{"id":738,"date":"2022-11-30T10:43:03","date_gmt":"2022-11-30T09:43:03","guid":{"rendered":"http:\/\/jclebrun.eu\/blog\/?p=738"},"modified":"2022-11-30T11:17:13","modified_gmt":"2022-11-30T10:17:13","slug":"luc-vezin","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2022\/11\/30\/luc-vezin\/","title":{"rendered":"Luc Vezin"},"content":{"rendered":"\n<h4 class=\"has-text-align-center wp-block-heading\"><strong><em>Luc Vezin<\/em><\/strong><\/h4>\n\n\n\n<h5 class=\"alignwide has-text-align-center wp-block-heading\"><strong>Une fiction EN M\u00caME TEMPS QU&rsquo;une fantastique plong\u00e9e dans l\u2019univers singulier d\u2019une figure embl\u00e9matique de l\u2019art brut<\/strong><\/h5>\n\n\n\n<figure class=\"wp-block-image alignleft size-medium\"><img loading=\"lazy\" decoding=\"async\" width=\"185\" height=\"300\" src=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2022\/11\/LUC-V-185x300.jpg\" alt=\"\" class=\"wp-image-717\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2022\/11\/LUC-V-185x300.jpg 185w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2022\/11\/LUC-V.jpg 473w\" sizes=\"auto, (max-width: 185px) 100vw, 185px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Ce premier roman d\u2019un critique d\u2019art est l\u2019une des tr\u00e8s bonnes surprises de la rentr\u00e9e d\u2019automne. Echappant \u00e0 la fois \u00e0 la p\u00e9danterie acad\u00e9mique et \u00e0 une technicit\u00e9 absconse, d\u00e9fauts fr\u00e9quents sous la plume des sp\u00e9cialistes, Luc Vezin a fait le choix du roman pour restituer l\u2019itin\u00e9raire d\u2019un peintre autiste et muet et s\u2019approcher au plus pr\u00e8s &nbsp;d\u2019un processus cr\u00e9atif hors norme. Pour cela il convient de lire son titre au pied de la lettre&nbsp;: faute de pouvoir reconstituer \u00e0 partir de documents&nbsp; d\u2019archives l\u2019histoire de James Castle (1899 \u2013 1977), personnage atypique et discret vou\u00e9 \u00e0 la marge, il appartenait \u00e0 celui qui \u00e9crit de lui inventer une destin\u00e9e. Le r\u00e9sultat est \u00e0 la hauteur du projet, tant ces deux centaines de pages donnent litt\u00e9ralement \u00e0 voir l\u2019artiste en action au quotidien. Il en r\u00e9sulte une mani\u00e8re de biographie possible du peintre, pendant la longue p\u00e9riode qui pr\u00e9c\u00e9da sa reconnaissance tardive \u00e0 partir des ann\u00e9es 1950.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Un artiste de sa vie<\/strong><\/p>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Cela se passe dans l\u2019Idaho, tranquille \u00e9tat des montagnes Rocheuses. James Castle y passa toute sa vie, parmi ses nombreux fr\u00e8res et s\u0153urs, dans la ferme familiale de Garden Valley, petite bourgade \u00e0 l\u2019ombre des sommets. Sourd, il ne sut jamais parler, ni lire ni \u00e9crire. Du moins pas de la fa\u00e7on qu\u2019on l\u2019entend habituellement. Pour am\u00e9liorer l\u2019ordinaire son p\u00e8re tenait un magasin ainsi que le bureau de poste du village. L\u2019information, v\u00e9rifi\u00e9e par Luc Vezin, n\u2019est pas anodine&nbsp;: ce fut sur les cartons, les emballages divers, les enveloppes, les journaux, les publicit\u00e9s, des bouts de bois, les paquets de Camel et les couvercles de cr\u00e8me glac\u00e9e, que le jeune gar\u00e7on prit t\u00f4t l\u2019habitude de dessiner. Un mat\u00e9riau qui lui servit \u00e9galement pour la production d\u2019objets \u00e0 sa fa\u00e7on, notamment des sculptures. Il est \u00e9galement av\u00e9r\u00e9 que Castle utilisa comme unique \u00ab&nbsp;peinture&nbsp;\u00bb un m\u00e9lange de suie recueillie dans le po\u00eale de la maison, de papier et de sa propre salive, donnant \u00e0 de nombreuses r\u00e9alisations un m\u00eame aspect monochrome. Et quand il pratiquait la couleur, il trouvait ses pigments dans les mati\u00e8res les plus improbables. L\u2019on sait enfin, qu\u2019outre la repr\u00e9sentation