{"id":563,"date":"2022-11-01T16:11:13","date_gmt":"2022-11-01T15:11:13","guid":{"rendered":"http:\/\/jclebrun.eu\/blog\/?p=563"},"modified":"2022-11-01T16:33:52","modified_gmt":"2022-11-01T15:33:52","slug":"francoise-colley","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2022\/11\/01\/francoise-colley\/","title":{"rendered":"Fran\u00e7oise Colley"},"content":{"rendered":"\n<h4 class=\"has-text-align-center wp-block-heading\"><strong>En passant par la Lorraine<\/strong><\/h4>\n\n\n\n<h4 class=\"alignfull has-text-align-center wp-block-heading\"><strong>Dans un premier roman incisif, ce sont les Trente glorieuses qui resurgissent, toile de fond d&rsquo;une histoire familiale sous haute tension<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"427\" height=\"640\" src=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2022\/08\/Blog5.jpg\" alt=\"\" class=\"wp-image-318\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2022\/08\/Blog5.jpg 427w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2022\/08\/Blog5-200x300.jpg 200w\" sizes=\"auto, (max-width: 427px) 100vw, 427px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">On pourrait imaginer \u00e0 cet acerbe r\u00e9cit quelque substrat autobiographique. Tant il \u00e9clate de r\u00e9alisme et de v\u00e9rit\u00e9. Et l\u2019on serait fort tent\u00e9 de l\u2019assigner \u00e0 la cat\u00e9gorie des \u00ab&nbsp;<em>litt\u00e9ratures du moi<\/em>&nbsp;\u00bb, pour reprendre la qualification de Dominique Viard et Bruno Vercier dans \u00ab&nbsp;<strong>La Litt\u00e9rature fran\u00e7aise au pr\u00e9sent<\/strong>&nbsp;\u00bb (Bordas, 2005). Rel\u00e8ve-t-il pour autant de l\u2019autobiographie ou de l\u2019autofiction&nbsp;? &nbsp;Ou bien ce monologue ac\u00e9r\u00e9 d\u2019une femme n\u00e9e en 1966 en Lorraine, baby-boomeuse a\u00een\u00e9e d\u2019un \u00ab&nbsp;deuxi\u00e8me lit&nbsp;\u00bb dans une famille ouvri\u00e8re de dix enfants, doit-il principalement \u00e0 la fiction&nbsp;? Quoi qu\u2019il en soit demeure cette sensation de v\u00e9cu, \u00e0 travers un r\u00e9cit et une langue appliqu\u00e9s \u00e0 restituer au plus pr\u00e8s ce qu\u2019a \u00e9t\u00e9 l\u2019existence de cette narratrice. Enfant et adolescente dans une HLM, port\u00e9e par une m\u00e8re protectrice v\u00e9ritable chef de famille. Tandis que le deuxi\u00e8me mari de celle-ci, un Alg\u00e9rien en m\u00eame temps exploit\u00e9 et exploiteur, dilapidait au caf\u00e9 du coin une partie de l\u2019argent qu\u2019il ne mettait pas secr\u00e8tement de c\u00f4t\u00e9 pour entamer une autre vie en Alg\u00e9rie, loin de sa famille fran\u00e7aise. Puis, encore mineure, amante d\u2019un enseignant, qui en m\u00eame temps avait aid\u00e9 \u00e0 son \u00e9mancipation du milieu familial et l\u2019avait asservie \u00e0 une vie dans l\u2019ombre. A l\u2019instar de sa m\u00e8re, elle s\u2019\u00e9tait mari\u00e9e deux fois. Un premier divorce \u00e0 vingt-six ans, pour se s\u00e9parer de celui qui partageait sa vie depuis qu\u2019elle avait quinze ans. Un deuxi\u00e8me \u00e0 quarante-cinq ans. Deux enfants \u00e9taient n\u00e9s&nbsp; de ces unions.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><strong>Un monologue qui brasse large<\/strong><\/p><\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Ce qu\u2019\u00e9voque ici Fran\u00e7oise Colley, c\u2019est d\u2019abord un m\u00e9lange de pauvret\u00e9 extr\u00eame, de dignit\u00e9 et de chaleur humaine dans une r\u00e9gion elle-m\u00eame en d\u00e9sh\u00e9rence. Avec cette m\u00e8re qui non seulement les portait tous \u00e0 bout de bras, mais venait \u00e9pauler ses voisins dans la difficult\u00e9. Sorte&nbsp; de \u00ab&nbsp;<em>Kofi Annan du HLM&nbsp;<\/em>\u00bb&nbsp;: l\u2019une des nombreuses formules-chocs qui donnent son mordant au livre. Une femme imposante, tant par l\u2019ampleur de ses formes que par l\u2019\u00e9tendue de sa culture, \u00ab&nbsp;<em>elle \u00e9crivait bien et avait beaucoup lu avant d\u2019avoir une kyrielle de marmots accroch\u00e9s \u00e0 ses t\u00e9tons&nbsp;\u00bb<\/em>. Pr\u00e9sent\u00e9e telle une \u00ab&nbsp;<em>superh\u00e9ro\u00efne<\/em>&nbsp;\u00bb devant mener un combat de chaque jour &nbsp;pour \u00e9lever ses enfants. De chaque phrase du r\u00e9cit transpire en effet l\u2019adulation que n\u2019a cess\u00e9 de lui vouer sa fille, quand celle-ci nourrissait une si violente haine du p\u00e8re. Dans ce contexte continuellement tendu on voit la narratrice peu \u00e0 peu se construire, faire des \u00e9tudes, acc\u00e9der \u00e0 un nouveau statut social. Avec une conscience aigu\u00eb de sa situation, qui n\u2019est pas sans appeler un ressenti de \u00ab&nbsp;trahison&nbsp;\u00bb \u00e0 l\u2019\u00e9gard de sa classe sociale d\u2019origine, similaire \u00e0 celui qu\u2019\u00e9voque Annie Ernaux. Faisant comme elle d\u00e9sormais partie du groupe des \u00ab\u00a0CSP+\u00a0\u00bb. La r\u00e9ussite de cette premi\u00e8re apparition en litt\u00e9rature tient autant \u00e0 sa finesse psychologique qu\u2019\u00e0 sa profondeur sociale.