{"id":2723,"date":"2025-12-02T10:40:41","date_gmt":"2025-12-02T09:40:41","guid":{"rendered":"https:\/\/jclebrun.eu\/blog\/?p=2723"},"modified":"2025-12-02T10:41:02","modified_gmt":"2025-12-02T09:41:02","slug":"jean-louis-backes","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2025\/12\/02\/jean-louis-backes\/","title":{"rendered":"Jean-Louis Back\u00e8s"},"content":{"rendered":"\n<h4 class=\"wp-block-heading alignfull has-text-align-center\"><strong>Dans \u00ab\u00a0<em>Ks\u00e9nia<\/em>\u00a0\u00bb, son quatri\u00e8me roman, le tr\u00e8s subtil et p\u00e9tri de culture russe Jean-Louis Back\u00e8s s\u2019attache \u00e0 un personnage rendu c\u00e9l\u00e8bre par la po\u00e9sie d\u2019Alexandre Blok, Ks\u00e9nia Mikha\u00eflovna Sadovska\u00efa. Son r\u00e9cit sensible et inspir\u00e9, toujours extraordinairement cultiv\u00e9, s\u2019inscrit dans la talentueuse tradition des \u00ab\u00a0romans russes\u00a0\u00bb de la litt\u00e9rature fran\u00e7aise.<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"220\" height=\"300\" src=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/12\/Ksenia-220x300.jpg\" alt=\"\" class=\"wp-image-2724\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/12\/Ksenia-220x300.jpg 220w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/12\/Ksenia-752x1024.jpg 752w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/12\/Ksenia-768x1045.jpg 768w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/12\/Ksenia-1129x1536.jpg 1129w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/12\/Ksenia-1505x2048.jpg 1505w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2025\/12\/Ksenia.jpg 1828w\" sizes=\"auto, (max-width: 220px) 100vw, 220px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Alexandre Blok avait dix-sept ans quand il s\u2019\u00e9tait \u00e9pris de cette femme d\u2019une trentaine d\u2019ann\u00e9es, m\u00e8re de trois enfants, qui venait comme lui prendre les eaux \u00e0 Bad Nauheim, en Allemagne. Cela se passait en 1897. De nombreux po\u00e8mes\u00a0 avaient par la suite jailli de ce coup de foudre. La fiction de Jean-Louis Back\u00e8s, pour prendre son envol, s\u2019ente sur cette histoire largement document\u00e9e. Son r\u00e9cit commence en mai 1909 \u00e0 Saint-P\u00e9tersbourg. Dans l\u2019un des salons aristocratiques de la capitale, celui de la princesse Maria Alexandrovna, une femme s\u2019\u00e9tait \u00a0\u00e9vanouie lors d\u2019un concert. Elle \u00e9tait en train d\u2019\u00e9couter un jeune musicien fran\u00e7ais membre de l\u2019orchestre du th\u00e9\u00e2tre imp\u00e9rial Mariinski. Celui-ci se nommait Alexandre de Porcayragues, il \u00e9tait altiste. Celle-l\u00e0 n\u2019\u00e9tait autre que cette Ks\u00e9nia, dont Blok \u00e9tait tomb\u00e9 amoureux douze ans plus t\u00f4t. Devenue cantatrice sous la plume de Jean-Louis Back\u00e8s. Une citation extraite du \u00ab\u00a0<strong><em>Trait\u00e9 d\u2019instrumentation et d\u2019orchestration<\/em><\/strong>\u00a0\u00bb (1844) d\u2019Hector Berlioz, plac\u00e9e ici en \u00e9pigraphe, ouvre sur une premi\u00e8re piste de lecture\u00a0: l\u2019alto, \u00e9crit en effet le compositeur de \u00ab\u00a0<strong><em>La Symphonie fantastique<\/em><\/strong>\u00a0\u00bb \u00ab\u00a0<em>est aussi agile que le Violon, le son de ses cordes graves a un mordant particulier, ses notes aigu\u00ebs brillent par leur accent tristement passionn\u00e9, et son timbre en g\u00e9n\u00e9ral, d\u2019une m\u00e9lancolie profonde, diff\u00e8re de celui des autres instruments \u00e0 archet<\/em>.