de son environnement (maisons, granges et autres b\u00e2timents, arbres, \u00eatres humains), il manifestait dans ses \u0153uvres une visible dilection pour les lettres de l\u2019alphabet et les chiffres, ce qui peut interroger sur son analphab\u00e9tisme selon la conception commune. Le reste, l\u2019immense reste, de ce r\u00e9cit de vie, rel\u00e8ve de l\u2019imagination de Luc Vezin. A commencer par le choix des voix narratives&nbsp;: les monologues int\u00e9rieurs&nbsp; de James (\u00ab<em>&nbsp;J\u2019ai fait balbutier un mutique et \u00e9crire un illettr\u00e9<\/em>&nbsp;\u00bb), comme les paroles de sa s\u0153ur &nbsp;Patricia, elle-m\u00eame sourde, et de son neveu Bill, \u00e9tudiant en art. Deux \u00e9tonnantes co\u00efncidences dont l\u2019auteur fournira la cl\u00e9 \u00e0 la toute fin du livre, dans un chapitre intitul\u00e9 \u00ab&nbsp;<em>Pr\u00e9cisions et remerciements<\/em>&nbsp;\u00bb. On ne peut alors s\u2019emp\u00eacher de penser \u00e0 un autre <em>roman<\/em> brillamment inventif, le \u00ab&nbsp;<strong>Jason Murphy<\/strong>&nbsp;\u00bb de Paul Fournel, paru en 2013.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Donner une histoire, comme on dresse un monument, \u00e0 l\u2019artiste na\u00eff<\/strong><\/p>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">C\u2019est en 2008, lors d\u2019une exposition \u00e0 Philadelphie, que Luc Vezin d\u00e9couvre James Castle. Quarante-cinq ans auparavant, en 1963, l\u2019artiste anonyme et solitaire acc\u00e9dait \u00e0 une reconnaissance, \u00e0 vrai dire toute relative, quand une premi\u00e8re r\u00e9trospective lui \u00e9tait consacr\u00e9e \u00e0 Boise, la capitale de son Idaho natal. D\u2019abord dubitatif et moyennement convaincu face \u00e0 cet art na\u00eff, Le critique d\u2019art y distingue peu \u00e0 peu, totalement inattendues, de multiples connexions avec des courants esth\u00e9tiques majeurs du 20<sup>\u00e8me<\/sup> si\u00e8cle. Il pense alors n\u00e9cessaire de donner une histoire, comme on dresse un monument, \u00e0 l\u2019artiste na\u00eff, \u00ab&nbsp;<em>outsider<\/em>&nbsp;\u00bb disent les Am\u00e9ricains pour qualifier les artistes handicap\u00e9s, dont les centaines de dessins et autres cr\u00e9ations envahissaient les moindres recoins du grenier de la maison familiale. La vie et l\u2019\u0153uvre de James Castle surgissant de la fiction de Luc Vezin, au terme d\u2019une formidable mise en abyme.<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">\u00ab&nbsp;<strong>La vie sans histoire de James Castle<\/strong>&nbsp;\u00bb, Arl\u00e9a, 224 pages, 19 \u20ac<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">02\/12\/2022 &#8211; 1635 &#8211; W17<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Luc Vezin Une fiction EN M\u00caME TEMPS QU&rsquo;une fantastique plong\u00e9e dans l\u2019univers singulier d\u2019une figure embl\u00e9matique de l\u2019art brut Ce premier roman d\u2019un critique d\u2019art est l\u2019une des tr\u00e8s bonnes surprises de la rentr\u00e9e d\u2019automne. Echappant \u00e0 la fois \u00e0 la p\u00e9danterie acad\u00e9mique et \u00e0 une technicit\u00e9 absconse, d\u00e9fauts fr\u00e9quents sous la plume des sp\u00e9cialistes, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-738","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Luc Vezin - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/jclebrun.eu\/blog\/2022\/11\/30\/luc-vezin\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Luc Vezin - Blog de Jean-Claude Lebrun\" \/>\n<meta property=\"og:description\" content=\"Luc Vezin Une fiction EN M\u00caME TEMPS QU&rsquo;une fantastique plong\u00e9e dans l\u2019univers singulier d\u2019une figure embl\u00e9matique de l\u2019art brut Ce premier roman d\u2019un critique d\u2019art est l\u2019une des tr\u00e8s bonnes surprises de la rentr\u00e9e d\u2019automne. 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