{"id":806,"date":"2022-12-19T15:51:51","date_gmt":"2022-12-19T14:51:51","guid":{"rendered":"http:\/\/jclebrun.eu\/blog\/?p=806"},"modified":"2022-12-28T10:39:24","modified_gmt":"2022-12-28T09:39:24","slug":"806","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2022\/12\/19\/806\/","title":{"rendered":"C\u00e9line Debayle"},"content":{"rendered":"\n

C\u00e9line Debayle<\/strong><\/em><\/h4>\n\n\n\n

Entre une m\u00e8re et ses deux filles, entre Venise et Paris, entre drame et r\u00e9silience par la beaut\u00e9<\/strong><\/h4>\n\n\n\n
\"\"<\/figure>\n\n\n\n

En ao\u00fbt 2020 l\u2019\u00e9crivaine faisait para\u00eetre \u00ab Les grandes poup\u00e9es<\/strong> \u00bb, un texte sensible et profond sur le divorce des  parents dans la France des ann\u00e9es 1950. C\u2019est avec une semblable d\u00e9licatesse qu\u2019elle \u00e9voque cette fois, continuant son cheminement dans le roman familial, une s\u00e9paration et deux deuils survenus plus r\u00e9cemment. Il y a l\u00e0 Rose, Blanche et Violette, mani\u00e8re de bouquet de femmes qui en l\u2019espace de quelques semaines s\u2019\u00e9tait d\u00e9fait. A ce  chatoiement color\u00e9 avaient succ\u00e9d\u00e9 d\u00e9sormais pour celle qui raconte, Violette, des alternances de noirceur et de lumi\u00e8re. Des ann\u00e9es auparavant Rose, pinceaux en main, avait voulu fixer ses deux petites filles sur la toile \u00ab en une harmonie impressionniste <\/em>\u00bb \u00e0 la fa\u00e7on de Berthe Morisot, \u00ab joues de craie et yeux de faon<\/em>.\u00bb Jusqu\u2019\u00e0 ce jour o\u00f9, rue du Moulin-Vert, du c\u00f4t\u00e9 de Montparnasse,  Blanche, 36 ans, la plus jeune des deux s\u0153urs, s\u2019\u00e9tait \u00e9lanc\u00e9e de sa fen\u00eatre du cinqui\u00e8me \u00e9tage pour un funeste saut dans la courette en contrebas. Elle, qui raffolait \u00ab d\u2019oiseaux et d\u2019\u00e9glises<\/em> \u00bb, achevait sa trajectoire terrestre dans la confusion du fantasme et de la r\u00e9alit\u00e9. Une maladie terrible survenu \u00e0 la fin de ses \u00e9tudes, \u00ab un mal barbare au nom barbare exprimant l\u2019\u00e9pouvante<\/em> \u00bb, l\u2019avait frapp\u00e9e. Celui-ci, \u00e9crit la romanci\u00e8re qui refuse de prononcer son nom, s\u2019orthographiait avec des H qui \u00ab d\u00e9capitent<\/em> \u00bb et un Z qui \u00ab \u00e9lectrocute.<\/em>\u00bb<\/h4>\n\n\n\n
\n

Aux images-chocs r\u00e9pondent ses propres \u00ab Vedute<\/em>\u00ab <\/strong><\/h4>\n<\/blockquote>\n\n\n\n

Une nouvelle fois, C\u00e9line Debayle tourne le dos \u00e0 une certaine dilection contemporaine pour le brut et le dur. Empruntant plut\u00f4t un chemin d\u2019\u00e9criture tout en suggestions, contournements et \u00e9vitements. Aux  images chocs du suicide en exorde du roman -Blanche \u00ab terminait dans une flaque de sang, chair d\u00e9chir\u00e9e, os saccag\u00e9s <\/em>\u00bb- r\u00e9pondent en effet ses propres \u00ab Vedute<\/em> \u00bb : \u00e0 Venise, sa ville-refuge de toujours, \u00e9difices et canaux rendent certes partout tangible, comme chez Thomas Mann dans \u00ab La Mort \u00e0 Venise<\/strong> \u00bb, la sensation de perte et de d\u00e9sastre qui ne cesse plus de l\u2019habiter, mais en quelque sorte esth\u00e9tis\u00e9e, sublim\u00e9e par toute cette beaut\u00e9 fragile. L\u2019on se retrouve ici plus proche de Proust que de Virginie Despentes, avec cette omnipr\u00e9sence d\u2019une douleur qui ne peut se dire et trouve dans des visions d\u2019essence picturale une fa\u00e7on de d\u00e9tour.<\/h4>\n\n\n\n
\n

la S\u00e9r\u00e9nissime comme rem\u00e8de \u00e0 sa m\u00e9lancolie<\/strong><\/h4>\n<\/blockquote>\n\n\n\n