\u00a0\u00bb De l\u00e0 \u00e0 provoquer dans l\u2019auditoire une mani\u00e8re de <em>Syndrome de Stendhal<\/em>, un mutisme et m\u00eame une perte de voix li\u00e9s ici \u00e0 une forte \u00e9motion musicale il n\u2019y a qu\u2019un pas talentueusement franchi par Jean-Louis Back\u00e8s. Pour notre plus grand plaisir.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Ce livre cultiv\u00e9 ne cesse de multiplier \u00e9chos et clins d\u2019\u0153il en un permanent jeu de miroirs, entre r\u00e9alit\u00e9 et fiction, litt\u00e9rature et musique<\/strong><\/h4>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Les six premiers chapitres donnent le ton\u00a0: ils se pr\u00e9sentent telle une malicieuse succession de propos mondains \u00e9chang\u00e9s dans des salons p\u00e9tersbourgeois \u00e0 la mode. Il n\u2019y est question que de l\u2019inconcevable, et pour tout dire quelque peu d\u00e9plac\u00e9, malaise de cette Ks\u00e9nia. Puis au bout de cinq jours de ces cancanages l\u2019auteur nous\u00a0 fait entrer dans le cabinet du docteur St\u00e9pan Ilitch Sobkhine, une \u00ab\u00a0<em>sommit\u00e9<\/em>\u00a0\u00bb avec des patients \u00ab\u00a0<em>jusque dans la famille imp\u00e9riale<\/em>.\u00a0\u00bb La particularit\u00e9 du roman russe, qui fait aussi son charme, ce sont ces patronymes \u00e0 rallonge qu\u2019au fil des pages on cesse en g\u00e9n\u00e9ral de d\u00e9chiffrer pour n\u2019en retenir qu\u2019une ou deux syllabes distinctives. Jean-Louis Back\u00e8s ne cesse d\u2019en jouer. Pr\u00eatant m\u00eame cette caract\u00e9ristique au nom du jeune altiste fran\u00e7ais fauteur du trouble de la dame, Alexandre de Porcayragues. Un personnage qu\u2019il aurait bien pu faire advenir en r\u00e9f\u00e9rence \u00e0 une c\u00e9l\u00e8bre <em>trobadora<\/em> du XIIe si\u00e8cle, Azala\u00efs de Porcairagues, appel\u00e9e ici H\u00e9l\u00e8ne de Porcayragues. Ce livre cultiv\u00e9 ne cesse en effet de multiplier \u00e9chos et clins d\u2019\u0153il en un permanent jeu de miroir entre r\u00e9alit\u00e9 et fiction, litt\u00e9rature et musique. Apr\u00e8s un temps d\u2019h\u00e9sitation le m\u00e9decin russe demandera bient\u00f4t au soliste fran\u00e7ais de venir rejouer devant sa patiente si sensible, en guise d\u2019essai th\u00e9rapeutique, le morceau qui l\u2019avait fait d\u00e9faillir\u00a0: \u00ab\u00a0<em>On dit que le roi Sa\u00fcl souffrait de crises\u00a0; crises de fureur\u00a0; crises de terreur\u00a0; David, avec sa harpe, le calmait. Voulez-vous \u00eatre le David des instruments \u00e0 archet\u00a0?<\/em>\u00a0\u00bb, demande Sobkhine \u00e0 Porcayragues. Cinq ans plus t\u00f4t, en 1894, \u00e0 Vienne, un certain Sigmund Freud faisait para\u00eetre ses \u00ab\u00a0<strong><em>Etudes sur l\u2019hyst\u00e9rie<\/em><\/strong>.\u00a0\u00bb Le livre regorge ainsi d\u2019une foule de r\u00e9sonances proches et lointaines.