{"id":983,"date":"2023-02-01T15:29:13","date_gmt":"2023-02-01T14:29:13","guid":{"rendered":"http:\/\/jclebrun.eu\/blog\/?p=983"},"modified":"2023-02-09T11:15:18","modified_gmt":"2023-02-09T10:15:18","slug":"philippe-besson","status":"publish","type":"post","link":"https:\/\/jclebrun.eu\/blog\/2023\/02\/01\/philippe-besson\/","title":{"rendered":"Philippe Besson"},"content":{"rendered":"\n<h4 class=\"has-text-align-center wp-block-heading\"><strong><em>Philippe Besson<\/em><\/strong><\/h4>\n\n\n\n<h4 class=\"alignfull has-text-align-center wp-block-heading\"><strong>Les faits de soci\u00e9t\u00e9 constituent l\u2019un des terrains de pr\u00e9dilection du roman. D\u00e8s lors rien d\u2019\u00e9tonnant qu\u2019en ce d\u00e9but de XXIe si\u00e8cle l\u2019on voie \u00e9merger le th\u00e8me des&nbsp; f\u00e9minicides, longtemps occult\u00e9 par la soci\u00e9t\u00e9 et ignor\u00e9 de la litt\u00e9rature<\/strong><\/h4>\n\n\n\n<figure class=\"wp-block-image alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/02\/PHIL.jpg\" alt=\"\" class=\"wp-image-987\" width=\"472\" height=\"716\" srcset=\"https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/02\/PHIL.jpg 472w, https:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/02\/PHIL-198x300.jpg 198w\" sizes=\"auto, (max-width: 472px) 100vw, 472px\" \/><\/figure>\n\n\n\n<h4 class=\"wp-block-heading\">Inspir\u00e9 par le c\u00e9l\u00e8bre \u00ab&nbsp;<strong>Ceci n\u2019est pas une pipe<\/strong>&nbsp;\u00bb de Ren\u00e9 Magritte, qui ambitionnait de faire ressortir la diff\u00e9rence de nature entre le r\u00e9el et sa repr\u00e9sentation, le titre du roman de Philippe Besson vise une autre distorsion, celle qu\u2019on peut constater entre ce qui se trouve d\u00e9sign\u00e9 sous l\u2019appellation g\u00e9n\u00e9rique de \u00ab&nbsp;fait divers&nbsp;\u00bb et les r\u00e9alit\u00e9s autrement moins vagues que cela recouvre. L\u2019on se souvient que dans son pr\u00e9c\u00e9dent livre,&nbsp;\u00ab&nbsp;<strong>Paris-Brian\u00e7on&nbsp;<\/strong>\u00bb (2022), l\u2019\u00e9crivain organisait la rencontre, dans un train de nuit, d\u2019anonymes menant des existences apparemment sans relief, pour finalement dresser une mani\u00e8re de tableau de l\u2019\u00e9poque. Depuis le quotidien et les orientations intimes jusqu\u2019aux maladies et aux deuils, en passant par les mensonges et les secrets familiaux. Sans oublier les \u00e9tudes, le travail, les plans sociaux et les luttes. Tout ce qui traverse chacune de nos vies, mais se trouve aujourd\u2019hui port\u00e9 \u00e0 un point extr\u00eame, parce que \u00ab <em>cette foutue \u00e9poque est violente, sinistre, d\u00e9prim\u00e9e, parce qu\u2019elle pue la mort et la d\u00e9solation<\/em>.&nbsp;\u00bb Il ne fait pas de doute que le fait divers \u00e0 la source de son nouveau texte contribue \u00e0 \u00e9largir encore la repr\u00e9sentation qu\u2019il nous offre du temps, dans la coul\u00e9e &nbsp;d\u2019une \u0153uvre particuli\u00e8rement f\u00e9conde&nbsp;: \u00ab&nbsp;<strong>Ceci n\u2019est pas un fait divers<\/strong>&nbsp;\u00bb est le vingt-quatri\u00e8me roman que Philippe Besson fait para\u00eetre depuis 2001.