{"id":2536,"date":"2025-08-09T15:56:45","date_gmt":"2025-08-09T13:56:45","guid":{"rendered":"https:\/\/jclebrun.eu\/blog\/?p=2536"},"modified":"2025-08-15T16:25:59","modified_gmt":"2025-08-15T14:25:59","slug":"laurent-mauvignier","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2025\/08\/09\/laurent-mauvignier\/","title":{"rendered":"Laurent MAUVIGNIER"},"content":{"rendered":"\n<h4 class=\"wp-block-heading\"><strong>Se lancer dans la lecture des 752 pages de \u00ab\u00a0<em>La maison vide<\/em>\u00a0\u00bb, le dernier roman de Laurent Mauvignier, cela tient de l\u2019embarquement pour une longue travers\u00e9e sur la haute mer du souvenir. Avec coups de tabac et p\u00e9riodes d\u2019\u00e9tale, vagues sc\u00e9l\u00e9rates et journ\u00e9es de surplace, et toujours le libre champ laiss\u00e9 \u00e0 l\u2019imaginaire. L\u2019on comprend que <em>Les Editions de Minuit <\/em>n\u2019aient cru bon de ne proposer aucun autre titre en cette rentr\u00e9e d\u2019\u00e9t\u00e9 2025\u00a0: voici un roman fait pour longtemps vous occuper, non seulement par son \u00e9paisseur mais aussi par la densit\u00e9 de mati\u00e8re qu\u2019il brasse<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"217\" height=\"300\" src=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/08\/MAUVIGNIER-217x300.jpeg\" alt=\"\" class=\"wp-image-2538\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/08\/MAUVIGNIER-217x300.jpeg 217w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/08\/MAUVIGNIER.jpeg 502w\" sizes=\"auto, (max-width: 217px) 100vw, 217px\" \/><figcaption class=\"wp-element-caption\">Screenshot<\/figcaption><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Le livre s\u2019ouvre par une citation de Ren\u00e9 Boylesve, romancier tourangeau \u00e0 succ\u00e8s du d\u00e9but du XX\u00e8me si\u00e8cle&nbsp;: \u00ab&nbsp;<em>Des paroles et des bruits entendus, et qui nous ont p\u00e9n\u00e9tr\u00e9s, peut-\u00eatre \u00e0 notre insu, remuent un monde ignor\u00e9 de nous-m\u00eames<\/em>.&nbsp;\u00bb Le programme se trouve d\u2019embl\u00e9e annonc\u00e9. Rien de moins que l\u2019exploration d\u2019un pass\u00e9 lointain dont nous sommes les porteurs inconscients. Si l\u2019on ajoute que l\u2019un des romans les plus c\u00e9l\u00e8bres de Boylesve, \u00ab&nbsp;<strong><em>Tu n\u2019es plus rien<\/em><\/strong>&nbsp;\u00bb, paru en 1917, a pour personnage principal une jeune femme dont le mari meurt au tout d\u00e9but de la Premi\u00e8re guerre mondiale, ce qui n\u2019a \u00e9videmment rien d\u2019original&nbsp;; puis que, c\u00e9dant \u00e0 l\u2019insistance de son entourage, celle-ci se remariera plus tard avec une \u00ab&nbsp;gueule cass\u00e9e&nbsp;\u00bb, l\u00e0 encore une situation fr\u00e9quente \u00e0 l\u2019\u00e9poque&nbsp;; l\u2019on va tr\u00e8s vite comprendre en quoi la phrase &nbsp;plac\u00e9e en \u00e9pigraphe entre en r\u00e9sonances multiples avec le propos de cet autre Tourangeau qu\u2019est Laurent Mauvignier, qui dans \u00ab&nbsp;<em><strong>La maison vide<\/strong>&nbsp;<\/em>\u00bb tient le r\u00f4le du narrateur \u00e0 la premi\u00e8re personne. Evoquant le d\u00e9c\u00e8s d\u2019un arri\u00e8re grand-p\u00e8re en 1916, la destin\u00e9e de sa veuve et de leur descendance.