{"id":609,"date":"2022-11-05T16:22:04","date_gmt":"2022-11-05T15:22:04","guid":{"rendered":"http:\/\/jclebrun.eu\/blog\/?p=609"},"modified":"2022-11-05T16:23:41","modified_gmt":"2022-11-05T15:23:41","slug":"tristan-jordis","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2022\/11\/05\/tristan-jordis\/","title":{"rendered":"Tristan Jordis"},"content":{"rendered":"\n<h4 class=\"has-text-align-center wp-block-heading\"><strong><em>Tristan Jordis<\/em><\/strong><\/h4>\n\n\n\n<h4 class=\"alignfull has-text-align-center wp-block-heading\"><strong>Un autre Paris-Dakar : une \u00e9quip\u00e9e depuis l&rsquo;univers parisien de la nouvelle drogue dure jusqu&rsquo;\u00e0 la cit\u00e9 sainte de Touba, au S\u00e9n\u00e9gal, par un romancier audacieux qui m\u00e9rite assur\u00e9ment l&rsquo;attention <\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"255\" height=\"460\" src=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2022\/10\/TRISTAN-JORDIS.jpg\" alt=\"\" class=\"wp-image-537\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2022\/10\/TRISTAN-JORDIS.jpg 255w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2022\/10\/TRISTAN-JORDIS-166x300.jpg 166w\" sizes=\"auto, (max-width: 255px) 100vw, 255px\" \/><\/figure>\n\n\n\n<div class=\"wp-block-group alignfull is-layout-constrained wp-block-group-is-layout-constrained\">\n<h4 class=\"has-text-align-left wp-block-heading\">La rentr\u00e9e d\u2019automne donne traditionnellement un coup de fouet \u00e0 l\u2019industrie de l\u2019\u00e9dition. Mais l\u2019on observe en 2022&nbsp; un net ralentissement du ph\u00e9nom\u00e8ne. Une offre en baisse significative, des ventes qui n\u2019atteignent pas des sommets et, cons\u00e9quence m\u00e9canique de ce contexte morose, la focale qui se resserre sur quelques titres mis en avant <em>ad nauseam<\/em> par les medias. Avec l\u2019exemple caricatural du \u00ab&nbsp;<strong>Cher connard<\/strong>&nbsp;\u00bb de Virginie Despentes, \u00e0 c\u00f4t\u00e9 duquel une petite quinzaine d\u2019autres titres parviennent \u00e0 capter la lumi\u00e8re. Pour les autres, dans leur immense majorit\u00e9, c\u2019est la logique darwinienne du march\u00e9 qui d\u00e9cidera de leur destin. Ainsi de ce \u00ab&nbsp;<strong>Pays des ombres<\/strong>&nbsp;\u00bb, titre aux r\u00e9sonances involontairement ironiques pour un livre quasiment ignor\u00e9 d\u2019une critique, \u00e0 quelques exceptions pr\u00e8s, de plus en plus gr\u00e9gaire, et tout aussi quasiment absent des pr\u00e9sentoirs des librairies. Il suffit pourtant d\u2019en parcourir les premi\u00e8res pages pour en d\u00e9couvrir la puissance d\u2019\u00e9vocation et la br\u00fblante actualit\u00e9.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote has-text-align-left is-layout-flow wp-block-quote-is-layout-flow\">\n<h4 class=\"has-text-align-left wp-block-heading\"><strong>Une combinaison tr\u00e8s singuli\u00e8re d\u2019acuit\u00e9 du regard et de visions qui inscrivent le r\u00e9cit dans une authentique&nbsp; po\u00e9sie<\/strong><\/h4>\n<\/blockquote>\n<\/div>\n\n\n\n<h4 class=\"wp-block-heading\">Celui qui raconte, Tristan Jordis lui-m\u00eame, vient d\u2019atterrir au S\u00e9n\u00e9gal. Dans le taxi qui l\u2019emporte dans la nuit africaine