{"id":2549,"date":"2025-08-31T17:42:12","date_gmt":"2025-08-31T15:42:12","guid":{"rendered":"https:\/\/jclebrun.eu\/blog\/?p=2549"},"modified":"2025-08-31T17:51:08","modified_gmt":"2025-08-31T15:51:08","slug":"marius-daniel-popescu","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2025\/08\/31\/marius-daniel-popescu\/","title":{"rendered":"Marius Daniel POPESCU"},"content":{"rendered":"\n

\u00ab Le Cri du Barbeau<\/em> \u00bb est le troisi\u00e8me roman de Marius Daniel Popescu publi\u00e9 par les \u00e9ditions Corti, dont Julien Gracq est rest\u00e9 la figure de proue. Citer ici l\u2019auteur, entre autres, des \u00ab Carnets du grand chemin<\/em> \u00bb (1992)  n\u2019est pas anodin. L\u2019on retrouve en effet chez l\u2019un et l\u2019autre \u00e9crivain une semblable alliance de pr\u00e9cision du d\u00e9tail et d\u2019usage du grand angle, d\u2019anecdotique et de constante inscription dans l\u2019Histoire. Sans compter, tellement cela va de soi, la belle ductilit\u00e9 d\u2019une \u00e9criture port\u00e9e d\u2019un m\u00eame \u00e9lan par un puissant r\u00e9alisme et un non moins puissant imaginaire. Le titre du livre en fournit l\u2019embl\u00e9matique exemple<\/strong><\/h4>\n\n\n\n
\"\"<\/figure>\n\n\n\n

Avant \u00ab Le Cri du barbeau<\/em><\/strong> \u00bb, il y avait eu en 2007 \u00ab La Symphonie du loup<\/em><\/strong> \u00bb, texte inspir\u00e9 et superbe honor\u00e9 par le prix Walser, une r\u00e9f\u00e9rence internationale, puis en 2012 \u00ab Les Couleurs de l\u2019hirondelle<\/em><\/strong>. \u00bb Les trois livres  forment ce que Marius Daniel Popescu d\u00e9signe comme une \u00ab trilogie des mots<\/em>. \u00bb Ceux qui \u00ab ne devraient pas exister<\/em> \u00bb, ceux qui sont partis \u00ab en r\u00e9cr\u00e9ation<\/em> \u00bb, enfin ceux qui n\u2019appartiennent \u00e0 personne. La langue fran\u00e7aise se pr\u00e9sente comme le lieu de cette captivante approche pour l\u2019\u00e9crivain n\u00e9 en Roumanie avant de venir s\u2019\u00e9tablir en Suisse. Pour lui  \u00ab le pays de l\u00e0-bas<\/em> \u00bb et \u00ab le pays d\u2019ici<\/em>. \u00bb Le fran\u00e7ais est cons\u00e9quemment devenu pour lui autant langue d\u2019\u00e9criture que langue d\u2019usage. Il avait quitt\u00e9 le pays du \u00ab parti unique<\/em> (\u2026) quelques mois apr\u00e8s l\u2019ex\u00e9cution du couple de dictateurs<\/em>. \u00bb Il y faisait alors des \u00e9tudes en sylviculture, il s\u2019\u00e9tait li\u00e9 d\u2019amiti\u00e9 avec un condisciple de deux ans son a\u00een\u00e9. \u00ab Le Cri du barbeau<\/em><\/strong> \u00bb s\u2019ouvre sur la mort de celui-ci, une crise cardiaque, trente-six ans plus tard, dans un bureau du mus\u00e9e roumain o\u00f9 il travaillait. Pour celui qui \u00e9crit, d\u00e9sormais install\u00e9 sur les bords du L\u00e9man, cette disparition agit tel un d\u00e9clencheur. Une fa\u00e7on de recherche du temps perdu se met en branle, dans laquelle se percutent les instants souriants de l\u2019enfance et l\u2019\u00e9touffante r\u00e9alit\u00e9 de la Roumanie socialiste. Tandis que le pr\u00e9sent dans la Conf\u00e9d\u00e9ration helv\u00e9tique ne cesse jamais de s\u2019afficher.<\/h4>\n\n\n\n
\n