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Le travail souterrain, facteur de toutes ces perturbations, qui n\u2019a jamais cess\u00e9 de s\u2019accomplir<\/strong><\/h4>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Par effet de ricochet, d\u00e8s les premi\u00e8res pages du <em>prologue<\/em>, l\u2019on pense \u00e0 un autre tr\u00e8s grand roman qui s\u2019ouvre sur la recherche des restes d\u2019un mort de la Grande guerre, \u00ab&nbsp;<strong><em>L\u2019Acacia<\/em><\/strong>&nbsp;\u00bb de Claude Simon, publi\u00e9 en 1989. C\u2019est qu\u2019ici celui qui \u00e9crit, trente-trois ans plus tard, se pr\u00e9sente lanc\u00e9 dans une semblable qu\u00eate, non sans quelques analogies dans le constant effort de pr\u00e9cision et la beaut\u00e9 subs\u00e9quente de l\u2019\u00e9criture. A la&nbsp; diff\u00e9rence qu\u2019il ne s\u2019agit pas des ossements d\u2019un \u00eatre proche, mais d\u2019une m\u00e9daille, une L\u00e9gion d\u2019honneur, serr\u00e9e quelque part dans la maison inhabit\u00e9e de sa famille. La d\u00e9coration avait \u00e9t\u00e9 d\u00e9cern\u00e9e \u00e0 titre posthume \u00e0 son arri\u00e8re grand-p\u00e8re paternel Jules, tomb\u00e9 en mai 1916 sur le front de l\u2019Argonne&nbsp;: \u00ab&nbsp;<em>le signe avant-coureur de la catastrophe familiale qui a nourri le r\u00e9cit qu\u2019aujourd\u2019hui quelque chose en moi cherche \u00e0 comprendre, comme pour en reconstituer le puzzle<\/em>&nbsp;\u00bb, indique Laurent Mauvignier. Mais dans ces pages initiales il est \u00e9galement question d\u2019une autre disparition, celle de son propre p\u00e8re, qui mit fin \u00e0 ses jours en 1983 \u00e0 l\u2019\u00e2ge de quarante-six ans. Comme de l\u2019existence tourment\u00e9e de Marguerite, celle qui l\u2019enfanta et fut tondue \u00e0 la Lib\u00e9ration. Ou encore plus t\u00f4t du destin contrari\u00e9 de Marie-Ernestine, \u00e9pouse de Jules et m\u00e8re de Marguerite. Si ces pages d\u2019ouverture laissent appara\u00eetre les fils d\u2019un roman familial remontant jusqu\u2019\u00e0 l\u2019Empire, dont Laurent Mauvignier s\u2019attache aujourd\u2019hui \u00e0 restaurer, et m\u00eame souvent \u00e0 \u00ab&nbsp;<em>prendre le risque<\/em>&nbsp;\u00bb d\u2019en r\u00e9inventer la trame, elles laissent \u00e9galement pressentir le travail souterrain, facteur de toutes ces perturbations, qui n\u2019a jamais cess\u00e9 de s\u2019accomplir au fil du temps, semblable \u00e0 l\u2019effet irradiant d\u2019\u00e9l\u00e9ments radioactifs.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Il en r\u00e9sulte cette \u00ab&nbsp;<em>histoire familiale sur mesure<\/em>&nbsp;\u00bb d\u2019une formidable richesse<\/strong><\/h4>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Le roman traverse ainsi deux guerres mondiales et laisse&nbsp; appara\u00eetre \u00e0 son horizon les guerres coloniales, d\u00e9j\u00e0 \u00e9voqu\u00e9es par l\u2019auteur dans \u00ab&nbsp;<strong><em>Des hommes<\/em><\/strong>&nbsp;\u00bb en 2009,comme il fait resurgir la vie rurale de la premi\u00e8re moiti\u00e9 du XX\u00e8me si\u00e8cle et sonde les esprits et les c\u0153urs de quatre g\u00e9n\u00e9rations&nbsp; d\u2019une famille de propri\u00e9taires terriens et petits industriels affront\u00e9es \u00e0 des tourmentes successives. Le suicide du p\u00e8re&nbsp; constitue pour lui \u00e0 la fois le point d\u2019orgue et le d\u00e9clencheur du travail d\u2019\u00e9criture. \u00ab&nbsp;<strong><em>La maison vide<\/em><\/strong>&nbsp;\u00bb, c\u2019est la tentative de mise au jour d\u2019un h\u00e9ritage d\u00e9cid\u00e9ment trop lourd \u00e0 assumer, ce que Laurent Mauvignier attribue \u00e0 \u00ab&nbsp;<em>la violence muette de la famille<\/em>.