<\/h4>\n\n\n\n<h4 class=\"wp-block-heading\">\u00ab\u00a0<strong>Paris-Brian\u00e7on<\/strong>\u00a0\u00bb se d\u00e9roulait en 2021, apr\u00e8s la reprise d\u2019une liaison ferroviaire interrompue durant plusieurs mois.\u00a0 \u00ab\u00a0<strong>Ceci n\u2019est pas un fait divers<\/strong>\u00a0\u00bb se situe juste un peu auparavant, aux alentours de 2018. Un jeune homme relate des faits survenus trois ans auparavant. Tout avait commenc\u00e9 par un appel de sa s\u0153ur L\u00e9a, alors \u00e2g\u00e9e de 13 ans, depuis Blanquefort, dans la r\u00e9gion bordelaise. Lui-m\u00eame vivait \u00e0 Paris depuis cinq ans, en rupture de ban apr\u00e8s avoir annonc\u00e9 son intention d\u2019int\u00e9grer le corps de ballet de l\u2019Op\u00e9ra. A l\u2019\u00e9poque quadrille, il s\u2019appr\u00eatait \u00e0 passer coryph\u00e9e. Ce jour-l\u00e0 \u00e0 l\u2019autre bout du fil L\u00e9a lui annon\u00e7ait que leur m\u00e8re venait de mourir. L\u00e2chant ensuite que c\u2019\u00e9tait leur p\u00e8re qui l\u2019avait tu\u00e9e. Dans la cuisine du pavillon familial. Sous ses yeux. C\u00e9cile Morand, n\u00e9e en 1975, venait d\u2019\u00eatre assassin\u00e9e de dix-sept coups de couteau par Franck Malzieu, apr\u00e8s vingt ans de vie conjugale. Un choc pour le narrateur, un s\u00e9isme pour sa s\u0153ur. Ouvrant sur des r\u00e9v\u00e9lations dont ils ne pouvaient avoir id\u00e9e\u00a0: ce f\u00e9minicide n\u2019avait pas \u00e9t\u00e9 perp\u00e9tr\u00e9 par hasard. Le fils danseur reni\u00e9 par le p\u00e8re s\u2019engage alors dans une bouleversante remont\u00e9e du temps. Jusqu\u2019au milieu des ann\u00e9es 1990, quand C\u00e9cile, la jolie et timide fille d\u2019un buraliste veuf, avait \u00e9pous\u00e9 Franck, le souriant ouvrier \u00e0 la carrure de sportif qui travaillait \u00e0 l\u2019usine Ford rendue c\u00e9l\u00e8bre par un candidat \u00e0 la pr\u00e9sidentielle. Elle d\u00e9couvrirait bient\u00f4t les frustrations et les col\u00e8res du jeune homme\u00a0: \u00ab\u00a0<em>Elles n\u2019\u00e9taient pas toutes infond\u00e9es<\/em>\u00a0\u00bb, euph\u00e9mise le fils qui resitue le drame dans son contexte social et historique. Non pas un fait divers, mais un fait de soci\u00e9t\u00e9.<\/h4>\n\n\n\n<h4 class=\"wp-block-heading\">Mais Philippe Besson ne porte jamais un regard univoque sur les choses. En l\u2019esp\u00e8ce, il s\u2019attache \u00e0 d\u00e9busquer en m\u00eame temps les signes avant-coureurs de la trag\u00e9die dans les histoires intimes. Le p\u00e8re que Franck n\u2019avait jamais connu, parti un beau jour sans laisser d\u2019adresse. Franck lui-m\u00eame, au caract\u00e8re instable, en difficult\u00e9 \u00e0 l\u2019\u00e9cole, prompt \u00e0 faire jouer sa force, toujours d\u2019une jalousie maladive. Et C\u00e9cile, trop vite soumise \u00e0 son emprise, de plus en plus terroris\u00e9e, mais \u00ab&nbsp;<em>s\u2019arrangeant<\/em>&nbsp;\u00bb pour n\u2019en rien laisser para\u00eetre. Au moment du proc\u00e8s de Franck Malzieu, pr\u00e8s de trois ans apr\u00e8s son