{"id":553,"date":"2022-11-01T15:59:49","date_gmt":"2022-11-01T14:59:49","guid":{"rendered":"http:\/\/jclebrun.eu\/blog\/?p=553"},"modified":"2022-11-01T16:33:20","modified_gmt":"2022-11-01T15:33:20","slug":"yves-ravey","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2022\/11\/01\/yves-ravey\/","title":{"rendered":"Yves Ravey"},"content":{"rendered":"\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>EN PASSANT PAR LA SICILE<\/strong><\/h4>\n\n\n\n<h4 class=\"alignfull has-text-align-center wp-block-heading\"><strong>Le romancier bisontin d\u00e9localise son r\u00e9cit<\/strong> <strong>sur l&rsquo;\u00eele des mythes et du fatum, transportant son \u00e9criture aux sources de la trag\u00e9die<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2022\/08\/Blog10.jpg\" alt=\"\" class=\"wp-image-323\" width=\"405\" height=\"542\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2022\/08\/Blog10.jpg 1620w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2022\/08\/Blog10-224x300.jpg 224w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2022\/08\/Blog10-765x1024.jpg 765w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2022\/08\/Blog10-768x1028.jpg 768w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2022\/08\/Blog10-1147x1536.jpg 1147w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2022\/08\/Blog10-1530x2048.jpg 1530w\" sizes=\"auto, (max-width: 405px) 100vw, 405px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">L\u2019incipit de ce nouveau roman pourrait quasiment avoir valeur programmatique&nbsp;: \u00ab&nbsp;<em>Sorti de l\u2019a\u00e9roport de Catane-Fontanarossa, j\u2019ai engag\u00e9 la voiture de louage dans le premier rond-point vers le nord, direction Taormine<\/em>&nbsp;\u00bb. Un rond-point d\u00e8s l\u2019entame, figurant \u00e0 la fois des possibles qui s\u2019ouvrent devant soi et l\u2019\u00e9ventualit\u00e9 de tourner ind\u00e9finiment en rond, sous le poids d\u2019une mani\u00e8re de fatalit\u00e9 h\u00e9rit\u00e9e en droite ligne du \u00ab&nbsp;fatum&nbsp;\u00bb antique. L\u2019\u0153uvre d\u2019Yves Ravey s\u2019inscrit tout enti\u00e8re dans cette image, puis\u00e9e certes dans le quotidien le plus embl\u00e9matique de notre modernit\u00e9, mais qui se pr\u00e9sente telle une version contemporaine de la fatalit\u00e9 gr\u00e9co-latine.<\/h4>\n\n\n\n<h4 class=\"wp-block-heading\">Le romancier met donc pour la premi\u00e8re fois le cap au sud, vers l\u2019\u00eele pr\u00e9cis\u00e9ment au confluent de l\u2019hell\u00e9nisme et de la latinit\u00e9. Laissant derri\u00e8re lui la Franche-Comt\u00e9, son territoire romanesque originel, avec son onomastique impr\u00e9gn\u00e9e de germanitude. &nbsp;Ses deux principaux personnages, Melvil Hammett et son \u00e9pouse Luisa, n\u00e9e Gozzoli, incarnent \u00e9videmment ce d\u00e9placement. Les r\u00e9f\u00e9rences ont maintenant chang\u00e9&nbsp;: Hammett, fondateur du roman noir&nbsp;; Gozzoli, peintre majeur de la Renaissance italienne. A l\u2019instar de ce qu\u2019explique Jean Echenoz, les noms propres, quand ils viennent s\u2019ajouter aux noms communs, constituent un consid\u00e9rable r\u00e9servoir de sens, une mani\u00e8re de lexique augment\u00e9. Les pedigrees des deux figures de \u00ab&nbsp;<strong>Taormine<\/strong>&nbsp;\u00bb apparaissent \u00e9galement en rupture avec les parcours habituels des personnages chez Yves Ravey. Melvil, qui tient le r\u00f4le du narrateur, est un cadre au ch\u00f4mage&nbsp;; Luisa, fille d\u2019un professeur de m\u00e9decine qui les soutient financi\u00e8rement, est directrice de recherche en bio\u00e9thique au CNRS. Le couple, au bord de la s\u00e9paration, a con\u00e7u le voyage en Sicile au moment de P\u00e2ques comme occasion de r\u00e9flexion et chance ultime de se remettre. Mais le fatum en d\u00e9cidera autrement. Il suffira pour cela de quelques kilom\u00e8tres apr\u00e8s le passage par le rond-point initial. Le destin en effet n\u2019attend pas.