{"id":2668,"date":"2025-11-05T14:11:46","date_gmt":"2025-11-05T13:11:46","guid":{"rendered":"https:\/\/jclebrun.eu\/blog\/?p=2668"},"modified":"2025-11-05T14:20:00","modified_gmt":"2025-11-05T13:20:00","slug":"mathieu-belezi-3","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2025\/11\/05\/mathieu-belezi-3\/","title":{"rendered":"Mathieu BELEZI"},"content":{"rendered":"\n<h4 class=\"wp-block-heading alignfull has-text-align-center\">S\u2019il a fallu attendre la parution d\u2019\u00ab&nbsp;<strong><em>Attaquer la terre et le soleil<\/em><\/strong>&nbsp;\u00bb en 2022 (prix <em>Le Monde<\/em> et prix <em>Livre Inter<\/em>) pour que Mathieu Belezi acc\u00e8de enfin \u00e0 une reconnaissance \u00e0 la hauteur d\u2019un talent qui ne cesse de se manifester depuis son premier livre (\u00ab&nbsp;<em><strong>Je suis tout seul et j\u2019ai la fi\u00e8vre<\/strong>&nbsp;<\/em>\u00bb, 1988), \u00ab&nbsp;<strong><em>Cantique du chaos<\/em><\/strong>&nbsp;\u00bb apporte aujourd\u2019hui une nouvelle confirmation que son \u0153uvre se situe dans le plus ambitieux et le tout meilleur de la litt\u00e9rature contemporaine de langue fran\u00e7aise<\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"382\" height=\"547\" src=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/11\/BELEZI.png\" alt=\"\" class=\"wp-image-2671\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/11\/BELEZI.png 382w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/11\/BELEZI-210x300.png 210w\" sizes=\"auto, (max-width: 382px) 100vw, 382px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Il faut commencer par le plus frappant, cette langue faisant feu de tout bois, qui laisse admiratif et fascine. Donnant \u00e0 voir ce qui ressemble fort \u00e0 l\u2019\u00e9coulement d\u2019un flux de conscience dans le voisinage de Faulkner. Rendu visuellement par ces phrases et ces paragraphes sans majuscules ni ponctuation, \u00e0 l\u2019exception de virgules et de points d\u2019interrogation. Avec comme seule respiration des sauts \u00e0 la ligne. Et au tout d\u00e9but ces six pages fulgurantes en forme de po\u00e8me en vers libres, ou plus exactement de cantique, pour relater de fa\u00e7on d\u00e9clamatoire la catastrophe de \u00ab&nbsp;<em>cinquante-quatre jours et cinquante-quatre nuits<\/em>&nbsp;\u00bb qui avait \u00e9branl\u00e9 le monde&nbsp;: un d\u00e9luge qui ne consista pas en une submersion de la plan\u00e8te, mais qui, actualisant en quelque sorte le texte biblique, prit la double forme d\u2019un chaos climatique et politique (\u00ab&nbsp;<em>tout avait fini par aller de travers<\/em>&nbsp;\u00bb). Cela s\u2019\u00e9tait pass\u00e9 vers le milieu du XXI<sup>\u00e8me<\/sup> si\u00e8cle, les quatre-cinqui\u00e8mes de l\u2019humanit\u00e9 n\u2019y avaient pas surv\u00e9cu, des r\u00e9gimes totalitaires avaient partout pris le pouvoir, brutalisant les populations, les r\u00e9duisant \u00e0 l\u2019esclavage et continuant le travail mortif\u00e8re des \u00e9l\u00e9ments. \u00ab&nbsp;<em>\u00d4 nations coupables \/ dans quelles t\u00e9n\u00e8bres avez-vous sombr\u00e9&nbsp;?<\/em>&nbsp;\u00bb prof\u00e8re la voix narrative du texte d\u2019ouverture. En France un certain \u00ab&nbsp;<em>Front&nbsp;<\/em>\u00bb, dirig\u00e9 par une \u00ab&nbsp;<em>G\u00e9n\u00e9rale-Pr\u00e9sidente<\/em>&nbsp;\u00bb, avait pris les commandes. Le vingti\u00e8me roman de Mathieu Belezi se pr\u00e9sente d\u2019entr\u00e9e de jeu comme une &nbsp;dystopie. Cependant que son sombre lyrisme l\u2019inscrit dans une v\u00e9ritable esth\u00e9tique de la r\u00e9sistance.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>C\u2019est \u00e0 ce personnage peu recommandable qu\u2019il \u00e9choit pourtant de sauver aujourd\u2019hui le peu qui reste d\u2019humanit\u00e9<\/strong><\/h4>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Car dans cet univers litt\u00e9ralement fracass\u00e9 quelques humains essaient encore de se tenir droit. Parmi eux Th\u00e9o Gracques, rencontr\u00e9 d\u00e9j\u00e0 en 2017 dans \u00ab&nbsp;<strong><em>Le Pas suspendu de la r\u00e9volte<\/em><\/strong> \u00bb, dont on se souvient qu\u2019il y tenait le r\u00f4le d\u2019un <em>serial killer<\/em>. C\u2019est \u00e0 ce personnage peu recommandable qu\u2019il \u00e9choit pourtant de sauver aujourd\u2019hui le peu