{"id":917,"date":"2023-01-17T11:14:01","date_gmt":"2023-01-17T10:14:01","guid":{"rendered":"http:\/\/jclebrun.eu\/blog\/?p=917"},"modified":"2023-01-24T15:40:17","modified_gmt":"2023-01-24T14:40:17","slug":"jean-michel-bequie","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2023\/01\/17\/jean-michel-bequie\/","title":{"rendered":"Jean-Michel B\u00e9qui\u00e9"},"content":{"rendered":"\n<h4 class=\"has-text-align-center wp-block-heading\"><strong><em>Jean-Michel B\u00e9qui\u00e9<\/em><\/strong><\/h4>\n\n\n\n<h4 class=\"alignfull has-text-align-center wp-block-heading\"><strong>A trente ans de distance l\u2019\u00e9crivain reprend et amplifie le th\u00e8me d\u2019un court roman qui avait impressionn\u00e9 par sa force et sa beaut\u00e9<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQUIE.jpg\" alt=\"\" class=\"wp-image-920\" width=\"411\" height=\"731\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQUIE.jpg 411w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQUIE-169x300.jpg 169w\" sizes=\"auto, (max-width: 411px) 100vw, 411px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Rappelons-nous&nbsp;: au d\u00e9but de 1993 paraissait aux Editions de Minuit un livre de peu d\u2019\u00e9paisseur, mais de grande port\u00e9e, sobrement intitul\u00e9 \u00ab&nbsp;<strong>Charles<\/strong>&nbsp;\u00bb*, le pr\u00e9nom du petit gar\u00e7on de cinq ans mort en 1935 d\u2019une tumeur au cerveau, dont son p\u00e8re trente-cinq ann\u00e9es plus tard s\u2019essayait \u00e0 vainement conserver les derniers souvenirs. Son auteur, alors lui-m\u00eame \u00e2g\u00e9 de trente-cinq ans, \u00e9tait instituteur en maternelle pr\u00e8s de l\u2019Isle-sur-la Sorgue, dans le Vaucluse. Sept ans plus t\u00f4t, il avait sign\u00e9, chez Liana Levi, \u00ab&nbsp;<strong>Lumi\u00e8re cendr\u00e9e<\/strong>&nbsp;\u00bb, un polar \u00ab&nbsp;\u00e0 l\u2019am\u00e9ricaine&nbsp;\u00bb pass\u00e9 compl\u00e8tement inaper\u00e7u. Le genre \u00e9tait \u00e0 la mode et l\u2019offre un peu trop grande. Enfin il y avait eu en 1998 &nbsp;\u00ab&nbsp;<strong>Les Fugues de Joseph Conti<\/strong>&nbsp;\u00bb (Jean-Claude Latt\u00e8s), derni\u00e8re publication avant un silence d\u2019un quart de si\u00e8cle&nbsp; qui laissait penser que Jean-Michel B\u00e9qui\u00e9 avait achev\u00e9 son parcours litt\u00e9raire. Jusqu\u2019\u00e0 ce que, en ce d\u00e9but de 2023, une active petite maison d\u2019\u00e9dition implant\u00e9e \u00e0 la Villedieu, dans la Creuse, provoque la surprise en publiant ces \u00ab&nbsp;<strong>Trous de m\u00e9moire<\/strong>&nbsp;\u00bb, fa\u00e7on de r\u00e9surgence d\u2019une \u00e9criture. Source lointaine qu\u2019on avait crue perdue.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Un fils s\u2019attachant \u00e0 faire revenir le pass\u00e9 familial<\/strong><\/h4>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Ainsi que l\u2019annonce le titre il est une nouvelle fois question de m\u00e9moire. Non plus celle d\u2019un p\u00e8re tentant d\u00e9sesp\u00e9r\u00e9ment de ne pas laisser s\u2019\u00e9vanouir le souvenir du fils disparu, mais celle d\u2019un fils s\u2019attachant \u00e0 faire revenir le pass\u00e9 familial. Les circonstances changent, mais la th\u00e9matique demeure. &nbsp;Sauf que la focale s\u2019est maintenant \u00e9largie, dans le temps et l\u2019espace. Et que, face \u00e0 celui qui s\u2019obstine \u00e0 faire resurgir des bouts \u00e9pars du pass\u00e9, se tient un autre personnage, sa s\u0153ur, prioritairement tourn\u00e9 vers le futur. Antoine et Nathalie, tous deux la cinquantaine, jusque l\u00e0 pas vraiment proches, se retrouvent pour une rencontre de quelques jours. Le temps n\u00e9cessaire \u00e0 vider le vieil appartement familial \u00e0 Cavaillon. Leur p\u00e8re Alfred, qui