00e9e.<\/h4>\n\n\n\n
\u00ab Toutes les \u00e9poques sont d\u00e9gueulasses<\/em><\/strong> \u00bb de Laure Murat, Editions Verdier  \u00ab Les arts de lire \u00bb, 80 pages, 7,50 \u20ac<\/h5>\n\n\n\n
29\/05\/2025 \u2013 1745 \u2013 W125<\/h5>\n","protected":false},"excerpt":{"rendered":"

Malgr\u00e9 ce titre qu\u2019on dirait emprunt\u00e9 au \u00ab P\u00e8re Duchesne \u00bb, \u00ab Toutes les \u00e9poques sont d\u00e9gueulasses \u00bb, en fait tir\u00e9 d\u2019une lettre d\u2019Antonin Artaud, le petit livre de Laure Murat se pr\u00e9sente comme un mod\u00e8le de r\u00e9flexion scrupuleuse et de pens\u00e9e nuanc\u00e9e. Il y est question de ce qui depuis quelque temps, import\u00e9 des Etats Unis, pr\u00e9tend soumettre […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[88],"class_list":["post-2426","post","type-post","status-publish","format-standard","hentry","category-non-classe","tag-un-essai-vivifiant-sur-le-mouvement-de-recriture-de-certains-textes-juges-moralement-problematiques"],"yoast_head":"\nLaure MURAT - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/jclebrun.eu\/blog\/2025\/05\/28\/laure-murat\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Laure MURAT - Blog de Jean-Claude Lebrun\" \/>\n<meta property=\"og:description\" content=\"Malgr\u00e9 ce titre qu\u2019on dirait emprunt\u00e9 au \u00ab P\u00e8re Duchesne \u00bb, \u00ab Toutes les \u00e9poques sont d\u00e9gueulasses \u00bb, en fait tir\u00e9 d\u2019une lettre d\u2019Antonin Artaud, le petit livre de Laure Murat se pr\u00e9sente comme un mod\u00e8le de r\u00e9flexion scrupuleuse et de pens\u00e9e nuanc\u00e9e. 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