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><strong>La Sicile, terre d\u2019\u00e9lection du fatum<\/strong><\/p><\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">La nuit est tomb\u00e9e sur la Sicile, mais Luisa veut absolument voir la mer. Ils quittent l\u2019autoroute et s\u2019engagent dans l\u2019obscurit\u00e9 sur un chemin de terre. Bient\u00f4t quelque chose vient heurter une aile de la voiture, \u00ab<em>&nbsp;certainement un animal errant&nbsp;<\/em>\u00bb, mais ils d\u00e9cident de n\u2019y pas porter attention. Un engrenage fatal vient de se mettre en mouvement. Le choc n\u2019\u00e9tait en effet pas si anodin qu\u2019ils voulaient s\u2019en persuader. Melvil et Luisa peu \u00e0 peu en prennent conscience. La police entre dans la partie. C\u2019est alors qu\u2019Yves Ravey d\u00e9ploie son art incomparable de la sourici\u00e8re, acculant ses deux \u00ab&nbsp;h\u00e9ros&nbsp;\u00bb \u00e0 \u00e9voluer dans un espace de plus en plus r\u00e9duit, comme pris au pi\u00e8ge. On les voit effectuer encore de petits d\u00e9placements en voiture dans une zone limit\u00e9e autour de leur h\u00f4tel, puis ne plus pouvoir s\u2019en \u00e9loigner qu\u2019\u00e0 pied&nbsp;: on recherche les coupables d\u2019un accident mortel sur un chemin qu\u2019empruntent les nombreux r\u00e9fugi\u00e9s qui se cachent sur les plages des environs de Catane. D\u2019une mani\u00e8re ou de l\u2019autre, cette litt\u00e9rature ne cesse en effet de se frotter au r\u00e9el. Ou de le mimer&nbsp;: un inspecteur coiff\u00e9 d\u2019un Borsalino, sur la terre de la mafia, est sur leurs traces, tout pr\u00e8s de les cueillir, malgr\u00e9 tous leurs subterfuges. Ils avaient imagin\u00e9 en d\u00e9sespoir de cause faire discr\u00e8tement r\u00e9parer la pi\u00e8ce de carrosserie endommag\u00e9e dans un garage complaisant. Le syst\u00e8me Ravey fonctionne ici \u00e0 plein, poussant les protagonistes \u00e0 s\u2019enferrer toujours plus dans de v\u00e9ritables fuites en avant.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><strong>Un tour de force narratif<\/strong><\/p><\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">On imagine d\u00e9j\u00e0 la sc\u00e8ne finale, \u00e0 l\u2019instar des \u00e9pilogues de pr\u00e9c\u00e9dents romans. La boucle se bouclant, le destin achevant en quelque sorte son \u0153uvre. Sauf que rien d\u2019attendu ne se produit&nbsp;: le syst\u00e8me Ravey, sans rel\u00e2cher sa pression, propulse maintenant Melvil et Luisa dans une des nouvelles sourici\u00e8res qui se multiplient en Europe, sur les routes de\u2026l\u2019\u00e9migration. Ironie du destin et tour de force narratif, l\u2019un des plus audacieux du romancier. Cependant que son \u00e9criture, admirablement impassible et d\u00e9pouill\u00e9e, sans la moindre concession \u00e0 la psychologie, restitue par une succession de notations factuelles l\u2019angoisse diffuse, puis les errements et l\u2019affolement des deux humains pris dans la nasse. On retrouve l\u2019empreinte du Nouveau Roman chez l\u2019\u00e9crivain de Minuit. Mais retravaill\u00e9 et mis \u00e0 jour par un regard moderne, qui depuis \u00ab<strong>&nbsp;La Table des singes&nbsp;<\/strong>\u00bb en 1989, rend cette \u0153uvre r\u00e9ductible \u00e0 aucune autre.<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">\u00ab&nbsp;<strong> <\/strong>Taormine&nbsp;\u00bb, Les Editions de Minuit, 144 pages, 16,00 \u20ac.<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">29\/09\/2022 \u2013 1629 \u2013 W11<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>EN PASSANT PAR LA SICILE Le romancier bisontin d\u00e9localise son r\u00e9cit sur l&rsquo;\u00eele des mythes et du fatum, transportant son \u00e9criture aux sources de la trag\u00e9die L\u2019incipit de ce nouveau roman pourrait quasiment avoir valeur programmatique&nbsp;: \u00ab&nbsp;Sorti de l\u2019a\u00e9roport de Catane-Fontanarossa, j\u2019ai engag\u00e9 la voiture de louage dans le premier rond-point vers le nord, direction [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-553","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - 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