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\"><p><strong>Un tableau de la France populaire des Trente glorieuses<\/strong><\/p><\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Tandis que, plus largement, c\u2019est un tableau de la France populaire des Trente glorieuses qui se trouve ici restitu\u00e9 d\u2019admirable mani\u00e8re. Un pays scotch\u00e9 devant la t\u00e9l\u00e9vision, d\u00e9sormais pr\u00e9sente dans tous les foyers, avec ses figures cultes. Un pays acc\u00e9dant massivement \u00e0 la nouvelle mobilit\u00e9 automobile, avec la multiplication des propri\u00e9taires de voitures. Un pays d\u00e9couvrant des horizons nouveaux, avec l\u2019allongement des cong\u00e9s et la diversification des destinations, les colonies de vacances, les camps d\u2019ados. Un pays \u00e9coutant en boucle de nouvelles musiques \u00e0 cent lieues de la chanson fran\u00e7aise traditionnelle. Celles-l\u00e0 m\u00eames qui viennent loger dans le corps du texte. Un mouvement g\u00e9n\u00e9ral dont t\u00e9moigne le r\u00e9cit de la narratrice. Cependant que les mentalit\u00e9s restent pour beaucoup celles des vieilles traditions patriarcales, avec leur \u00e9go\u00efsme, leurs mensonges et leurs violences. C\u2019est ainsi que le fr\u00e8re de la narratrice, tromp\u00e9 et spoli\u00e9 par leur g\u00e9niteur, en avait \u00e9t\u00e9 r\u00e9duit un jour \u00e0 se jeter par la fen\u00eatre.<\/h4>\n\n\n\n<h4 class=\"wp-block-heading\">Un voyage en Alg\u00e9rie cl\u00f4t cette histoire. La narratrice, deux fr\u00e8res et Mizouzou, la plus jeune s\u0153ur, r\u00e9pondent \u00e0 l\u2019invitation d\u2019un notaire. Pour l\u2019ouverture d\u2019une succession. Le p\u00e8re \u00e9tait mort, personne en France n\u2019en avait rien su. Mais celui-ci demeurerait d\u00e9cid\u00e9ment toxique jusque par-del\u00e0 la tombe&nbsp;: une ultime tromperie se pr\u00e9parait, dont on d\u00e9couvre les grosses ficelles lors d\u2019une irr\u00e9sistible sc\u00e8ne tragi-comique pour solder le pass\u00e9, en mani\u00e8re d\u2019explosion finale&nbsp;: \u00ab&nbsp;<em>Et puis, un jour, \u00e7a remonte. Comme un geyser. On se rend compte que (\u2026) la blessure, le chagrin, la violence, le manque d\u2019amour sont rest\u00e9s imprim\u00e9s sur le disque dur. Pr\u00eats \u00e0 resurgir<\/em>&nbsp;\u00bb. Pour sa m\u00e8re, pour sa s\u0153ur, pour elle-m\u00eame, elle refera alors le parcours. Par l\u2019\u00e9criture de ce roman, dont le titre sonne \u00e0 la fois comme un soupir de soulagement et une revendication.<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">\u00ab&nbsp;Vivantes&nbsp;\u00bb, de Fran\u00e7oise Colley, Mialet-Barrault, 266 pages, 19 \u20ac.<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">06\/10\/2022 \u2013 1630 \u2013 W12<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>En passant par la Lorraine Dans un premier roman incisif, ce sont les Trente glorieuses qui resurgissent, toile de fond d&rsquo;une histoire familiale sous haute tension On pourrait imaginer \u00e0 cet acerbe r\u00e9cit quelque substrat autobiographique. Tant il \u00e9clate de r\u00e9alisme et de v\u00e9rit\u00e9. Et l\u2019on serait fort tent\u00e9 de l\u2019assigner \u00e0 la cat\u00e9gorie des [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-563","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Fran\u00e7oise Colley - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jclebrun.eu\/blog\/2022\/11\/01\/francoise-colley\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fran\u00e7oise Colley - Blog de Jean-Claude Lebrun\" \/>\n<meta property=\"og:description\" content=\"En passant par la Lorraine Dans un premier roman incisif, ce sont les Trente glorieuses qui resurgissent, toile de fond d&rsquo;une histoire familiale sous haute tension On pourrait imaginer \u00e0 cet acerbe r\u00e9cit quelque substrat autobiographique. 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