{"id":887,"date":"2023-01-03T17:29:51","date_gmt":"2023-01-03T16:29:51","guid":{"rendered":"http:\/\/jclebrun.eu\/blog\/?p=887"},"modified":"2023-01-10T18:42:04","modified_gmt":"2023-01-10T17:42:04","slug":"christine-jordis","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2023\/01\/03\/christine-jordis\/","title":{"rendered":"Christine Jordis"},"content":{"rendered":"\n<h4 class=\"has-text-align-center wp-block-heading\"><strong><em>Christine Jordis<\/em><\/strong><\/h4>\n\n\n\n<h4 class=\"alignwide has-text-align-center wp-block-heading\"><strong>Dans un livre superbe de sensibilit\u00e9 et d\u2019\u00e9rudition, quelques le\u00e7ons pour aujourd\u2019hui venues du lointain Japon m\u00e9di\u00e9val<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft\"><img loading=\"lazy\" decoding=\"async\" width=\"434\" height=\"666\" src=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/CHRISTINE-J.jpg\" alt=\"\" class=\"wp-image-885\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/CHRISTINE-J.jpg 434w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/CHRISTINE-J-195x300.jpg 195w\" sizes=\"auto, (max-width: 434px) 100vw, 434px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Sa presque vingtaine d\u2019ouvrages -essais, r\u00e9cits, fictions, beaux livres- &nbsp;publi\u00e9e depuis \u00ab&nbsp;<strong>De petits enfers vari\u00e9s<\/strong>&nbsp;\u00bb (Le Seuil, 1989) constitue un ensemble de r\u00e9f\u00e9rence pour qui la litt\u00e9rature se pr\u00e9sente indissociablement comme d\u00e9couverte, empathie et recul critique. Sans c\u00e9der jamais \u00e0 la pression des modes ni \u00e0 la dictature de l\u2019actualit\u00e9, l\u2019auteure n\u2019a en effet cess\u00e9 de s\u2019avancer sur une voie d\u2019exigence. Explorant dans plusieurs livres, bien avant la vague f\u00e9ministe, les territoires litt\u00e9raires tourment\u00e9s de romanci\u00e8res contemporaines d\u2019Outre Manche, s\u2019int\u00e9ressant, quand ce n\u2019\u00e9tait pas encore la tendance, \u00e0 Jean Rhys, partag\u00e9e entre les cultures carib\u00e9ennes et europ\u00e9ennes, plus tard \u00e9tudiant ce pr\u00e9curseur de la modernit\u00e9 que fut, \u00e0 cheval sur les 18<sup>\u00e8me<\/sup>&nbsp;et 19<sup>\u00e8me<\/sup>&nbsp;si\u00e8cles, William Blake\u2026 &nbsp;Et, depuis 2001, \u00e9largissant sa focale \u00e0 des mouvements spirituels et des personnalit\u00e9s en qu\u00eate \u00e0 la fois de sagesse et d\u2019absolu, le bouddhisme, Gandhi,&nbsp; Charles de Foucauld et T.E. Lawrence, le cor\u00e9en Kim Jehong-hui, et donc aujourd\u2019hui le Japonais Ikkyu, \u00ab&nbsp;<em>moine zen et po\u00e8te rebelle<\/em>.\u00bb Sans oublier ses livres ancr\u00e9s dans le territoire de l\u2019intime, la petite fille au milieu du \u00ab&nbsp;<em>champ de bataille<\/em>&nbsp;\u00bb familial, p\u00e8re, grand-m\u00e8re et m\u00e8re, la femme avan\u00e7ant dans l\u2019\u00e2ge qui r\u00e9agit aux injonctions juv\u00e9nistes du temps comme \u00e0 la tyrannie d\u2019un nouvel ordre moral. L\u2019\u0153uvre de Christine Jordis, en m\u00eame temps actuelle et inactuelle, au sens nietzsch\u00e9en du terme, se pr\u00e9sente ainsi comme une permanente invite \u00e0 la distanciation et \u00e0 la r\u00e9flexion critique.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p><strong>Des images du temps ancien, m\u00e9lange de savoir et d\u2019invention romanesque<\/strong><\/p>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">L\u2019\u00e9crivaine se transporte cette fois au XV\u00e8me si\u00e8cle, dans le Japon m\u00e9di\u00e9val du shogun Yoshimasa, cet empire qui alliait \u00ab\u00a0<em>l\u2019\u00e9pouvante \u00e0 un summum de beaut\u00e9<\/em>.\u00a0\u00bb Fascin\u00e9e par l\u2019Asie, ses paysages, ses artistes, ses \u00e9crivains, ses intellectuels et ses spiritualit\u00e9s diverses, elle se devait de visiter un jour le \u00ab\u00a0<em>plus c\u00e9l\u00e8bre des jardins zen du monde<\/em>\u00a0\u00bb con\u00e7u \u00e0 cette \u00e9poque\u00a0: celui du \u00ab\u00a0<em>temple du repos du dragon\u00a0<\/em>\u00bb, le Ryoan-ji \u00e0 Kyoto. Dans cette \u00e9tendue min\u00e9rale appelant \u00e0 la contemplation, des images du temps ancien, m\u00e9lange de savoir et d\u2019invention romanesque, s\u2019\u00e9taient impos\u00e9es \u00e0 elle. Son r\u00e9cit s\u2019attache ainsi \u00e0 l\u2019itin\u00e9raire de deux intouchables devenus jardiniers, Kitaro et Hikojiro, personnages bien r\u00e9els de l\u2019\u00e9poque qui donnent corps \u00e0 sa fiction et ouvrent l\u2019acc\u00e8s \u00e0 la figure centrale du roman, le moine bouddhiste Ikkyu Sojun. D\u2019entr\u00e9e de jeu Christine Jordis ins\u00e8re le portrait de celui-ci dans la