Des pages d’anthologie<\/strong><\/h4>\n<\/blockquote>\n\n\n\n

D\u00e8s les pages d\u2019ouverture, d\u2019une rare densit\u00e9, l\u2019on voit Marius Daniel Popescu saisir d\u2019un m\u00eame regard le temps pass\u00e9 et le temps pr\u00e9sent. Deux mondes certes aux antipodes l\u2019un de l\u2019autre, mais habit\u00e9s par lui d\u2019une mani\u00e8re qu\u2019on pourrait qualifier de po\u00e9tique. A commencer par ces pages d\u2019anthologie, dans la septi\u00e8me ann\u00e9e de vie du narrateur, le d\u00e9part avec son p\u00e8re avant l\u2019aube au march\u00e9, la premi\u00e8re d\u00e9couverte du grouillement animal et humain, d\u2019une vie multicolore alors que le jour se l\u00e8ve, \u00ab les fleurs imprim\u00e9es sur les bas des robes des femmes<\/em> \u00bb, les viandes et les l\u00e9gumes entass\u00e9s, les carpes vivantes dans des tonneaux, le m\u00e9lange de senteurs, la taverne, les \u00e9leveurs de chevaux en attente des saillies, la jument qu\u2019on maquille de boue pour \u00e9moustiller l\u2019\u00e9talon\u2026 Un prodigieux tableau, le narrateur juch\u00e9 sur les \u00e9paules paternelles, d\u2019une Roumanie rurale traditionnelle, fait en m\u00eame temps de tangible mat\u00e9rialit\u00e9 et de puissante suggestivit\u00e9. Autre temps, autre lieu, le narrateur est maintenant \u00e9tudiant, pendant l\u2019\u00e9t\u00e9 il est charg\u00e9 de l\u2019accueil des touristes dans la cit\u00e9 universitaire vid\u00e9e de ses occupants. La bureaucratie socialiste s\u2019y d\u00e9ploie dans toute son absurdit\u00e9, au fil d\u2019une sc\u00e8ne moins proche de Kafka que d\u2019une d\u00e9sopilante com\u00e9die. Quarante-deux touristes \u00e9m\u00e9ch\u00e9s et tr\u00e8s en retard contraints \u00e0 passer la nuit dans leur car stationn\u00e9 devant le b\u00e2timent : d\u2019autres touristes pourvus \u00e9galement d\u2019une r\u00e9servation avaient auparavant fait le si\u00e8ge du r\u00e9ceptionniste et obtenu les pr\u00e9cieuses cl\u00e9s des chambres. Plus loin dans le livre le narrateur dit tout de sa situation dans le pays de l\u00e0-bas<\/em> : \u00ab tu vivais le monde du parti unique en dehors du parti unique<\/em>. \u00bb<\/h4>\n\n\n\n
\n

Marius Daniel Popescu ne cesse ainsi de dispenser ses richesses narratives<\/strong><\/p>\n<\/blockquote>\n\n\n\n

Marius Daniel Popescu brasse ici une mati\u00e8re consid\u00e9rable, suivant le mouvement de son \u00ab regard perdu dans sa m\u00e9moire<\/em>. \u00bb Avec toujours l\u2019entrelacement du familier et du lointain, de l\u2019intime et du politique. Tel le fr\u00e8re du grand-p\u00e8re maternel combattant au c\u00f4t\u00e9 des Allemands contre les Russes, le Conducator Antonescu dirigeait le gouvernement pronazi de l\u2019\u00e9poque. Fait prisonnier, le jeune troupier avait pass\u00e9 sept ans en captivit\u00e9. Un formidable tableau historique peu \u00e0 peu ainsi de compose, tandis qu\u2019en vis-\u00e0-vis s\u2019affichent des sc\u00e8nes de la vie en Suisse. Le narrateur s\u2019attarde longuement sur l\u2019incroyable quantit\u00e9 d\u2019objets du quotidien. Ainsi que les auteurs du Nouveau Roman il multiplie les vues sur ceux-ci et les charge de sens. Le signe  d\u2019un mat\u00e9rialisme vulgaire pour celui qui a cr\u00e9\u00e9 une revue litt\u00e9raire au nom fleurant bon le surr\u00e9alisme, \u00ab Le Persil<\/strong>. \u00bb Marius Daniel Popescu ne cesse ainsi de dispenser ses richesses narratives. A aucun moment l\u2019int\u00e9r\u00eat ne faiblit, la tension d\u2019\u00e9criture ne baisse. Quant au plaisir de lecture, il est tout simplement intense.<\/h4>\n\n\n\n
\u00ab Le Cri du barbeau<\/em><\/strong> \u00bb de Marius Daniel Popescu, Editions Corti, 214 pages, 21 \u20ac<\/h5>\n\n\n\n
04\/09\/2025 \u2013 1753 \u2013 W133<\/h5>\n","protected":false},"excerpt":{"rendered":"

\u00ab Le Cri du Barbeau \u00bb est le troisi\u00e8me roman de Marius Daniel Popescu publi\u00e9 par les \u00e9ditions Corti, dont Julien Gracq est rest\u00e9 la figure de proue. Citer ici l\u2019auteur, entre autres, des \u00ab Carnets du grand chemin \u00bb (1992)  n\u2019est pas anodin. L\u2019on retrouve en effet chez l\u2019un et l\u2019autre \u00e9crivain une semblable alliance de pr\u00e9cision du […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[105,107,106,104],"class_list":["post-2549","post","type-post","status-publish","format-standard","hentry","category-non-classe","tag-densite","tag-la-roumanie-et-la-suisse-reunies-dans-une-oeuvre-majeure","tag-poesie","tag-richesse"],"yoast_head":"\nMarius Daniel POPESCU - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jclebrun.eu\/blog\/2025\/08\/31\/marius-daniel-popescu\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Marius Daniel POPESCU - Blog de Jean-Claude Lebrun\" \/>\n<meta property=\"og:description\" content=\"\u00ab Le Cri du Barbeau \u00bb est le troisi\u00e8me roman de Marius Daniel Popescu publi\u00e9 par les \u00e9ditions Corti, dont Julien Gracq est rest\u00e9 la figure de proue. 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