vers Dakar, \u00e0 53 kilom\u00e8tres de l\u00e0, il se rappelle un autre voyage, effectu\u00e9 dix ans auparavant. Une \u00e9ternit\u00e9 s\u2019il faut en&nbsp; juger par ce qu\u2019il peut voir du paysage travers\u00e9 \u00ab<em>&nbsp;Des terrains chaotiques s\u2019\u00e9l\u00e8vent des bataillons d\u2019immeubles modernes. Gris comme des cadavres et sombres comme des tombeaux, ils dominent des all\u00e9es d\u00e9sertes&nbsp;; quartiers fant\u00f4mes ponctu\u00e9s de lampadaires au garde-\u00e0-vous qui \u00e9veillent dans l\u2019immensit\u00e9 de la brousse un clair-obscur anatomique. Il y a dix ans de cela, la vieille nationale d\u00e9fonc\u00e9e qui reliait Dakar aux villes du Nord abritait une myriade de huttes et d\u2019\u00e9choppes&nbsp;<\/em>\u00bb. &nbsp;Premi\u00e8res impressions d\u2019un p\u00e9riple qui s\u2019ach\u00e8vera dans la ville sainte de Touba, au terme d\u2019un parcours m\u00e9moriel et spirituel passant par Dakar et Paris. Ce qui d\u2019embl\u00e9e impressionne dans cette lecture, c\u2019est une combinaison tr\u00e8s singuli\u00e8re d\u2019acuit\u00e9 du regard et de visions qui inscrivent le r\u00e9cit dans une authentique&nbsp; po\u00e9sie. Parfois seulement quelques mots relevant de la modernit\u00e9 esth\u00e9tique, pour dire l\u2019agitation brownienne de la capitale s\u00e9n\u00e9galaise&nbsp;:&nbsp;\u00ab&nbsp;Tout est saccad\u00e9, curieusement compress\u00e9&nbsp;\u00bb. Parfois le recours \u00e0 l\u2019imagerie picturale pour sugg\u00e9rer la file humaine bariol\u00e9e en marche sur les bas-c\u00f4t\u00e9s&nbsp;: \u00ab&nbsp;\u2026un feu de couleurs le long de la route&nbsp;\u00bb. Une beaut\u00e9 qui se retrouve, sous des esp\u00e8ces plus v\u00e9n\u00e9neuses, lorsque le narrateur replonge dans ses souvenirs d\u2019une rencontre \u00e0 l\u2019origine de l\u2019actuel voyage&nbsp;: l\u2019histoire de son amiti\u00e9 avec Mansour.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Des pages admirables sur le m\u00e9lange d\u2019abjections et de fulgurances que procure la fr\u00e9quentation des paradis artificiels<\/strong><\/h4>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Celle-ci avait commenc\u00e9 dans les ann\u00e9es 1990 \u00e0 Paris, dans le partage du crack, du c\u00f4t\u00e9 de Stalingrad. En 2008, Tristan Jordis avait fait&nbsp; para\u00eetre un premier roman intitul\u00e9 \u00ab&nbsp;<strong>Crack<\/strong>&nbsp;\u00bb (Le Seuil) qui revenait sur sa propre exp\u00e9rience. Aujourd\u2019hui il est en route pour retrouver Mansour sur sa terre africaine. Loin des addictions et des violences -les \u00ab&nbsp;<em>gouffres de la drogue<\/em>&nbsp;\u00bb, <em>\u00ab&nbsp;une for\u00eat sordide dissimul\u00e9e derri\u00e8re le charme d\u2019indicibles d\u00e9lices&nbsp;<\/em>\u00bb- qui avaient valu \u00e0 celui-ci une condamnation \u00e0 quatre ann\u00e9es et demie de prison. Mises \u00e0 profit pour passer une licence de lettres modernes. Gr\u00e2ce \u00e0 l\u2019intercession d\u2019un proche, Tristan avait \u00e9t\u00e9 recrut\u00e9 pour lui donner des cours au centre de d\u00e9tention de Ch\u00e2teaudun. Un autre r\u00e9cit commence alors. Apr\u00e8s des pages admirables sur le m\u00e9lange d\u2019abjections et de fulgurances que