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Tout ici appara\u00eet fluctuant. Un monde s\u2019appr\u00eate \u00e0 dispara\u00eetre<\/strong><\/h4>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Sans compter qu\u2019Alexandre de Porcayragues entretient une correspondance avec sa s\u0153ur\u2026H\u00e9l\u00e8ne rest\u00e9e en France. \u00a0Une mani\u00e8re de commentaire de l\u2019\u00e9nigmatique affaire, alors m\u00eame que l\u2019objet de leur propos, Ks\u00e9nia, se m\u00e9tamorphose peu \u00e0 peu en sujet d\u2019une nouvelle histoire, entre le musicien et elle-m\u00eame. Mais pas vraiment celle que l\u2019on aurait soup\u00e7onn\u00e9e. \u00a0Le roman ne cesse ainsi de d\u00e9placer les \u00e9clairages. Quant au th\u00e9\u00e2tre de l\u2019intrigue, la Russie, il est lui-m\u00eame \u00e0 la veille de profonds bouleversements. Tout ici appara\u00eet fluctuant. Un monde s\u2019appr\u00eate \u00e0 dispara\u00eetre. Seuls peut-\u00eatre les sentiments, les pulsions intimes, la beaut\u00e9 et l\u2019art affichent leur constance et leur force. L\u2019\u00e9criture de Jean-Louis Back\u00e8s orchestre cette mati\u00e8re d\u2019admirable fa\u00e7on, avec gr\u00e2ce, sensibilit\u00e9 et toujours une infinie pudeur. Si les secousses du dehors n\u2019en sont nullement absentes, l\u2019\u00e9criture les contient, ne se laisse jamais submerger par elles. Une v\u00e9ritable respiration dans un paysage litt\u00e9raire expos\u00e9 aux violentes turbulences contemporaines. La fin du livre, en 1925 dans un h\u00f4pital d\u2019Odessa, est tout simplement admirable. Un po\u00e8me d\u2019Alexandre Blok se fait entendre, dit un an auparavant par le docteur Pavel Agrafonovitch Izma\u00eflov \u00e0 \u00ab\u00a0<em>une vieille dame<\/em>\u00a0\u00bb arriv\u00e9e au bout du rouleau dans son service\u00a0: pour elle, en larmes, un viatique, au sens propre. La note finale d\u2019un r\u00e9cit \u00e0 la composition aussi superbe que rigoureuse.\u00a0\u00a0\u00a0\u00a0<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">\u00ab\u00a0<strong><em>Ks\u00e9nia<\/em><\/strong>\u00a0\u00bb de Jean-Louis Back\u00e8s, Editions de la Coop\u00e9rative, 160 pages, 19 \u20ac<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">04\/12\/2025 \u2013 1766 \u2013 W146<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Dans \u00ab\u00a0Ks\u00e9nia\u00a0\u00bb, son quatri\u00e8me roman, le tr\u00e8s subtil et p\u00e9tri de culture russe Jean-Louis Back\u00e8s s\u2019attache \u00e0 un personnage rendu c\u00e9l\u00e8bre par la po\u00e9sie d\u2019Alexandre Blok, Ks\u00e9nia Mikha\u00eflovna Sadovska\u00efa. Son r\u00e9cit sensible et inspir\u00e9, toujours extraordinairement cultiv\u00e9, s\u2019inscrit dans la talentueuse tradition des \u00ab\u00a0romans russes\u00a0\u00bb de la litt\u00e9rature fran\u00e7aise. Alexandre Blok avait dix-sept ans quand [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[113],"tags":[131,130],"class_list":["post-2723","post","type-post","status-publish","format-standard","hentry","category-roman","tag-dabord-malicieux-puis-bouleversant","tag-un-roman-russe-cultive"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jean-Louis Back\u00e8s - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"description\" content=\"Un &quot;roman russe&quot; superbe et bouleversant\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/jclebrun.eu\/blog\/2025\/12\/02\/jean-louis-backes\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jean-Louis Back\u00e8s - 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