Apr\u00e8s Blanche si brutalement disparue, c\u2019est Rose, inconsolable, que le d\u00e9sespoir puis la maladie en trois mois font s\u2019\u00e9tioler puis s\u2019\u00e9teindre. La narratrice, maintenant seule, Pierre, son dernier amour l\u2019avait  quitt\u00e9e \u00e0\u2026Venise apr\u00e8s d\u2019intenses moments de fusion, ne peut longtemps se d\u00e9faire d\u2019une t\u00e9r\u00e9brante m\u00e9lancolie, cons\u00e9cutive \u00e0 ses chagrins. Les d\u00e9ambulations dans Venise lui tiennent alors lieu de rem\u00e8de, comme les visites des palais et des mus\u00e9es, par leur constant spectacle de splendeur dans la d\u00e9cr\u00e9pitude. Violette y prend ce qu\u2019elle d\u00e9signe comme \u00ab des bains de beau<\/em> \u00bb : \u00ab La cit\u00e9 endormie se voilait de tulle, les ponts fumaient et les palais p\u00e2les peuplaient les eux vaporeuses. <\/em>\u00bb La langue de C\u00e9line Debayle laisse ainsi entendre de subtiles allit\u00e9rations, en r\u00e9sonance avec ce qui ne cesse pas de l\u2019\u00e9mouvoir, offrant \u00e0 ses deuils la douceur d\u2019une possible consolation.  Elle  s\u2019enrichit \u00e9galement d\u2019images rares : \u00ab les lueurs de nuit dans les canaux chahutant du noir fer \u00e0 la craie pure.<\/em> \u00bb Ou m\u00eame conjugue les deux, dans de superbes s\u00e9quence relevant de la pure po\u00e9sie : \u00ab Troublants tableaux intangibles o\u00f9 les couleurs coulent, les formes se d\u00e9forment<\/em>. \u00bb Images choisies de la S\u00e9r\u00e9nissime comme rem\u00e8de \u00e0 sa m\u00e9lancolie et palliatif \u00e0 ses failles. Au point qu\u2019elle d\u00e9cidera finalement de quitter Paris pour venir s\u2019installer \u00ab sous l\u2019aile du lion <\/em>\u00bb. Quand la beaut\u00e9 redonne go\u00fbt \u00e0 la vie, au terme du saisissant roman de C\u00e9line Debayle sur l\u2019amour entre une m\u00e8re et ses filles.<\/h4>\n\n\n\n
\u00ab\u00a0SOUS L\u2019AILE DU LION<\/strong>\u00a0\u00bb, DE C\u00c9LINE DEBAYLE, EDITIONS ARL\u00c9A, 140 PAGES, 17 \u20ac<\/h5>\n\n\n\n
22\/12\/2022 – 1638 – W19<\/h5>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

C\u00e9line Debayle Entre une m\u00e8re et ses deux filles, entre Venise et Paris, entre drame et r\u00e9silience par la beaut\u00e9 En ao\u00fbt 2020 l\u2019\u00e9crivaine faisait para\u00eetre \u00ab Les grandes poup\u00e9es \u00bb, un texte sensible et profond sur le divorce des  parents dans la France des ann\u00e9es 1950. C\u2019est avec une semblable d\u00e9licatesse qu\u2019elle \u00e9voque cette fois, continuant […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-806","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"yoast_head":"\nC\u00e9line Debayle - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"http:\/\/jclebrun.eu\/blog\/2022\/12\/19\/806\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"C\u00e9line Debayle - Blog de Jean-Claude Lebrun\" \/>\n<meta property=\"og:description\" content=\"C\u00e9line Debayle Entre une m\u00e8re et ses deux filles, entre Venise et Paris, entre drame et r\u00e9silience par la beaut\u00e9 En ao\u00fbt 2020 l\u2019\u00e9crivaine faisait para\u00eetre \u00ab Les grandes poup\u00e9es \u00bb, un texte sensible et profond sur le divorce des  parents dans la France des ann\u00e9es 1950. 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