&nbsp;\u00bb Il s\u2019agit pour lui aujourd\u2019hui certes de \u00ab&nbsp;<em>d\u00e9livrer de l\u2019oubli<\/em>&nbsp;\u00bb, au long de 83 chapitres, une masse de faits et de dates, mais tout autant de r\u00e9cr\u00e9er \u00e0 force d\u2019hypoth\u00e8ses et d\u2019imaginations ce qu\u2019on pourrait d\u00e9signer comme le tissu conjonctif pour les faire tenir ensemble. Il en r\u00e9sulte cette \u00ab&nbsp;<em>histoire familiale sur mesure<\/em>&nbsp;\u00bb d\u2019une formidable richesse. Fourmillant d\u2019une humanit\u00e9 disparue. Contin\u00fbment captivante, souvent bouleversante. Redonnant vie \u00e0 des figures de femmes brid\u00e9es dans leurs aspirations, pour ne pas dire dans leur \u00eatre m\u00eame. Telle l\u2019arri\u00e8re grand-m\u00e8re Marie-Ernestine, dont un piano B\u00f6sendorfer, aujourd\u2019hui recouvert de poussi\u00e8re dans la maison vide, rappelle la vocation avort\u00e9e de pianiste. &nbsp;<\/h4>\n\n\n\n<h4 class=\"wp-block-heading\">Le r\u00e9cit de son lointain descendant, reprenant en quelque sorte le flambeau artistique laiss\u00e9 de c\u00f4t\u00e9, tient plus fr\u00e9quemment du drame que de l\u2019\u00e9pop\u00e9e. Avec son regard empathique et discr\u00e8tement ironique, il reprend aujourd\u2019hui la charge de cette histoire familiale et en fait revivre les protagonistes. Puisqu\u2019aussi bien c\u2019est dans leur ombre port\u00e9e que le romancier s\u2019est constitu\u00e9.<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">\u00ab&nbsp;<strong><em>La maison vide<\/em><\/strong>&nbsp;\u00bb de Laurent Mauvignier, Les Editions de Minuit, 752 pages, 25 \u20ac<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">28\/08\/2025 \u2013 1752 \u2013 W132<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Se lancer dans la lecture des 752 pages de \u00ab\u00a0La maison vide\u00a0\u00bb, le dernier roman de Laurent Mauvignier, cela tient de l\u2019embarquement pour une longue travers\u00e9e sur la haute mer du souvenir. Avec coups de tabac et p\u00e9riodes d\u2019\u00e9tale, vagues sc\u00e9l\u00e9rates et journ\u00e9es de surplace, et toujours le libre champ laiss\u00e9 \u00e0 l\u2019imaginaire. L\u2019on comprend [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[103],"class_list":["post-2536","post","type-post","status-publish","format-standard","hentry","category-non-classe","tag-la-restitution-et-la-reinvention-dun-roman-familial-en-une-puissant-geste-artistique"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Un grend geste artistiqueLaurent MAUVIGNIER - Blog de Jean-Claude Lebrun Laurent MAUVIGNIER<\/title>\n<meta name=\"description\" content=\"r\u00e9invention d&#039;un roman familial\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/jclebrun.eu\/blog\/2025\/08\/09\/laurent-mauvignier\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Un grend geste artistiqueLaurent MAUVIGNIER - 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