n\u2019avait plus toute sa t\u00eate depuis la r\u00e9cente mort de son \u00e9pouse Marianne, a d\u00fb en effet \u00eatre plac\u00e9 dans un Ehpad du secteur. Entre les murs familiers, devant les objets amass\u00e9s au long de deux vies, un pass\u00e9 peu \u00e0 peu remonte. Antoine revoit leurs quatre grands-parents qui avaient quitt\u00e9 l\u2019Alg\u00e9rie avant les convulsions de l\u2019ind\u00e9pendance, leur m\u00e8re et leur p\u00e8re, instituteurs dans la ville \u00e0 l\u2019entr\u00e9e du Luberon, son adolescence et celle de Nathalie, le lyc\u00e9e, \u00ab&nbsp;<em>les \u00e9pisodes s\u2019encha\u00eenent, qui avaient disparu au plus profond de sa m\u00e9moire<\/em>.&nbsp;\u00bb Puis le mariage et ses deux enfants, le divorce et &nbsp;son installation en Corse, sa terne existence depuis lors, l\u2019immersion croissante dans le pass\u00e9, <em>a contrario<\/em> du grand amour tardif de Nathalie, \u00e9galement divorc\u00e9e, et de ses projets\u2026 Tout ce qui aujourd\u2019hui fait r\u00e9cit et, contre toute attente, r\u00e9unit quelques jours durant le fr\u00e8re et la s\u0153ur. Si diff\u00e9rents et malgr\u00e9 tout semblables. Tous deux si d\u00e9licats, chacun \u00e0 sa fa\u00e7on, devant le p\u00e8re en perdition, mais capable encore de les surprendre par un trait d\u2019esprit ou un \u00e9clair de lucidit\u00e9. Bouleversante repr\u00e9sentation, apr\u00e8s l\u2019injustice d\u2019une mort enfantine, d\u2019un \u00eatre aux prises avec l\u2019irr\u00e9fragable d\u00e9gradation.<\/h4>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<h4 class=\"wp-block-heading\"><strong>Une \u00e9criture resurgit, qui n\u2019a probablement jamais cess\u00e9 de cheminer<\/strong><\/h4>\n<\/blockquote>\n\n\n\n<h4 class=\"wp-block-heading\">Mais aussi, perceptible en permanent filigrane, l\u2019une des lignes de fracture du si\u00e8cle. Qui passe entre les g\u00e9n\u00e9rations d\u2019avant, des parents et de la lign\u00e9e des a\u00efeux, et celle d\u2019Antoine et Nathalie n\u00e9s dans les ann\u00e9es 1970. Jean-Michel B\u00e9qui\u00e9, avec une finesse extr\u00eame, montre comment un antique syst\u00e8me familial commence alors de se d\u00e9faire. Avec une jeunesse r\u00e9tive au carcan de la tradition et l\u2019affichant. Ouvrant ainsi la voie \u00e0 l\u2019actuelle \u00ab&nbsp;culture jeune&nbsp;\u00bb, en m\u00eame temps \u00e9mancipatrice et source d\u2019irr\u00e9parables ravages. Pour l\u2019heure, dans la chambre du p\u00e8re \u00e0 l\u2019Ehpad, ce sont trois trajectoires qui par moments encore se tangentent, v\u00e9ritables parenth\u00e8ses de gr\u00e2ce dans ce r\u00e9cit o\u00f9 l\u2019on voit le p\u00e8re de plus en plus s\u2019\u00e9loigner, la s\u0153ur et le fr\u00e8re engag\u00e9s dans des logiques divergentes. L\u2019impatience d\u2019un nouveau d\u00e9part pour l\u2019une. L\u2019impossible r\u00e9cup\u00e9ration des images d\u2019un pass\u00e9 qui ne passe pas pour l\u2019autre, en \u00e9cho \u00e0 Patrick Modiano cit\u00e9 en \u00e9pigraphe&nbsp;: \u00ab<em>Je ne me m\u00e9fiais pas. Quand je pensais \u00e0 l\u2019avenir, je me disais que rien ne serait perdu de tout ce que j\u2019avais v\u00e9cu. Rien. J\u2019\u00e9tais trop jeune pour savoir qu\u2019\u00e0 partir d\u2019un certain moment vous butez sur des trous de la m\u00e9moire<\/em>.