trame d\u2019un saisissant tableau panoramique, celui d\u2019une soci\u00e9t\u00e9 barbare en m\u00eame temps capable de raffinements supr\u00eames. N\u00e9 en 1394, arrach\u00e9 \u00e0 sa m\u00e8re car possiblement fils naturel de l\u2019empereur Go-Komatsu, il \u00e9tait entr\u00e9 \u00e0 l\u2019\u00e2ge de six ans dans un monast\u00e8re. Mais son parcours, \u00e0 la suite d\u2019une \u00a0\u00ab\u00a0r\u00e9v\u00e9lation\u00a0\u00bb en entendant le chant d\u2019un corbeau, allait rapidement sortir de l\u2019ordinaire, d\u00e9routant quelque peu ses contemporains. Apr\u00e8s le monast\u00e8re, il vagabonderait des ann\u00e9es durant. A c\u00f4t\u00e9 de sa qu\u00eate spirituelle, elle-m\u00eame pas vraiment conventionnelle, il d\u00e9velopperait un immense talent de po\u00e8te et de calligraphe dont la romanci\u00e8re propose de \u00a0significatifs aper\u00e7us. Donnant \u00e0 lire entre certains chapitres \u00a0quelques po\u00e8mes parmi le millier qu\u2019il avait compos\u00e9.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<h5 class=\"wp-block-heading\">\u00ab&nbsp;COMBIEN DE PASSIONS S\u2019AGRIPPENT \u00c0 LA MANCHE DE CE VAGABOND<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">DES MILLIERS DE FLEURS EN BOUTON &nbsp;TOMBENT ET RACONTENT LA, PASSION DU CIEL ET DE LA TERRE<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">UNE BRISE PARFUM\u00c9E SUR MON OREILLE&nbsp;; SUIS-JE \u00c9VEILL\u00c9 OU ENDORMI&nbsp;?<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">ICI ET MAINTENANT SE FONDENT EN UN M\u00caME R\u00caVE DE PRINTEMPS&nbsp;\u00bb<\/h5>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp; Une constante beaut\u00e9 \u00e9claire ce roman virtuose consacr\u00e9 \u00e0 un \u00eatre d\u2019exception. Sans autre r\u00e8gle de vie que la recherche du beau et de l\u2019\u00e9l\u00e9vation, mais aussi, en contradiction avec l\u2019enseignement bouddhique, du plaisir, notamment dans les bordels qu\u2019il fr\u00e9quentait assidument. Vers la fin de sa vie, Ikkyu, toujours aussi peu soucieux de la convention, &nbsp;avait partag\u00e9 un amour passionn\u00e9 avec une chanteuse aveugle, inspiratrice d\u2019ardents po\u00e8mes \u00e9rotiques. Celle-ci&nbsp; l\u2019avait accompagn\u00e9 jusqu\u2019\u00e0 sa mort, \u00e0 88 ans. Le Japon se trouvait alors aux prises avec les guerres, la famine et la corruption. Le r\u00e9cit de Christine Jordis restitue et brasse avec une rare aisance cette imposante mati\u00e8re, sans doute plus complexe encore pour un regard ext\u00e9rieur. Kitaro et Hikojiro, Ikkyu&nbsp;: dans le sillage des deux intouchables et du moine rebelle, leur atypique mod\u00e8le, c\u2019est aussi la dynamique d\u2019un changement qu\u2019elle laisse pressentir. Inscrivant ce superbe portrait d\u2019un \u00eatre en continuel mouvement dans le droit fil d\u2019une histoire elle-m\u00eame terriblement tourment\u00e9e.<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">\u00ab&nbsp;<strong>LE NUAGE FOU<\/strong>&nbsp;\u00bb, DE CHRISTINE JORDIS, EDITONS DE L\u2019OBSERVATOIRE, 384 PAGES, 22 \u20ac<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">12\/01\/2023 \u2013 1641 \u2013 W22<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Christine Jordis Dans un livre superbe de sensibilit\u00e9 et d\u2019\u00e9rudition, quelques le\u00e7ons pour aujourd\u2019hui venues du lointain Japon m\u00e9di\u00e9val Sa presque vingtaine d\u2019ouvrages -essais, r\u00e9cits, fictions, beaux livres- &nbsp;publi\u00e9e depuis \u00ab&nbsp;De petits enfers vari\u00e9s&nbsp;\u00bb (Le Seuil, 1989) constitue un ensemble de r\u00e9f\u00e9rence pour qui la litt\u00e9rature se pr\u00e9sente indissociablement comme d\u00e9couverte, empathie et recul critique. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-887","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Christine Jordis - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jclebrun.eu\/blog\/2023\/01\/03\/christine-jordis\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Christine Jordis - Blog de Jean-Claude Lebrun\" \/>\n<meta property=\"og:description\" content=\"Christine Jordis Dans un livre superbe de sensibilit\u00e9 et d\u2019\u00e9rudition, quelques le\u00e7ons pour aujourd\u2019hui venues du lointain Japon m\u00e9di\u00e9val Sa presque vingtaine d\u2019ouvrages -essais, r\u00e9cits, fictions, beaux livres- &nbsp;publi\u00e9e depuis \u00ab&nbsp;De petits enfers vari\u00e9s&nbsp;\u00bb (Le Seuil, 1989) constitue un ensemble de r\u00e9f\u00e9rence pour qui la litt\u00e9rature se pr\u00e9sente indissociablement comme d\u00e9couverte, empathie et recul critique. 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