{"id":3170,"date":"2026-10-07T13:56:02","date_gmt":"2026-10-07T11:56:02","guid":{"rendered":"http:\/\/jclebrun.eu\/blog\/?p=3170"},"modified":"2026-10-08T15:34:09","modified_gmt":"2026-10-08T13:34:09","slug":"gisele-bienne-3","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2026\/10\/07\/gisele-bienne-3\/","title":{"rendered":"Gis\u00e8le BIENNE"},"content":{"rendered":"\n

Depuis ses d\u00e9buts en 1976 Gis\u00e8le Bienne a fait para\u00eetre plus de trente titres. On retiendra, dans la toute derni\u00e8re p\u00e9riode, \u00ab La Malchimie<\/em> \u00bb (2019) un r\u00e9cit accusateur sur l\u2019usage des intrants dans l\u2019agriculture, le bouleversant \u00ab Les larmes de Chalamov<\/em> \u00bb (2023) sur la destin\u00e9e de l\u2019\u00e9crivain sovi\u00e9tique r\u00e9chapp\u00e9 du Goulag, et \u00ab Chavirer avec Cendrars<\/em> \u00bb (2025), une merveille d\u2019empathie litt\u00e9raire. \u00ab L\u2019escalier sans marches<\/em> \u00bb se pr\u00e9sente aujourd\u2019hui comme une nouvelle r\u00e9ussite, entre autobiographie et envol\u00e9es de l\u2019imaginaire<\/strong><\/h4>\n\n\n\n
\"\"<\/figure>\n\n\n\n

\u00ab Elle avait pris le train \u00e0 Charleville-M\u00e9zi\u00e8res pour la gare de Reims<\/em> \u00bb, ouvre le nouveau r\u00e9cit de Gis\u00e8le Bienne. Celle dont il est ici question se pr\u00e9nomme Juliette, elle est \u00e9crivaine et peintre. Deux p\u00f4les semblent borner son existence : les Ardennes et la Champagne. A l\u2019exacte semblance d\u2019une certaine Gis\u00e8le Bienne. Il ne fait en effet pas de doute que beaucoup de l\u2019autrice r\u00e9moise se retrouve dans ce dernier livre. Sa Juliette, pr\u00e9sent\u00e9e comme \u00ab \u00e9crivaine de m\u00e9tier<\/em> \u00bb, revient donc d\u2019une rencontre pour la promotion d\u2019un tout nouveau texte. Elle s\u2019appr\u00eate \u00e0 affronter la \u00ab moiteur accablante<\/em> \u00bb de juillet dans son appartement sous les toits, deux mansardes r\u00e9unies au sixi\u00e8me \u00e9tage, celui des domestiques, d\u2019un immeuble haussmannien sans ascenseur, mais avec vue imprenable sur la cath\u00e9drale de l\u2019Ange au sourire. Mais arriv\u00e9e au quatri\u00e8me \u00e9tage, elle se retrouve devant un vide : la fin de l\u2019escalier a disparu, laissant place \u00e0 \u00ab une crevasse au centre de la maison<\/em>. \u00bb Des outils et mat\u00e9riels divers signalent un chantier en cours. La copropri\u00e9t\u00e9 a omis d\u2019en informer l\u2019unique occupante du sixi\u00e8me. Situation \u00e9videmment symbolique du statut de l\u2019\u00e9crivain, et plus g\u00e9n\u00e9ralement de l\u2019artiste, dans un monde r\u00e9gi par les lois du mat\u00e9rialisme le plus vulgaire. Juliette ne peut en effet \u00ab justifier d\u2019une profession clairement r\u00e9pertori\u00e9e<\/em>. \u00bb<\/h4>\n\n\n\n
\n

Acc\u00e9der \u00e0 une souverainet\u00e9 sur sa propre existence de femme et de cr\u00e9atrice<\/strong><\/h4>\n<\/blockquote>\n\n\n\n

Si l\u2019id\u00e9e court tout du long, dans ce livre \u00e0 la fois profond et dr\u00f4le, elle n\u2019en constitue pourtant que l\u2019un des fils de trame. \u00ab L\u2019escalier sans marches<\/em><\/strong> \u00bb, c\u2019est aussi le surgissement d\u2019un univers int\u00e9rieur en quelque sorte lib\u00e9r\u00e9 par cette b\u00e9ance. Alors que Juliette se r\u00e9sout \u00e0 prendre le risque d\u2019escalader l\u2019\u00e9chafaudage install\u00e9 dans la cage d\u2019escalier, en quelque sorte une ascension pour franchir la crevasse, lui reviennent \u00e0 l\u2019esprit d\u2019autres efforts qu\u2019elle ne cessa de consentir. Des souvenirs alors remontent, des sc\u00e8nes du pass\u00e9 se rejouent. Souvent guid\u00e9s par un m\u00eame fil directeur : acc\u00e9der \u00e0 une souverainet\u00e9 sur sa propre existence de femme et de cr\u00e9atrice.  Elle se rappelle ce soir d\u2019hiver o\u00f9 son \u00e9tage s\u2019\u00e9tait trouv\u00e9 plong\u00e9 dans le noir. A la suite d\u2019autres travaux, on avait oubli\u00e9 de le reconnecter. Pour elle le r\u00e9el ne cesse pas de se lire \u00e0 travers ces actes manqu\u00e9s. Tout alors fait retour et se d\u00e9verse, tel un \u00e9coulement de lave. L\u2019ann\u00e9e de ses douze ans et ce beau-p\u00e8re infid\u00e8le et pr\u00e9varicateur qui fit de la prison. Son mariage, elle avait eu un fils, et son divorce : face \u00e0 l\u2019\u00e9poux elle avait toujours accord\u00e9 la pr\u00e9f\u00e9rence aux exigences de la litt\u00e9rature. Ses engagements multiples dans cette voie, publications en revues, collaborations avec d\u2019autres artistes, ateliers d\u2019\u00e9criture, jurys, r\u00e9sidence d\u2019auteurs europ\u00e9ens. Et la contrepartie pour se maintenir \u00e0 flot. Les travaux de commande, la dactylographie de conf\u00e9rences et de th\u00e8ses. En ces temps \u00ab elle prenait sur ses nuits pour \u00e9crire ses propres livres<\/em>. \u00bb<\/h4>\n\n\n\n
\n