&nbsp;\u00bb A trente ans de distance, une \u00e9criture resurgit, qui n\u2019a probablement jamais cess\u00e9 de cheminer, mais appara\u00eet aujourd\u2019hui charg\u00e9e de tout ce que la vie charrie de scories h\u00e9t\u00e9roclites. <\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">\u00ab\u00a0<strong>Trous de m\u00e9moire<\/strong>\u00a0\u00bb, de Jean-Michel B\u00e9qui\u00e9, Editions La D\u00e9viation, 322 pages, 21 \u20ac<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">26\/01\/2023 &#8211; 1643 &#8211; W24<\/h5>\n\n\n\n<p>___________________________________________<\/p>\n\n\n\n<h4 class=\"wp-block-heading\"><strong>* Notes<\/strong><\/h4>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><strong><em>Article sur \u00ab\u00a0Charles\u00a0\u00bb du 17\/03\/1993<\/em><\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"568\" height=\"837\" src=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/ART.jpg\" alt=\"\" class=\"wp-image-923\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/ART.jpg 568w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/ART-204x300.jpg 204w\" sizes=\"auto, (max-width: 568px) 100vw, 568px\" \/><\/figure>\n\n\n\n<p>___________________________________________<\/p>\n\n\n\n<h4 class=\"has-text-align-center wp-block-heading\"><em><strong>Plaquette d&rsquo; \u00ab\u00a0Ecrivains en Seine Saint-Denis\u00a0\u00bb consacr\u00e9e \u00e0 Jean-Michel B\u00e9qui\u00e9, sous la direction d&rsquo;Aliette Armel, texte de Jean-Claude Lebrun<\/strong> <strong>(1993)<\/strong><\/em><\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQ1.jpg\" alt=\"\" class=\"wp-image-930\" width=\"360\" height=\"501\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQ1.jpg 720w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQ1-216x300.jpg 216w\" sizes=\"auto, (max-width: 360px) 100vw, 360px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQ2.jpg\" alt=\"\" class=\"wp-image-932\" width=\"388\" height=\"477\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQ2.jpg 517w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQ2-244x300.jpg 244w\" sizes=\"auto, (max-width: 388px) 100vw, 388px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQ4.jpg\" alt=\"\" class=\"wp-image-934\" width=\"365\" height=\"570\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQ4.jpg 487w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQ4-192x300.jpg 192w\" sizes=\"auto, (max-width: 365px) 100vw, 365px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQ6.jpg\" alt=\"\" class=\"wp-image-940\" width=\"366\" height=\"556\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQ6.jpg 488w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQ6-198x300.jpg 198w\" sizes=\"auto, (max-width: 366px) 100vw, 366px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQ5.jpg\" alt=\"\" class=\"wp-image-935\" width=\"374\" height=\"588\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQ5.jpg 499w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQ5-191x300.jpg 191w\" sizes=\"auto, (max-width: 374px) 100vw, 374px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQ3.jpg\" alt=\"\" class=\"wp-image-933\" width=\"373\" height=\"568\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQ3.jpg 497w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/01\/BEQ3-197x300.jpg 197w\" sizes=\"auto, (max-width: 373px) 100vw, 373px\" \/><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Jean-Michel B\u00e9qui\u00e9 A trente ans de distance l\u2019\u00e9crivain reprend et amplifie le th\u00e8me d\u2019un court roman qui avait impressionn\u00e9 par sa force et sa beaut\u00e9 Rappelons-nous&nbsp;: au d\u00e9but de 1993 paraissait aux Editions de Minuit un livre de peu d\u2019\u00e9paisseur, mais de grande port\u00e9e, sobrement intitul\u00e9 \u00ab&nbsp;Charles&nbsp;\u00bb*, le pr\u00e9nom du petit gar\u00e7on de cinq ans [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-917","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Jean-Michel B\u00e9qui\u00e9 - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jclebrun.eu\/blog\/2023\/01\/17\/jean-michel-bequie\/\" \/>\n<meta property=\"og:locale\" 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