procure la fr\u00e9quentation des paradis artificiels, il est maintenant question de la \u00ab<em>&nbsp;part de lumi\u00e8re&nbsp;<\/em>\u00bb en Mansour, d\u2019\u00e9l\u00e9vation spirituelle par l\u2019\u00e9tude. Et &nbsp;de\u2026magie noire. D\u2019un c\u00f4t\u00e9 l\u2019apaisement qui, pour l\u2019ancien \u00ab&nbsp;<em>crackman<\/em>&nbsp;\u00bb de retour dans le village de ses origines, vient culminer dans sa d\u00e9couverte du soufisme. De l\u2019autre une inqui\u00e9tude nouvelle, avec la conviction du mauvais sort, \u00e0 la source de tous ses d\u00e9boires, que lui aurait jet\u00e9 autrefois un marabout.<\/h4>\n\n\n\n<h4 class=\"wp-block-heading\">La derni\u00e8re partie du livre propose un v\u00e9ritable parcours initiatique aux confins de la spiritualit\u00e9 et de la magie, si intimement entrem\u00eal\u00e9es dans l\u2019esprit de Mansour. Une d\u00e9couverte pour le narrateur, qu\u2019on observe de plus en plus partie prenante dans la d\u00e9marche de son ami. Une mani\u00e8re de r\u00e9v\u00e9lation \u00e0 soi-m\u00eame dont t\u00e9moigne la tonalit\u00e9 de l\u2019\u00e9criture, enfin apais\u00e9e, pour ne pas dire \u00e9quanime. Lui-m\u00eame commen\u00e7ait ainsi d\u2019acc\u00e9der, par l\u2019entremise de son ami africain, \u00e0 une forme de&nbsp; \u00ab&nbsp;<em>connaissance qui gu\u00e9rit l\u2019esprit<\/em>&nbsp;\u00bb. Point d\u2019orgue de ce roman, port\u00e9 par une \u00e9criture inventive et exigeante, qui ne dissimule pas son ambition de profondeur. Qui justifierait assur\u00e9ment d\u2019\u00eatre un peu plus pr\u00e9sent sur les pr\u00e9sentoirs des librairies.<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">\u00ab&nbsp;<strong>Le pays des ombres<\/strong>&nbsp;\u00bb, de Tristan Jordis, Stock, 504 pages, 23 \u20ac<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\"><strong>03\/11\/2022 &#8211; 1631 &#8211; W13<\/strong><\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Tristan Jordis Un autre Paris-Dakar : une \u00e9quip\u00e9e depuis l&rsquo;univers parisien de la nouvelle drogue dure jusqu&rsquo;\u00e0 la cit\u00e9 sainte de Touba, au S\u00e9n\u00e9gal, par un romancier audacieux qui m\u00e9rite assur\u00e9ment l&rsquo;attention La rentr\u00e9e d\u2019automne donne traditionnellement un coup de fouet \u00e0 l\u2019industrie de l\u2019\u00e9dition. Mais l\u2019on observe en 2022&nbsp; un net ralentissement du ph\u00e9nom\u00e8ne. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-609","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Tristan Jordis - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jclebrun.eu\/blog\/2022\/11\/05\/tristan-jordis\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Tristan Jordis - Blog de Jean-Claude Lebrun\" \/>\n<meta property=\"og:description\" content=\"Tristan Jordis Un autre Paris-Dakar : une \u00e9quip\u00e9e depuis l&rsquo;univers parisien de la nouvelle drogue dure jusqu&rsquo;\u00e0 la cit\u00e9 sainte de Touba, au S\u00e9n\u00e9gal, par un romancier audacieux qui m\u00e9rite assur\u00e9ment l&rsquo;attention La rentr\u00e9e d\u2019automne donne traditionnellement un coup de fouet \u00e0 l\u2019industrie de l\u2019\u00e9dition. 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