qui reste d\u2019humanit\u00e9. L\u2019ombre de la Bible n\u2019est jamais bien loin. C\u2019est la voix de Th\u00e9o qui maintenant s\u2019\u00e9l\u00e8ve pour \u00e9voquer l\u2019errance comme seule forme possible du refus. Les voix de deux femmes viendront ensuite en contrepoint du sombre cantique. Entretemps Th\u00e9o avait fait du chemin. Il avait gagn\u00e9 d\u2019abord une \u00eele proche du continent, y avait fait la connaissance de Chlo\u00e9, m\u00e8re de deux adolescents, l\u2019une des deux voix f\u00e9minines. Quelque chose avait alors paru de nouveau possible. Jusqu\u2019\u00e0 ce que les forces de la barbarie investissent l\u2019\u00eele. Il avait de nouveau fallu fuir. Un long p\u00e9riple qui s\u2019\u00e9tait achev\u00e9 sur le continent am\u00e9ricain, parcouru du nord au sud jusqu\u2019aux rives de l\u2019Or\u00e9noque. Une survie au milieu de la faune sauvage et des humains de la for\u00eat \u00e9tait enfin apparue possible. Un nouveau d\u00e9but s\u2019apparentant \u00e0 un retour aux origines.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Ce qui frappe paradoxalement dans ce roman d\u2019un monde post-apocalyptique, c\u2019est la profusion et l\u2019incroyable vari\u00e9t\u00e9 des \u00e9pisodes imagin\u00e9s par l\u2019\u00e9crivain<\/strong><\/h4>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Du long voyage on retiendra les images d\u2019une m\u00eame d\u00e9vastation et d\u2019une m\u00eame terreur. Mathieu Belezi poss\u00e8de un sens aigu de l\u2019image choc d\u2019inspiration baroque. On pense \u00e0 sa saisissante \u00e9vocation d\u2019une escale dans un monde revenu \u00e0 l\u2019\u00e9tat sauvage&nbsp;: &nbsp;\u00ab&nbsp;<em>A force d\u2019errer dans les ruines de Panama, seul pendant que Miguelita s\u2019amusait avec des gosses qui vivaient en bandes organis\u00e9s dans l\u2019amas de ferrailles et de cordes d\u2019un rafiot construit \u00e0 l\u2019\u00e9poque ant\u00e9diluvienne de la croissance infinie, seul \u00e0 arpenter le macadam trou\u00e9 des rues, \u00e0 traverser en silence les ombres port\u00e9es des immeubles aux fen\u00eatres crev\u00e9es, \u00e0 chercher encore de la vie l\u00e0 o\u00f9 il n\u2019y avait plus que des cadavres de chiens, de chats et d\u2019humains que le soleil finissait de nettoyer\u2026<\/em>&nbsp;\u00bb Il est ici question d\u2019une Miguelita qui avait succ\u00e9d\u00e9 \u00e0 Chlo\u00e9 et accompagnerait d\u00e9sormais Th\u00e9o dans la derni\u00e8re partie de son aventure terrestre. Car ce qui frappe paradoxalement dans ce roman d\u2019un monde post-apocalyptique uniform\u00e9ment d\u00e9vast\u00e9 et confront\u00e9 \u00e0 la terreur, c\u2019est la profusion et l\u2019incroyable vari\u00e9t\u00e9 des \u00e9pisodes imagin\u00e9s par l\u2019\u00e9crivain. Et tout du long sa formidable richesse stylistique, flux de conscience, po\u00e8mes, \u00e9vocations de lieux divers, insertion d\u2019une nouvelle, diversit\u00e9 des voix narratives\u2026 Comme si la puissance d\u2019invention de la litt\u00e9rature pouvait tenir lieu de r\u00e9sistance au chaos g\u00e9n\u00e9ral. C\u2019est l\u2019\u00e9clatante d\u00e9monstration de ce superbe et captivant roman.<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">\u00ab&nbsp;<strong><em>Cantique du chaos<\/em><\/strong>&nbsp;\u00bb, de Mathieu Belezi, Robert Laffont, 400 pages, 23 \u20ac<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">06\/11\/2025 \u2013 1762 \u2013 W142<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>S\u2019il a fallu attendre la parution d\u2019\u00ab&nbsp;Attaquer la terre et le soleil&nbsp;\u00bb en 2022 (prix Le Monde et prix Livre Inter) pour que Mathieu Belezi acc\u00e8de enfin \u00e0 une reconnaissance \u00e0 la hauteur d\u2019un talent qui ne cesse de se manifester depuis son premier livre (\u00ab&nbsp;Je suis tout seul et j\u2019ai la fi\u00e8vre&nbsp;\u00bb, 1988), \u00ab&nbsp;Cantique [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[114,113],"tags":[122],"class_list":["post-2668","post","type-post","status-publish","format-standard","hentry","category-dystopie","category-roman","tag-le-monde-apres-lapocalypse-un-formidable-road-movie-de-la-france-a-lorenoque"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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