La trame extraordinairement complexe d\u2019une vie<\/strong><\/h4>\n<\/blockquote>\n\n\n\n

Plus \u00e0 l\u2019aise avec ses \u00ab personnages de papier<\/em> \u00bb qu\u2019avec ses semblables, Juliette n\u2019en \u00e9prouve pas moins une sensation de pl\u00e9nitude. Sans aucun conteste li\u00e9e \u00e0 la libert\u00e9 conquise. Presque jusqu\u2019aux pages ultimes du livre, on la suit dans son escalade, tandis que la rem\u00e9moration s\u2019amplifie. L\u2019\u00e9chafaudage remplissant la double fonction de support mat\u00e9riel et d\u2019all\u00e9gorie de la remont\u00e9e. Le texte fourmille ainsi de notations, d\u2019anecdotes et d\u2019\u00e9pisodes qui restituent la trame extraordinairement complexe d\u2019une vie. Le \u00ab Muster<\/em> \u00bb \u00e9nonc\u00e9 par Christa Wolf dans son plus c\u00e9l\u00e8bre roman \u00ab Trame d\u2019enfance<\/em><\/strong>. \u00bb On sait Gis\u00e8le Bienne profond\u00e9ment impr\u00e9gn\u00e9e de culture germanique. L\u2019intense plaisir de la lecture tient pr\u00e9cis\u00e9ment \u00e0 l\u2019ampleur du spectre narratif. Un chat emp\u00each\u00e9 comme elle de gagner les \u00e9tages sup\u00e9rieurs y tient sa partition. Des martinets \u00e9galement, qui avaient fait leur nid dans sa chambre. Comment alors ne pas penser au tableau c\u00e9l\u00e8bre de Carl Spitzweg \u00ab Der arme Poet<\/em><\/strong> \u00bb (le pauvre po\u00e8te), dans sa mansarde avec ses livres, ses manuscrits, son encrier ? La toile date de 1839, alors que la bourgeoisie entame son ascension vers la toute puissance \u00e9conomique et politique. Par-del\u00e0 le temps, et moyennant quelques am\u00e9nagements, la soupente r\u00e9moise n\u2019appara\u00eet gu\u00e8re \u00e9loign\u00e9e de la soupente munichoise.<\/h4>\n\n\n\n

C\u2019est d\u2019ailleurs \u00e0 un autre grand des pays de langue allemande, Rainer Maria Rilke, n\u00e9 \u00e0 Prague dans l\u2019ancienne Autriche-Hongrie, que Gis\u00e8le Bienne emprunte les vers conclusifs :<\/h4>\n\n\n\n

\u00ab J\u2019ai fait quelque chose contre la peur.<\/em><\/h4>\n\n\n\n

Je suis rest\u00e9 assis toute la nuit et<\/em><\/h4>\n\n\n\n

J\u2019ai \u00e9crit<\/em> \u00bb<\/h4>\n\n\n\n

L\u2019\u00e9criture ici pour tenir dans la vie. Tout simplement. Tout talentueusement.<\/h4>\n\n\n\n

\u00ab L\u2019escalier sans marches<\/em><\/strong> \u00bb de Gis\u00e8le Bienne, Actes Sud, 192 pages, 16,90 \u20ac<\/h5>\n\n\n\n
08\/10\/2026 \u2013 1796 -W176<\/h5>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Depuis ses d\u00e9buts en 1976 Gis\u00e8le Bienne a fait para\u00eetre plus de trente titres. On retiendra, dans la toute derni\u00e8re p\u00e9riode, \u00ab La Malchimie \u00bb (2019) un r\u00e9cit accusateur sur l\u2019usage des intrants dans l\u2019agriculture, le bouleversant \u00ab Les larmes de Chalamov \u00bb (2023) sur la destin\u00e9e de l\u2019\u00e9crivain sovi\u00e9tique r\u00e9chapp\u00e9 du Goulag, et \u00ab Chavirer avec Cendrars \u00bb (2025), une […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[113],"tags":[172],"class_list":["post-3170","post","type-post","status-publish","format-standard","hentry","category-roman","tag-le-recit-profond-et-drole-dune-vie-decrivaine"],"yoast_head":"\nGis\u00e8le BIENNE - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"description\" content=\"Le r\u00e9cit profond, captivant et dr\u00f4le d'une vie d'\u00e9crivaine\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jclebrun.eu\/blog\/2026\/10\/07\/gisele-bienne-3\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gis\u00e8le BIENNE - 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