crime, la pr\u00e9sidente de la cour d\u2019assises de la Gironde posera tr\u00e8s pr\u00e9cis\u00e9ment les termes de la question, que le fils pr\u00e9sent dans le pr\u00e9toire ici restitue, dans son \u00e9conomie et sa terrible pr\u00e9cision&nbsp;lexicales : \u00ab<em> Nous ne devions pas parler d\u2019une dispute conjugale qui aurait mal tourn\u00e9, mais bien de l\u2019aboutissement d\u2019un continuum de violence et de terreur. Nous ne devions pas parler d\u2019un meurtre, mais de la volont\u00e9 d\u2019un homme d\u2019affirmer son pouvoir, d\u2019asseoir sa domination. Et de l\u2019aveuglement de la soci\u00e9t\u00e9. Et de la peur de nommer.&nbsp;\u00bb<\/em>&nbsp;Parti depuis trop longtemps, engag\u00e9 dans un autre chemin d\u2019existence, le fils-narrateur n\u2019avait rien pressenti des relations tumultueuses entre ses parents. Sa s\u0153ur s\u2019\u00e9tait retrouv\u00e9e seule, en premi\u00e8re ligne, comme elle l\u2019avait \u00e9t\u00e9 le jour du drame. Un traumatisme ingu\u00e9rissable en avait r\u00e9sult\u00e9, dont celui qui raconte endosse une part de la responsabilit\u00e9. Le roman de Philippe Besson restitue dans le moindre d\u00e9tail, avec une pr\u00e9cision clinique, l\u2019itin\u00e9raire d\u2019apparence lisse de ce couple, en fait tourment\u00e9 et chaotique. Le jour de sa mort, la m\u00e8re s\u2019appr\u00eatait en effet \u00e0 quitter le domicile conjugal.<\/h4>\n\n\n\n<h4 class=\"wp-block-heading\">Le fils narrateur, lui-m\u00eame finalement en th\u00e9rapie et sa s\u0153ur plac\u00e9e dans un \u00ab&nbsp;\u00e9tablissement sp\u00e9cialis\u00e9&nbsp;\u00bb, tire, certes un peu tard, les enseignements du drame&nbsp;: \u00ab<em>&nbsp;Depuis, j\u2019ai appris qu\u2019il faut plonger dans les profondeurs pour comprendre ce qui se passe \u00e0 la surface. J\u2019ai compris aussi que l\u2019invisible est plus parlant que le visible. Et que les bribes ne deviennent des indices que si on les relie \u00e0 quelque chose d\u2019autre, ou entre elles<\/em>.&nbsp;\u00bb Ce que fait tr\u00e8s exactement ce roman \u00e0 la fois pudique et implacable. Dans la lign\u00e9e des plus grands textes consacr\u00e9s aux faits de soci\u00e9t\u00e9.<\/h4>\n\n\n\n<h5 class=\"wp-block-heading\">\u00ab&nbsp;<strong>Ceci n\u2019est pas un fait divers<\/strong>&nbsp;\u00bb, de Philippe Besson, Julliard, 208 pages, 20 \u20ac<\/h5>\n\n\n\n<h5 class=\"wp-block-heading\">09\/02\/2023 &#8211; 1645 &#8211; W26<\/h5>\n","protected":false},"excerpt":{"rendered":"<p>Philippe Besson Les faits de soci\u00e9t\u00e9 constituent l\u2019un des terrains de pr\u00e9dilection du roman. D\u00e8s lors rien d\u2019\u00e9tonnant qu\u2019en ce d\u00e9but de XXIe si\u00e8cle l\u2019on voie \u00e9merger le th\u00e8me des&nbsp; f\u00e9minicides, longtemps occult\u00e9 par la soci\u00e9t\u00e9 et ignor\u00e9 de la litt\u00e9rature Inspir\u00e9 par le c\u00e9l\u00e8bre \u00ab&nbsp;Ceci n\u2019est pas une pipe&nbsp;\u00bb de Ren\u00e9 Magritte, qui ambitionnait [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_eb_attr":"","footnotes":""},"categories":[1],"tags":[],"class_list":["post-983","post","type-post","status-publish","format-standard","hentry","category-non-classe"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Philippe Besson - Blog de Jean-Claude Lebrun<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/jclebrun.eu\/blog\/2023\/02\/01\/philippe-besson\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Philippe Besson - Blog de Jean-Claude Lebrun\" \/>\n<meta property=\"og:description\" content=\"Philippe Besson Les faits de soci\u00e9t\u00e9 constituent l\u2019un des terrains de pr\u00e9dilection du roman. D\u00e8s lors rien d\u2019\u00e9tonnant qu\u2019en ce d\u00e9but de XXIe si\u00e8cle l\u2019on voie \u00e9merger le th\u00e8me des&nbsp; f\u00e9minicides, longtemps occult\u00e9 par la soci\u00e9t\u00e9 et ignor\u00e9 de la litt\u00e9rature Inspir\u00e9 par le c\u00e9l\u00e8bre \u00ab&nbsp;Ceci n\u2019est pas une pipe&nbsp;\u00bb de Ren\u00e9 Magritte, qui ambitionnait [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/jclebrun.eu\/blog\/2023\/02\/01\/philippe-besson\/\" \/>\n<meta property=\"og:site_name\" content=\"Blog de Jean-Claude Lebrun\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/jeanclaude.lebrun.9\" \/>\n<meta property=\"article:published_time\" content=\"2023-02-01T14:29:13+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-02-09T10:15:18+00:00\" \/>\n<meta property=\"og:image\" content=\"http:\/\/jclebrun.eu\/blog\/wp-content\/uploads\/2023\/02\/PHIL.jpg\" \/>\n<meta name=\"author\" content=\"jclebrun\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"\u00c9crit par\" \/>\n\t<meta name=\"twitter:data1\" content=\"jclebrun\" \/>\n\t<meta name=\"twitter:label2\" content=\"Dur\u00e9e de lecture estim\u00e9e\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/jclebrun.eu\\\/blog\\\/2023\\\/02\\\/01\\\/philippe-besson\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/jclebrun.eu\\\/blog\\\/2023\\\/02\\\/01\\\/philippe-besson\\\/\"},\"author\":{\"name\":\"jclebrun\",\"@id\":\"http:\\\/\\\/jclebrun.eu\\\/blog\\\/#\\\/schema\\\/person\\\/cdba083ef40db3843f5e37b6c8740865\"},\"headline\":\"Philippe Besson\",\"datePublished\":\"2023-02-01T14:29:13+00:00\",\"dateModified\":\"2023-02-09T10:15:18+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/jclebrun.eu\\\/blog\\\/2023\\\/02\\\/01\\\/philippe-besson\\\/\"},\"wordCount\":1101,\"commentCount\":0,\"publisher\":{\"@id\":\"http:\\\/\\\/jclebrun.eu\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/jclebrun.eu\\\/blog\\\/2023\\\/02\\\/01\\\/philippe-besson\\\/#primaryimage\"},\"thumbnailUrl\":\"http:\\\/\\\/jclebrun.eu\\\/blog\\\/wp-content\\\/uploads\\\/2023\\\/02\\\/PHIL.jpg\",\"inLanguage\":\"fr-FR\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/jclebrun.eu\\\/blog\\\/2023\\\/02\\\/01\\\/philippe-besson\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/jclebrun.eu\\\/blog\\\/2023\\\/02\\\/01\\\/philippe-besson\\\/\",\"url\":\"https:\\\/\\\/jclebrun.eu\\\/blog\\\/2023\\\/02\\\/01\\\/philippe-besson\\\/\",\"name\":\"Philippe Besson - 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